Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
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In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This is great, very creative and I like it a lot! I especially like this passage:
Our words do not speak of them, but our bodies remember, and that is why my people have skin as dark as the earth and skies of our homelands, why the Fisher-folk are lithe and slender as the fish that they hunt and the Forest-folk are nimble and swift like deer, why the Crafty Ones are strong and high-grown as the mountains in which they delve for ores and the Fair Ones have skin and hair as pale as the stars to which they sing their praises. We are all Quendi, but we were not always in this place together.
Also really appreciate his reasoning here:
For the true story, ask the smiths. They have far more lore than just the knowledge of metals and stones. Maybe they will tell you - although they do not normally share their wisdom with the uninitiated.
I see you've revisited your Morwe character here. Really interesting elvish prehistory! Pre-Quendi--there are resonances here both with canon and RL history that I can't all unpick.
Morwe insists that he wants a whole Avarin novel at some point, but fortunately, he is content with the occasional ficlet for the time being. Glad you find the pre-history (and the resonances with real and canon history) interesting. Thank you!
gosh, what a daring canon-attack ! i like the 'bee-dance' notion... i'm a bit of a dancer (6 years of ballet) but its really alien to me that i could communicate anything much other than my enthusiasm for the music. it makes your Elves (and the bees) feel stranger than ever.
also, as one with part-neanderthal genes, i must agree with your premise of multiple origins and later convergence. very thought provoking ! good one :)
Aw, thank you! And I'm very glad you enjoyed my potentially heretic piece.
Heh, I normally write my Elves too human, so maybe this is a good occasion of rendering them a bit more Other. On the other hand, there are dancing traditions in which different body positions and gestures carry meaning, and even more modern styles like eurythmics that are meant to communicate messages, so I guess it's all human after all ;).
Amusingly, I didn't even think about RL precedents of convergence - I just felt like shaking up that silly Imin, Tata and Enel story up a bit. Neanderthal high-five!
While reading this, I often found myself nodding and thinking, "Oh hell, yes!". What people may believe is one thing, the truth -- another, often uncomfortable. Thank you so much for writing this!
Oh this was so good! I love this idea of nearly forgotten times, lost because there were no words for it. And communicating by dancing! :D And adapting to the environments they were living in.
I wasn't actually thinking of full-out communicating by dancing (in the way that bees do) - more like commemorating important events in dancing. Though presumably, there would have been gestures and motions for everyday use! But I'm glad you loved the ideas I played with in this fic. Thank you for commenting!
I was wanting THIS for a long time now. Not only the counting story of Imin, Tata and Enel, but the whole mythical premise of Tolkien about "awakening" has always bothered me in a hundred ways, even if I perceive its lyrical beauty and I have enjoyed many marvelous fics where it is taken at its face value (and where its many fascinating consequences are shown).
At last, a scientifically verosimile tale of the origins of Elves! It could have been the record of an interviewing anthropologist. And is the knowledge of smiths a hint to paleonthology?
I love your stories for your excellent talent as writer, but I wanted to give support to your "heretic" view in this one. Science is cool!
And humble apologies if this review sounds strange, English is not in my mother tongue.
Thank you for your enthusiastic review! And if you hadn't told me that English isn't your native language, I wouldn't have noticed; it does not sound strange at all.
I'm so thrilled that you enjoyed this story so much. I quite like the "awakening" story for its lyrical beauty, as you aptly call it, but I've always assumed that it was more mythology than history, and this was a great chance to explore that idea further. The fact that you see parallels to anthropology and paleonthology is high praise indeed. I have indeed taken some inspiration from cultural anthropology, including the concept of smiths as people with liminal powers and knowledge, so I'm very glad it comes across convincingly.
Science is cool indeed, and I think it can beautifully be interwoven with Tolkien's mythological themes to enhance and enrich the Legendarium. Again, I'm very happy that you enjoyed this "heretic" version of Cuiviénen. Thank you so, so much for your lovely review!
Oh, I'm so glad this interpretation klicks with your own! I love the idea of Cuiviénen but also the reading of it as a myth, so having an idea to combine these two concepts made me so happy - and finding that it works for others makes me even happier. Thank you!
Comments on We were not born in Cuiviénen
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.