Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Random Challenge
Birthday Bash
Daily word, image, and poetry prompts are loosely structured around events and milestones leading up to our 20th birthday. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Painful, how you've made the "unwomanly" thralls into actual people -- I love this peek into her mind, and how she's a survivor rather than not. Her strength really is in persisting and continuing, even if Tuor (JRRT) doesn't think so! I enjoyed this, many thanks.
Thank you very much, Quente! Good to hear that that came across like that. Of course, Tolkien did something similar with Aerin already (and I appreciate that he is capable of that empathy when he is paying attention), but I really wanted to extend that respect and sympathy also to women who are not close relatives of the protagonists!
Lots of interest in this short piece. I like the balance of humanizing Easterlings generally with the intriguing/creepy visits of Lorgan to Angband. Your OC is sympathetic but sensible. And Tuor does decide to be patient under the poor treatment and bide his time, so maybe that is a wisdom he picks up from people like your Pinfileg. Nice work!
Thank you very much, mouse! Glad that balance worked for you. I think Tuor understandably needs time to work out what is going on, because growing up with Annael could not really have prepared him for this situation. But my intention was that he does understand things better by the time he leaves.
What a terrible situation Pínfileg is in! I always enjoy reading your OCs. I appreciate that you looked and humanized one of the people who Tolkien dismisses. Lorgan's visits to Angband are intriguing and sinister . . . And his trying to hurt the thralls through any remaining loyalty to Húrin's family reminds me of the Ring's or Sauron's temptations, twisting the things people love and their best qualities to use against them.
Thank you very much, Zdenka! Good to hear that you liked reading about this OC!
Tolkien does not give us much about Lorgan, but to me as a reader he gives off a more sinister impression than Brodda, because what he does seems more deliberate and he seems to be acting purposefully for Morgoth's interests as much as his own. (Of course, that doesn't make the sufferings of Brodda's victims any less!)
Thank you, Grundy! I am glad you liked my Little Sparrow! I haven't managed to come up with a way of escape for her yet, in my mind. Possibly she may end up at one of those smaller settlements mentioned where living conditions are better. Canon seems pretty definite that nobody escaped with Tuor and I think I would need to find some other means for her to get away from Lorgan.
A very vivid view from the thralls' perspective. She has an amazing strength of will and resilience, and her communication attempt with Tuor, well, watching his actions must have been both frightening and frustrating. And the idea of Lorgan visiting Morgoth — I'd never really thought in detail about how Morgoth communicated his will in practical terms, and this adds an extra chilling dimension. Well done with this.
My ideas about Lorgan are influenced by that scene where he is trying to second-guess Morgoth's intentions with the release of Hurin. None of that directly follows, of course, but maybe...
Comments on Little Sparrow
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.