Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Scavenger Hunt In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Oh, I like so many things about this! Your clever incorporation of the title prompts (and he is so apt for the Kids prompt!) And all his thoughts justifications (although I do also sympathise with him, torn between duty and loyalty and his own desires and I'm such a sea-baby I can't help siding with him!)
(I was surprised when I first discovered flotsam and jetsam referred to different types of things, but now remember by jetsam=jettisoned, flot=just floating.)
Thank you for your lovely comment! Although I think Aldarion must have been difficult to live with, I do feel really sorry for him too - especially when the sea-longing comes upon him and he can hardly breathe, or sleep. So I have him honestly believing that he'll fall apart if he doesn't get away... :(
I love the ship and marine imagery you've woven in to this! And it feels as if it captures Aldarion just aright with the rejection of his father's wisdom in favour of adventuring, far lands and what he perceives as greater in Middle Earth.
Thank you so much for commenting! I'm very happy you think I've managed to capture Aldarion. :) All those sea-related title prompts were a great help to me.
Thank you so much for reading and for your lovely comment! It made me think, in a way I hadn't quite before, that the sea and what it represents is life-giving to Aldarion, and that he's diminished when away from it.
You have captured Aldarion’s personality very well in this lovely poem! I love how he compares himself to Earendil and Tuor, and wishes to wander in Middle-earth. He’s even a fan of Gil-galad!
Thank you so much for your kind comment. :) Since we know that Gil-galad regarded Aldarion highly, I like to think the feeling was mutual - and I'm coming to think that Aldarion sometimes wished he'd been one of the Eldar, without the pressures of time or expectation of producing an heir experienced by mortals. He must have found Gil-galad, and Cirdan, very soothing company, I think (there was an AoA discussion about this a while back which got me started on the idea!)
Comments on East Away!
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.