Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Back To The Future
This month's challenge asks you to put a character, culture, or place in Arda in the Seventh Age. When the Seventh Age actually is--is it right now? in the future? or was Tolkien totally wrong and it's actually passed?--is completely up to you. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Gah, the second time I am reading this and the end still gives me that blow, the thought of what if Aegnor survived. Would he really..?
And this line sums up the battle of the Sudden Flame so well:
Stormy eyes lost their haze. Focused on Shaghkar. Sent him threat. Flame. Anguish.
But you know, as a SWG challenge writer you often wonder how people will react to what you come up with, but to see these combined and the outcome of it: just stunning, so well done Binks!
My inner, hopeless romantic tells me that Aegnor would... But, eh... This was such a sudden idea that wouldn't let me go until I wrote it down. I was afraid though it would be too, you know, violent, gory, and stuff. I'm really happy that it works for you! Thank you once again for so kind words. It feels like a birthday to me :D
Binka! This is a staggeringly magnificient story told is so few words. I am thrilled that I was able to assist you with the Beta. (I recall grumbling to you that it is a hard genre to write well--I still believe that is true--but you triumphed and made it look easy.) It's a fine line to draw, to take the genre of dark fic, while being relentless in your realism, you manage to strip it of any sense of cynicism and make your readers cry. So harsh is this story in its reflection of this grim reality while remaining such a warm and human piece. OMG! The ending is a crescendo of tragedy and romanticism communicated in this so unexpected story form.
It's beautiful. The original canon manages to fill a huge canvass while barely mentioning these characters--the younger sons of the House of Finarfin, the love story told in the “Athrabeth Finrod ah Andreth,” and the intriguing question underlying it all for me is various ties and mentions of possible connections between the Finarfinwean princes and the sons of Feanor, geographically in Middle-earth and dating back to a possible personal connection Valinor.
You drawn upon the geekish reader, who is aware of all of these threads, and play their hearts strings so well, and yet meanwhile grab the imagination of other readers who do not necessarily know very much at all about the circumstances or the characters.
I happen to have quite my own reasons for being drawn to Aikanaro and Andreth (I do love a grand and tragic love story!). And I adore them as individuals--his role as one of the valorous defenders along the first lines of the barrier between Morgoth and the peoples to the south and Andreth as an outstanding female leader of her people, the wise-woman and ntellect who easily holds her own in an argument with Finrod Felagund (holds her own, if not triumphs!).
Beautiful use of canon. Hope to see more from you in the future.
Oh my Eru, I don't even know what to say. Since I got your review yesterday, been wondering how to thank you, and I still don't know. Especially that I wasn't really sure about this story. It was a sudden idea, but maybe those are the best in my case ;) Not those carefully planned and thought out. I'm beyond happy and grateful for all your help and support in the process of writing "Harvester" and for each and every of your generous comments. Thank you so, so much once again. (((hugs)))
Oh poor Aegnor! What a terrible way to end--and yet Shaghkar isn't even particularly cruel, just being a good orc! In fact, I think you did an extremely good job with Shaghkar's characterization and his POV.
You did great things with the prompts and I love the ending, with the fragment of the letter. (Of course, I can't help wishing Aegnor had managed to send it...!)
Thank you! Thank you so much for reading and reviewing. I'm so happy that I did a decent job with Shaghkar's POV (another OC I can use elsewhere ;)). Oshun helped me a lot with it, I need to credit her here. And of course, I too wish Aegnor had found a way to send this letter to Andreth, oh well, romantic me... Thank you! :D
Binka, this was incredible! The voice is perfect, the pacing relentless (in a good way, of course!) I was rivetted. It's a short piece, but wow, it packs a punch. Bravo!
This is outstanding! So much in a short ficlet - intense, wrenching, visceral. There's an immense and primal beauty in the brutal imagery (<= must be the DM talking here ;^)) of Shaghkar considering the dying elf-man, and then without compassion, but just doing what an orc's gonna do, putting him out of his misery.
I love the style you've used to take the reader right into Shaghkar's headspace. The syntax absolutely works.
Then...the coda. OMG. I didn't see that coming, and it was a punch in the gut. So to speak. ;^)
In short, a fabulous ficlet that highlights your formidable writing talent!
Wow! Thank you tons for your wonderful review. OMG, I'm overwhelmed, in a good way :D Thank you. Oshun's help was invaluable here :) I'm sp happy that my idea worked. Thank you!
Comments on Harvester of Sorrow
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.