New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
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New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution
Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
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[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Who Will Hear Me? by XirinOfArvada
A lonely elf finds a flute half buried beneath the sand and wonders if its owner will hear him when he calls.
[Writing] Loyal, Faithful by Himring
Late in the Second Age, one of the Faithful reflects critically on past developments. (Free verse.)
[Writing] East Away! by Flora-lass
Aldarion storms off towards Middle-earth. For the Title Track challenge.
[Writing] Don't You Ever Look Away by Elrond's Library
“They can’t just assume we’ll let them leave us behind.”
“But they are, and they will. Our fathers are the Heads of their Houses. Fëanáro is king. Defiance would be treason, beloved.”
“I am his firstborn.”
“You are his only daughter.”
“I have…
[Writing] Break Me by Elrond's Library
“You’re not going to break me,” Russo huffed, finally cracking open his eyes, which were bright with amusement. “They could not, what makes you think you could?”
For Scribbles and Drabbles 2025 SFW Slide 33
[Writing] Three Black Islands by Idrils Scribe
When Celebrimbor's attempts at forging the Rings of Power fail yet again, Annatar knows where to find the missing know-how.
For all the wrong reasons, Celebrimbor agrees to an expedition to the ruins of Angband to search Morgoth's own laboratory, deep in the icy Northern Wastes.
What…
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
But I Won't Do That
Consider what "that" is for your character: the one thing that she or he refuses to do, no matter what. And what happens when she or he ends up having to do it anyway? Read more ...
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Twilight, Child Of: Comparisons Between Tinúviel, Lómion, and Undómiel by JazTheBard
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
The Aromantic in Tolkien by daughterofshadows
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
[Writing] here you will dwell, bound to your grief by Elrond's Library
Arwen grieves, and loves.
[Writing] Faramir's Verse by losselen
“Come, Faramir. Let us not stand in ceremony. I think words are due between you and I, and not only those between a King and his Steward.”
Faramir has speech with Gandalf and his King.
[Writing] In a Hole in the Ground... by StarSpray
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
To this person for whom numbers generally have very little "colour" this is surprisingly interesting!
Because of the double effect of Tolkien not finalising anything and Christopher inserting his bias/preferences, I'm often wondering how a JRRT-published work might have finally appeared.. (Although even if he lived as long as Elros I'm sure he would have still been changing his mind throughout and would still not have finished!)
That is truly a wonderful compliment if I managed to make dry old dusty numbers come even a little bit alive for you!
I wonder about that a lot too and tend to end up with JRRT never being able to finish a "Silmarillion." His purpose changed so much between the Lost Tales and some of his late writings where he was completely reconsidering the cosmogony and historical transmission. I also wonder if the constant rewrites weren't part of the purpose. Intended or not, he did create a historical tradition right in the drafts of his work ...
Thank you for reading and commenting! <3
It's your extrapolations that make this so interesting. I mean, the way I read, I originally read the whole Silm as an omniscient view, and never even noticed that Turin's chapter might be a different narrator. Just learning about JRRT's narrators and their likely biases changed the Silm dramatically for me. So extending that view by delving into this dialogue aspect is opening my eyes even further.
I agree that, with the published Silm being cobbled together from various (often incomplete) writings spanning decades of mind-changes, we end up with quite a jumble. And yet I'm also really glad we do, because I love the magic and whimsy of his early ideas as much as his later writing, and I think the Legendarium would be far less rich and engaging without either.
I'm also wondering how much of the Ainur's dialogue is Aulë and Yavanna having their domestic?
To be fair, I didn't realize that Turin's chapter was a different narrator until REALLY recently given how long I've been working on stuff with the narrators. XD And that's my least favorite chapter so I'm still not 100% sure how it is constructed from its extremely complex textual history. Right now, my slightly informed stance is that Dirhaval wrote the verse version and our good ol' pal Pengolodh put it into prose in the book we call The Silmarillion. But this is probably 75% headcanon at this point.
Because you, like I, enjoy maps, you might enjoy this atrocity that I made for my "Death, Grief, and the Other" presentation at Oxonmoot in August:

(Why didn't I color in the ocean? The mind boggles!)
(And Sirion is spelled wrong!!!!)
I absolutely LOVE that the Silm is a posthumously published textual jumble. (That is the perfect word for it!) It feels like real history, where you have to wade through sources and debate their various merits. This is why, while I have to stop short of saying "Tolkien intended," I do wonder if someone who worked with medieval texts in all their various and contradictory forms wasn't maybe a little bit intentional about creating a similar tradition. I don't think he wanted to leave it unpublished, but there would have been this whole iceberg of texts under the surface ... and of course the doubt that a fallible narrator creates.
I'm also wondering how much of the Ainur's dialogue is Aulë and Yavanna having their domestic?
Yes, as I'm working with the data, I'm realizing that this is coming up again and again as a complicating factor. I probably need to dig into the provenance of the various instances of dialogue that I've collected sooner rather than later, then see how the data changes (or doesn't) once Christopher's additions are filtered out.
I am amused by the "who talks more than God?" question - and even more so by the answer(s)!
....than the discussions in Discord. The Aulë and Yavanna chapter containing the most dialogue (and by a female) but written by Christopher Tolkien rather than his father is an astonishing fact.
The bias of the Silmarillion always felt Elvish to me, so was happy to see that your research bears this out.
We all know this is an issue, and the statistics are stark. And, as you say, thank goodness for fanfiction.
....I am usually wanting more about the lives and motivations of his sons (and any adjacent/non-adjacent females, or other genders*), rather than the father who disappears from the scene leaving the Oath in his wake. As for Thingol talking more than everyone else, while he was making his bad and/or potentially bad decisions, fanfiction to the rescue again....
*actions/pronouncements/events of January 2025 related
....statistics* from your report (which has overall been a great read). I love the possible permutations of Námo's journey to expressing himself at length.
*Statistics was my one and only grade below B at University.... Calculus made sense; Engineering, Literature, Architecture, History all made sense; Statistics just wouldn't go in.
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