Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
[Writing] A Very Fire by Deborah Judge
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
"The madness will not end," Feanor…
[Writing] After the Kinslaying by Deborah Judge
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
[Writing] Add Another Stone by StarSpray
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
[Writing] How Tolkien Presents Ordinary People in "The Silmarillion" by Dawn Felagund
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
[Writing] Blessed are the Leave-takers by Isilme_among_the_stars
As prince Curufinwë Fëanáro makes an historical speech from the high court of the King upon Túna, those at the back of the crowd strain to hear.
A silly little scene inspired by Monty Python's "Blessed are the Cheesemakers" scene from The Life of Brian, written for …
[Writing] I Sit and Think of Times There Were Before by Erdariel
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
[Writing] Until the Stars are All Alight by Dagstjarna
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Canon with a Twist
Choose a single moment in Tolkien's canon, have a character make a different choice, and create a fanwork about how the history changes. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Week of Kiliel
A Tumblr event dedicated to the relationship between Kili and Tauriel.
Aspec Arda Week 2026
This week-long event celebrates asexual and aromantic spectrum interpretations and headcanons of Tolkien’s Legendarium.
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
Tolkien Reverse Summer Bang 2026
The Tolkien Reverse Summer Bang is back for another summer of collaboration between artists and writers!
This is really good. I like so many of your choices--that she married out of love, believing that the two of them could make positive changes, could repair divisions among their people.
I love this description of that,
"Would reconcile the old ways and the new.
Alas, he tasted of a stronger vintage."
I liked her prediction of a tsunami. I also loved that she prays for survivors who will carry the positive legacy of their people into the future.
I'm so happy to hear that you liked my choices. Tar-Míriel is dear to my heart (even though I don't write her much) so these headcanons (is that the word these days?) are quite important to me! I'm certain that - if we go with the version where she married Ar-Pharazôn for love - she wouldn't have done it out of selfishness or purely to spurn Elentir, but because she genuinely thought that it would be a step towards reconciliation. She probably got a lot of hostility from her fellow Faithful though. :(
I'm not sure she would even be able to see the behaviour of the sea from up there, depending on how high the mountain is and how thick the volcanic fumes etc. etc., but I felt I needed to allude to the wave somehow after all that talk of smoke and fire. Some say the world will end in fire, but Númenor ultimately didn't! Glad you liked that addition, and I'm glad that you liked her prayer for the survivors. Thank you for your lovely comment!
Tar-Miriel is very dignified, very queenly here, and the stately rhythm of the verse matches that.
I like how you make the end flow very naturally into the prompt.
It has very little to do with the original context, I'm afraid, but somehow that's what the "merely mortal" part did with my (merely mortal! ;)) brain. Glad you liked it! I've been rather suspicious about the idea of Tar-Míriel running helplessly and fruitlessly up the mountain before the waters overtake her as it's presented in the Akallabêth for a while, so this was a welcome chance to present her in a more dignified manner - and as somebody who ascended the mountain before all hell actually broke loose. (I mean. Would you run up an erupting volcano, even to escape a tsunami? I don't think I would!)
Thank you!
I absolutely adore this poem. I have already read it at least five times and saved it as a favorite. Something about it just keeps pulling me back. First of all, the writing itself. I really appreciate the way it is interwoven with rhyme, but never feels bound to it if that makes sense. The rhymes give it a sense of flowing rhythm as they are interspersed throughout, and yet they are never forced in place of emotional power. Not that there is anything wrong with fully steady rhyme schemes of course, and they certainly can hold emotional power, but I have a special fondness for pieces like yours where the rhymes allow it to flow, and yet you are never quite sure when you are going to get another, which adds something to the unsteadiness felt in the scene, and with it you are pulled along in the full weight of what is being said. I know I am rambling on about the same subject, so I will move on.
I am not particularly interested in Númenor, so I really wasn't expecting to like this as much as I did. Even though the characters are ones I hold little special fondness for, nor do I know much of the depths of their stories and lore, you wrote in such a way that I felt fully for them.
Something about this piece feels... compact, in a good way. Everything just seems to fit so perfectly into place, especially the way the prompt is inserted, so that the whole piece seems to be building up to it.
You can see that I am rather gushing about this piece, but I truly mean everything I'm saying. Well done!
Thank you so much for your lovely, long comment! And please don't worry about gushing! I love to hear what my readers think (especially if they're so generous!).
I didn't focus on rhyme at all, merely on rhythm, so any rhyme that happened just... happened. The formal language of prayer allows for a reasonably steady rhythm, but a fixed rhyme scheme would probably have taken away the sense of urgency and insecurity, and I wanted to bring just that across. I'm glad that this has worked for you! And even more thrilled that you felt the emotional impact even though you don't have any particular emotional attachment to the characters. I'm taking it as a huge compliment! I'm also happy to hear that the poem feel compact, with everything necessary in place but no undue circumlocution, and a noticeable build-up to the final line. That was my intention, and I'm very excited if I managed to pull it off!
In conclusion, thank you so much for your thoughts!
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Comments on The Queen Comes To The Mountain
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.