New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
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New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution
Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
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[Writing] In Early Spring by Serinquanion
In what Maedhros was re-embodied early and was sent back to Middle Earth on his volition with Glorfindel.
This isn't about what happened right then but years after Fall of Sauron when he still refused to return to Valinor.
He found a strange sapling at the shore of what remains of…
[Writing] Umnenyalië by Serinquanion
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
[Writing] Winter Warmth by Serinquanion
A winter night in Himring. But inside the quarters where fire blazed in hearth was warmer, and not only from the fire or quilt.
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Who Will Hear Me? by XirinOfArvada
A lonely elf finds a flute half buried beneath the sand and wonders if its owner will hear him when he calls.
[Writing] Loyal, Faithful by Himring
Late in the Second Age, one of the Faithful reflects critically on past developments. (Free verse.)
[Writing] East Away! by Flora-lass
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Twilight, Child Of: Comparisons Between Tinúviel, Lómion, and Undómiel by JazTheBard
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
The Aromantic in Tolkien by daughterofshadows
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
[Writing] here you will dwell, bound to your grief by Elrond's Library
Arwen grieves, and loves.
[Writing] Faramir's Verse by losselen
“Come, Faramir. Let us not stand in ceremony. I think words are due between you and I, and not only those between a King and his Steward.”
Faramir has speech with Gandalf and his King.
[Writing] In a Hole in the Ground... by StarSpray
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
This is really good. I like so many of your choices--that she married out of love, believing that the two of them could make positive changes, could repair divisions among their people.
I love this description of that,
"Would reconcile the old ways and the new.
Alas, he tasted of a stronger vintage."
I liked her prediction of a tsunami. I also loved that she prays for survivors who will carry the positive legacy of their people into the future.
I'm so happy to hear that you liked my choices. Tar-Míriel is dear to my heart (even though I don't write her much) so these headcanons (is that the word these days?) are quite important to me! I'm certain that - if we go with the version where she married Ar-Pharazôn for love - she wouldn't have done it out of selfishness or purely to spurn Elentir, but because she genuinely thought that it would be a step towards reconciliation. She probably got a lot of hostility from her fellow Faithful though. :(
I'm not sure she would even be able to see the behaviour of the sea from up there, depending on how high the mountain is and how thick the volcanic fumes etc. etc., but I felt I needed to allude to the wave somehow after all that talk of smoke and fire. Some say the world will end in fire, but Númenor ultimately didn't! Glad you liked that addition, and I'm glad that you liked her prayer for the survivors. Thank you for your lovely comment!
Tar-Miriel is very dignified, very queenly here, and the stately rhythm of the verse matches that.
I like how you make the end flow very naturally into the prompt.
It has very little to do with the original context, I'm afraid, but somehow that's what the "merely mortal" part did with my (merely mortal! ;)) brain. Glad you liked it! I've been rather suspicious about the idea of Tar-Míriel running helplessly and fruitlessly up the mountain before the waters overtake her as it's presented in the Akallabêth for a while, so this was a welcome chance to present her in a more dignified manner - and as somebody who ascended the mountain before all hell actually broke loose. (I mean. Would you run up an erupting volcano, even to escape a tsunami? I don't think I would!)
Thank you!
I absolutely adore this poem. I have already read it at least five times and saved it as a favorite. Something about it just keeps pulling me back. First of all, the writing itself. I really appreciate the way it is interwoven with rhyme, but never feels bound to it if that makes sense. The rhymes give it a sense of flowing rhythm as they are interspersed throughout, and yet they are never forced in place of emotional power. Not that there is anything wrong with fully steady rhyme schemes of course, and they certainly can hold emotional power, but I have a special fondness for pieces like yours where the rhymes allow it to flow, and yet you are never quite sure when you are going to get another, which adds something to the unsteadiness felt in the scene, and with it you are pulled along in the full weight of what is being said. I know I am rambling on about the same subject, so I will move on.
I am not particularly interested in Númenor, so I really wasn't expecting to like this as much as I did. Even though the characters are ones I hold little special fondness for, nor do I know much of the depths of their stories and lore, you wrote in such a way that I felt fully for them.
Something about this piece feels... compact, in a good way. Everything just seems to fit so perfectly into place, especially the way the prompt is inserted, so that the whole piece seems to be building up to it.
You can see that I am rather gushing about this piece, but I truly mean everything I'm saying. Well done!
Thank you so much for your lovely, long comment! And please don't worry about gushing! I love to hear what my readers think (especially if they're so generous!).
I didn't focus on rhyme at all, merely on rhythm, so any rhyme that happened just... happened. The formal language of prayer allows for a reasonably steady rhythm, but a fixed rhyme scheme would probably have taken away the sense of urgency and insecurity, and I wanted to bring just that across. I'm glad that this has worked for you! And even more thrilled that you felt the emotional impact even though you don't have any particular emotional attachment to the characters. I'm taking it as a huge compliment! I'm also happy to hear that the poem feel compact, with everything necessary in place but no undue circumlocution, and a noticeable build-up to the final line. That was my intention, and I'm very excited if I managed to pull it off!
In conclusion, thank you so much for your thoughts!
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Comments on The Queen Comes To The Mountain
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