Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Another Place in Time
Move beyond the places and times of familiar events to consider what was going on elsewhere in Arda at the same time as a major event covered in The Silmarillion. How--if at all--did the event impact what was transpiring elsewhere at the same time? Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I really enjoyed reading this story! It was well written and humorous - you did a very good job. I especially like the fact that you took into consideration the lasting effects that being captured in Angband would have had on Maedhros. Well executed indeed! Thanks for sharing!
I enjoyed this story tremendously. You manage to write your characters very sympathetically without turning the story into long introspective emo-fests. I really like your concise writing style and your skill for formulating things so that I find myself going "Yes! Exactly! You nailed it!" Thank you very much for a great (if that can be said, considering the subject matter ;)) read!
Thank you very much! I'm happy to be praised for conciseness! I think there might be bits of the series where I indulge in emotional introspection at a little greater length than here, but hope not to have overdone it...
From poignant to chilling to funny and beautiful writing all way through. Numerous perfect lines stick in my memory: Maeglor's thoughts on orcs; Maedhros' on the lack of appropriate swearwords, on poor perceptive Carnistir's needs, on his own 'general derangement and insanity'...
There are so many gems in this short story that all I can think to do is go look for more from the same hand.
Thank you very much! I am happy that you think I got the emotional range right here! I've posted some more stories now, although I'm afraid they aren't written from Maedhros's own point of view. He does get to have his say quite a lot, though...
Still working my way through your stories. Love this one as well. I see you credit Dawn with influencing your characterization. No wonder I find it so convincing and sympathetic. She also greatly influenced my own Maitimo and Findekano stories--in fact I often joke that I write fanfic of her canon. I do depart as well.
I love that you use humor. I can't explain why the First Age is my choice of subject matter--anguish and high heroism really doesn't suit either my personal taste in either reading or writing. But when I fell in love with these characters (pretty much the whole House of Finwe, although I have my favorites!) I fell hard. You hold my attention and keep me with you by your use of human psychology and like I mentioned before humor. I am enjoying this series so much.
Thank you very much for taking the trouble to engage with the series!
I think Dawn is just the most glaringly obvious of my influences. However, since I spent the months before I wrote the first of these stories voraciously reading Maedhros stories on the internet, I would find it pretty hard to compile a comprehensive list of everyone who influenced me...
I'm sure there is a quotation from the Sage himself about why humour is important - although he is more likely to have written it with the Lord of the Rings in mind than the Silmarillion, I guess: something about the necessity of hobbits. But Third Age elves have a sense of humour, so surely elves of the First Age did, too!
Comments on Cabbages and the Embarrassment of Being Maedhros
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.