Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
But…
Current Challenge
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
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Cheesy Corn Chips
Celebrate the corny and the cheesy, the sappy and sweet and schmaltzy and saccharine in popular culture by choosing from our collection of corny, sentimental, and heartstring-rending prompts. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
What was Finrod thinking? Perhaps, if he truly wanted to court her, he thought she ought to know what kind of tangled mess she might be getting herself into if she accepted him? Poor girl!
I loved this part:
He had watched the proceedings and made the occasional respectful remark, while she had watched his lovely profile, the elegant manner in which his hand cupped his chin, the attentive way in which he leaned forward, the sparkle in his eyes as his focus shifted from one speaker to the next.
So much fun to read. She was a clever maid, but one who found herself there because she was simply attracted to this handsome, charming young man. (One might see Finrod in later years as a snake charmer himself. Since in M-e he seemed to be the one who tried to stay on good terms with all of kinsmen, despite their complicated differences and alliances or lack thereof.)
Well, he thinks that these council sessions are super exciting and didn't realise that others might find it less interesting. But as you say, letting her see how complicated his family is isn't the worst idea if he's serious about courting her. :D
She does figure it out neatly enough. (And that's a neat thought! Well, he does keep on wearing that ring until he gives it to Barahir!) Glad you enjoyed it!
Despite the mix of blood that Finrod has, I think that the Noldor predominates in him so he must find discussions about sewage repairs and mining committees fascinating. Does he realize that Amarie, and the Vanyar in general I suppose, must be bored to tears by these topics? Smart girl Amarie who picks the undercurrents right away!
she realised that comparing the commonwealth of the Noldor to a furry little burrower might be a little insulting.
Feanor and Fingolfin's behaviour make marmots seem statesmanlike and dignified!
I think he enjoys the sense of duty and political participation more than the actual content of the discussions, FWIW. ;) I don't think he realises that Amárie might not see it the same way. On the other hand, it does give Amárie plenty of opportunity to analyse the unspoken!
Hah! No self-respecting marmot ever swore an unbreakable oath, or challenged Morgoth to single combat, either! Perhaps she didn't want to insult the marmot?
Well, he's sharing something that's of the utmost importance to him and has shaped who he is, so in that sense, it's a good choice. Just not what she expected. I figure that as an outsider, she would have a clearer view... :) Thank you!
I love this idea! Really very clever and a perfect use of canon! You made me spend a long time on the web trying to find an artistic representation that resembled your description of the ring. Did you have an inspiration or have you drawn one? This one was the closet I could find.
Ooh, thank you! Glad you liked my idea. Barahir's ring - or rather, the fact that it is supposed to be the emblem of the House of Finarfin - is rather enigmatic, considering that the heraldic designs Tolkien doodled tend to look... completely different from the snakes and flowers described in the Lay of Leithian. And I am extremely underwhelmed by the way it was executed in the LotR movies, I must admit.
As it happens, I do have a rather shoddy sketch that comes closer to what I imagine, although that doesn't really do it justice either. It's missing the coiled snake bodies too - I only thought of that detail later on, TBH! And obviously, I am less skilled as an artist than Fëanor is as a goldsmith! (Well duh.)
Anyway, I'm thrilled you like both the description of the ring and the characterisation of these folks. I don't often write Finarfinians (or Vanyar) so it was a fun new thing to try.
Comments on The Snakes and the Flowers
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.