Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
As you know, I was most excited about seeing this particular prompt done in art ... especially art done by you! :) And it does not disappoint. Your imagining of both Arien and Tilion but especially Arien is simply marvelous. And gold leaf! Yay! ^_^
It's strange... Am I looking at an ancient vase, with paintings that depict Greek gods? This has such a feeling. And yet it's distinctly yours, with a touch of African inspiration, plus the awesome technique. And the gold!
I love the poses you've chosen for these two: Arien completely composed and in control, and Tilion tumbling - in a very graceful manner, but tumbling nonetheless - beneath her. Flowy draperies are one of my soft spots in art anyway. The gold and silver add an iconic touch.
Like Binka, I feel reminded of something ancient - Tirion's posture has kicked awake a memory of Minoan bull leaping, I think - which is nicely evocative. Awesome work on so many levels!
Oh man, your comment makes me happy. I really wanted to convey something about each of them with the way they hold their bodies and how they are oriented towards each other, so it's great to see you saw that too. :D (Flowy drapery is awesome! Though always a pain to draw I feel...)
Like I said to Binka, I kinda want to see this on a giant Greek vase now! :D
I cannot believe this painting! It is amazing! So absolutely gorgeous. The warm and cool colors, the resonnance of those qualities in the figures. I'm babbling because I am speechless. You really must be so pleased with yourself and proud of this!
Thank you so much!! <3 I had a lot of fun doing this and playing up the differences in the two of them. (also always fun to make the woman the strong one!)
Comments on The Guides
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.