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New Challenge: Allusive Literature and art constantly refer back to each other using allusions, and this month's prompts are inspired by allusions to literature, myth, art, and history.
New Challenge: Building Middle-earth Let global architecture be your inspiration in this challenge, where you will work with a prompts that are architectural styles, locations in Arda, or both.
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
Over the course of his very long life he had found a handful of messages in bottles, but it had been a very long time. So when he found the glass bottle on his little stretch of pebbly beach, he picked it up with the intention of tossing it into his recycling. But it wasn’t, he found, just…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
When uneasy dreams bring him back into Beleriand, Daeron finds a pair of twins who have lost their home, and an enemy who has lost himself. The Shadow's reach is growing ever longer, and if they are to survive, they must do it together.
Elrohir has been found after his long abduction by the Black Númenóreans of Umbar. He comes home to Rivendell, but all is not well: the Elf-child that was taken is now a Man grown. War and darkness have left Elrohir deeply scarred, and even at home there is danger...
And the Winner Is ...
Pit two characters against each other to see who wins. Characters can fight physically or match their wits or even magic. Read more ...
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Data from the 2025 Tolkien Fanfiction Survey shows demographic changes in participant gender, age, and education and new revelations about neurodiversity.
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Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
A lovely poem. It can't have been easy to move to the Northern Kingdom, where she likely married a stranger. And after the throne of Gondor was denied to her, the tragedies start to hit.
Indeed - and even harder when the stranger was doomed to be the Last King! (But I like to think she made the best of it, and she and Arvedui did their best for each other). Thank you so much for commenting!
What a difficult fate to have to watch tragedy befall your family so thoroughly and feel yourself unable to help. I love how clear eyed she is about it all. She can acknowledge her family’s folly alongside their legitimate losses, and she can see that Arvedui tried to do well by her even if their life together turned out to be hard and full of sadness. (And despite the kind of opportunism in Arvedui trying to use her inherited claim to the throne of Gondor as a means to get himself onto that throne — I’ve always wondered what to make of his motives there, I can see it going several ways!) Of course, being clear eyed about her own situation and challenges doesn’t make any of them easier to live through, even if she has things that she clings to for comfort and optimism. The pain of her circumstances is very palpable here.
You know I love a woman who is out of place in a royal family far from home and entangled in troubles, and Firiel has some interesting things in common with Vidumavi, especially a sense that her children have the right to their kingship and a sense of determination that they should have it someday. But unlike Vidumavi, Firiel can’t find comfort in current hard times by looking back to her birthplace as a place of safety where she can retreat if needed because everything went so wrong there after her departure. That has to be an extra special level of emotionally unmooring — nowhere is safe and easy. How truly sad. Still, I loved that you chose to end on an invocation of her heirs and the chieftains they would become, eventually ending so many years later with one on the throne of both Arnor and Gondor again. What a win for her, though obviously far too late for her to get to enjoy it.
As always, I greatly enjoyed your imagery. Arvedui entombed on the icy throne with his lost palantir was especially good as a poetic representation of his fate — kind of creepy in a way, and also very sad, and also a little infuriating because why did it have to be so. The whole poem is super thought provoking and especially because she’s a character who is relatively little discussed. Engaging seriously with her story through the poem raised so many new questions for me that I hadn’t considered at length before (like, did she know he had been prophesied to be the last king when she married him? What did she think when she found out?). I’d always be interested to hear more of your thoughts about her, and it’s always very fun to be inspired to think more deeply so thank you!!!♥️
Thank you, as ever, for such a detailed comment! I really appreciate you giving Firiel, and my poem, so much thought. :) Where to start with Firiel? There's so much I could say (and I will try and do so elsewhere - I've thought about her endlessly!) I'm glad to be able to give others the opportunity to become more familiar with her story, terribly sad though much of it is.
I love that she comes across as clear-eyed, because I absolutely think she was. In my view, she always knew about the prophecy surrounding Arvedui (that's partly why she describes him as strange, along with him coming from so far away and being unlike anyone she'd met before). I headcanon that she had a choice about marrying him, and wasn't just sent away to Arthedain as the Appendices may seem to suggest; I think Arvedui (Prince at that time) came to visit Gondor, not so unlike Valacar going to the Northmen - and Firiel was keen on history and very aware of her ancestor Vidumavi - and while they didn't fall in love, they got on well enough that they decided to make a go of it. They both have a keen sense of their duty, as they see it.
I'm sure Arvedui felt that links with Gondor might somehow offer the means for him to escape his Doom - but when the opportunity came to claim the crown, he did so with Firiel's support and a plan of actually ruling jointly if accepted. (I like to believe he was always very respectful of her). What does puzzle me, though, is why their son Aranarth wasn't offered the crown later on - surely Gondor weren't so utterly dismissive of a female line? (although Denethor, much later, is very dismissive about Aragorn). I've even wondered if he was offered it and turned it down…
On a positive note, I like to think that she ended her days in the peace and comfort of Rivendell, and was befriended by Celebrian. It seems very possible to me that she went with her grandson when he was fostered there. :)
Comments on The Last Queen of the North
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.