Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Well, this was extremely unsettling as a conclusion! But I really like it, and I like how it solves the issue of survival logistics. I might even adopt it as a headcanon myself.
You're welcome to it! I've always assumed that Morgoth's power must have been behind those unnatural survivals, so of course it feels like the easiest solution to me. ^^
Excellent response to the prompt! Creepy too (in all the best ways-- lets the reader construct their own parameters without doling out a litany of specific and explicit descriptions like some sort of pulp-fiction horror--sorry, sorry carried away there! Low tolerance for dark fic unless it is done extremely well).
Frankly, in my fandom history, I spent a lot of time over a decade ago discussing the question that maybe Tolkien's in-story time is poetically or narratively enhanced for effect in these particular instances. I decided for my own storytelling purposes, that Maedhros might have spent a couple to a few years in captivity (equal roughly to the time it took Fingolfin's followers to cross the Helcraxe--obviously I could not suspend my disbelief for much longer than that) and less than two weeks hanging by one hand. Already we are assuming a whole lot of Elven magic and enhanced healing powers to allow them to last even those greatly foreshortened periods in either case.
It never occurred to me to consider Morgoth to help extend their lives to drag out the period of suffering, although one could do that version also!
Great story. You've packed a lot into a few words. Well done!
Trying to decide if I can write something some the array of implausible facts available to me. Did flowers spring up under the Noldor's feet as they entered Beleriand--probably not but it must have felt like it to them with the Sun awakening all of those unnaturally hibernating life forms!
I wasn't setting out to write darkfic, so maybe that's why it ended up working. >_> The beautiful (or not so beautiful, if you're discussing with die-hard canatics) thing about Tolkien's stories is that you not just have unreliable narrators, but also unreliable translators and unreliable compilers, so in the end, conflicting versions or 'unrealistic' elements just add to the sense of history. But of course, with purported Elven magic and enhanced healing powers, as well as supernatural forces at work, there's a lot of leverage all around. Like you, I tend to imprison Maedhros in Angband for several years, but I still hang him up on Thangorodrim for years after that (it's too poetic - in an evil way - to have him witness the first sunrise from up there!)...
Amusingly, since I personally don't enjoy the idea of Elven ultra-fast healing, I assumed right from the start (well, on my second reading -- on the first I was so overwhelmed tha I just took things at face value XD) that Morgoth would make Maedhros' (and later, Húrin's) body withstand the enormous stress it is put under. So this for me was my first and easiest interpretation.
Ah, the flowers under their marching feet... it's entirely implausible, but what a powerful image! I agree that it probably must have felt like that, especially after they came from the entirely lifeless Helcaraxe. But it's such a moving scene that I still want to see some of it happen literally. XD Perhaps some flowers also began to bud and sprout under the Moon (which already was more light than they were used to) so when the Sun rose, their flower-buds actually did spring open? Anyway, if you do write it, I'd love to read it!
Oh, I absolutely buy this--that Morgoth could extend life in that horrible, unnatural way, and that he absolutely would. And the title works so well for it, too--and as a description for what happens to the Nazgul, too.
I think that that is a very clever way of drawing connections between things that at first glance seem rather different, Melkor's methods of torture and Sauron's promises of eternal life!
The discussion gains resonance by its setting and the story throws an interesting light on the relationship between the brothers and their views of the situation in late Numenor.
Of course, Anarion cannot know, at this time, of what the outcome for Pharazon will be and he probably doesn't know much about the business with the Rings. But we do and it adds an extra layer.
Thank you so much! It took a while until the connection offered itself, but when it did, I thought "You know what? Let's go with that..." because it does seem to work.
Thank you for the observation that the setting and our knowledge about the future add more resonance to the story. I didn't consciously choose that - it was more a question of "Who would in-universe be in a position to see this connection, and how do I put it in a story" than a conscious choice, but I'm glad that it seems to have been a clever choice! ;)
This is really interesting! I had thought about the Maedhros situation, and how he might have been kept alive, but hadn't made the connection to Hurin, and certainly never made the connection to Sauron's promises in Numenor!
I really like what you've done with this; even the framing device is great.
Strangely, the connection between Maedhros and Húrin sprang to mind on my first - well, no, second reading of the /Silmarillion/ (the first time I was just overwhelmed and didn't understand a thing ;)) - so it's such an "old" interpretation (to me) that I need to remind myself that it isn't actually in the text. The connection to Sauron's promises in Númenor came as a surprise to me, too. But once it was there, I felt that it might actually work. Glad that it works for you, too, and that you enjoy the framing also! Thank you!
Great frame story to set up an interesting discussion! Funny thing, I always assumed since I first read the Simarillion that Morgoth was keeping Maethros alve unnaturally and was surprised to discover that no one else in the fandom seemed to think so. Glad this idea has occurred to someone else!
Comments on A half-life, a cursed life
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.