Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
[Writing] Add Another Stone by StarSpray
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
[Writing] How Tolkien Presents Ordinary People in "The Silmarillion" by Dawn Felagund
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
[Writing] Blessed are the Leave-takers by Isilme_among_the_stars
As prince Curufinwë Fëanáro makes an historical speech from the high court of the King upon Túna, those at the back of the crowd strain to hear.
A silly little scene inspired by Monty Python's "Blessed are the Cheesemakers" scene from The Life of Brian, written for …
[Writing] After the Kinslaying by Deborah Judge
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
[Writing] I Sit and Think of Times There Were Before by Erdariel
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
[Writing] Until the Stars are All Alight by Dagstjarna
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
[Writing] a riot of shadow and shine by Elrond's Library
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
But…
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Sibling Rivalry
Create an AU fanwork where an original character--you!--tries to influence his or her canon sibling in some way or in which you choose a sibling to influence you. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Week of Kiliel
A Tumblr event dedicated to the relationship between Kili and Tauriel.
Aspec Arda Week 2026
This week-long event celebrates asexual and aromantic spectrum interpretations and headcanons of Tolkien’s Legendarium.
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
Tolkien Reverse Summer Bang 2026
The Tolkien Reverse Summer Bang is back for another summer of collaboration between artists and writers!
I liked how you portrayed Princess Vanimelde in this piece--there is a feistiness and political savvy underneath all that veneer. Very curious about who the author is and I appreciate that you let us see Atanacalmo's thinking process. It's a bit alarming though reading about the "death" of the main character and then the king but I consoled myself with the thought that the King wasn't deposed and didn't die--perhaps Azruhar won't meet an untimely death.
Yes, it would be a mistake to underestimate her (as Atanacalmo starts to realise).
I could tell you who I think it is, but I'm not sure you really want to know! ;) And of course, it might end up being someone else after all.
It was nice being permitted to show Atanacalmo's thought processes (some of them, at least) for a change! :D
I waffled over whether or not this should need a spoiler warning for TEA, but since none of the future events in TEA are mentioned (except for the sudden appearance of the play, which may or may not make it into the actual story), I ended up not doing that. But yes, as you observed, no kings were deposed; and no gravediggers (or embalmers!) were killed in the making of this play. The author probably felt that exile would've been too obvious.
Thank you!
I enjoyed this. How surprised Azruhar would be (I think)!
Quite a headache for Atanacalmo.
But he was relying rather a lot on nobody being nearly as good a political chess-player as him, I guess. So, good for him, in a way?
Surprised is one way of putting it. (Who knows? Maybe we'll see his reaction, a few years from now? ;))
Yes, he isn't getting paid nearly enough for this kind of hassle.
It's definitely good for him to realise that there are other players growing into their own - although it'll probably just make him come up with more complicated schemes...
Thank you for your comment!
Heh, what a nice piece of meta! Darkly amusing and incisive at the same time.
I love this portrayal of Vanimeldë, I must confess I've had enough of Tolkien's collection of incompetent and/or dysfunctional Ruling Queens. The proposed changes to the script reminded me of all those plays and operas of the XVIII century ending in a happy resolution involving the sovereign's clemency. The craziest stuff of this genre I'm aware of is an obscure opera from Mozart's teen years, called "Lucio Silla", where the evil tyrant literally makes a 180 degree turn in the last 5 minutes of the script. Perhaps you could write the play and have Atanacalmo pull something jarringly over the top like that. :P
Aw, thank you!
I have to admit that using Tolkien's uncomplementary descriptions of certain (particularly female...) characters for more sympathetic descriptions has become a bit of a hobby-within-a-hobby for me. ^^
I definitely had those kinds of stuck-on happy endings in mind! I recall a 18th century version of King Lear in which (of course) everything turns out for the best and nobody dies, except for the evil sisters of course. I expect Atanacalmo (or the anonymous playwright) would do a better job, though - that's why he discarded the first idea of making the king change his mind and instead opted for one where the king was never wicked in the first place... although a bowdlerised version of the "original" play would also be fun! :D
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Comments on The Gallant Gravedigger
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