Dip the Ladle

SWG Dip The Ladle challenge banner - a fountain in a courtyard with several ladles at the ready, with text 'Dip The Ladle SWG Challenge July 15 - August 15'

But if we speak of a Cauldron, we must not wholly forget the Cooks. There are many things in the Cauldron, but the Cooks do not dip in the ladle quite blindly. Their selection is important. The gods are after all gods, and it is a matter of some moment what stories are told of them. … Small wonder that spell means both a story told, and a formula of power over living men.
~ Tolkien, On Fairy-stories

Tolkien is often credited with establishing the modern fantasy genre as it is known today. Certainly, his work has inspired authors, artists, filmmakers, and other creatives for decades. However, as his 1938 lecture On Fairy-stories attests, he saw his own work as a "cauldron of story," drawing with skill from centuries of myth, legend, and tales to come before him.

This month's challenge considers Tolkien's many inspirations, from the books and poems he read, to the illustrations they contained, to the places important in his life. If you wish to participate this month, you will be assigned a prompt by a moderator that you can use to create a fanwork. As always, you can interpret your prompt however you want and use any part or parts you want—we encourage creative uses of our prompts! If a prompt doesn't speak to you, let one of our moderators know, and we'll dip the ladle again. To receive a prompt, comment on our Dreamwidth, send us an ask on Tumblr, post in the #monthly-challenges channel on our Discord, or message us through the SWG site. If you have a preference for the type of prompt we send you, please specify if you would like an image of a location, an image of a book cover/illustration, or a quote.

Many thanks to Oxbridge for this month's stamps!

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Prompts

Choose your prompt from the collection below.

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Places

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Sutton Hoo helmet in profile

Sutton Hoo helmet

Helderberg Mountain seen from the northwest

Helderberg Mountain

black and white photo with two looking over a wrecked landscape with two houses in shambles

Maurepas, Somme

black and white photo of a barren landscape with dead trees in the background and pools of gray standing water; solders are walking along a muddy path in the foreground

Battle of the Somme

ziggurat at Ur, viewed across the desert with a blue sky behind

Ziggurat at Ur

Sarehole Mill, brick building with tall chimney at the rear

Sarehole Mill (photo by Ashley Dace)

Mount Erebus covered in snow

Mt. Erebus

interior of a cave reflected in still water

Cheddar Gorge, Gough's Cave (photo by Nigel Davies)

castle on an island in the distance with beach and sea in the foreground with a pale blue sky and low gray clouds in the background

St. Michael's Mount, Cornwall

oak tree surrounded by a fence with golden grass and a blue sky

Royal Oak of Boscobel (photo by Jeff Buck)

Book Covers and Illustrations

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Blue book cover, She by H.R. Haggard, dark-haired woman in a flowing gown rests her elbow on a wall

Cover of H. Rider Haggard's She, early 1900s edition

Book cover, The Princess and the Goblin by George MacDonald, two children peer out of a cave, green cover with orange floral border

Cover of George MacDonald's The Princess and the Goblin, 1911 edition

Wood engraving for the frontispiece of William Morris, The Wood beyond the World, with woman in white gown walking through the woods

Frontispiece for William Morris's The Wood Beyond the World, 1894

Double-page spread in William Morris's The Well at the World's End, woodcut on vellum, two people clasp hands above the title Friends in Need Meet in the Wild Woods

Double-page spread for William Morris's The Well at the World's End, 1896

Book Cover, The Last of the Mohicans by James Fenimore Cooper, Native American man stands on a mountaintop looking at the reader, bow and arrow prepared but aimed at the ground and held in only one hand in a non-aggressive way, with a lake, smaller mountains and a high cloud in the background

Cover of James Fenimore Cooper's The Last of the Mohicans

A young man in medieval-ish clothing clings to a steep mountainside while attacked by an oversized eagle.
Illustration from the Yellow Fairy Book, “The boy attacked by the eagle on the Glass Mountain” by H.J. Ford, 1894

Illustration from the Yellow Fairy Book, “The boy attacked by the eagle on the Glass Mountain” by H.J. Ford, 1894

Seydisfjord at Night, two small boats on a fjord with towering cliffs on either side

Illustration by William Gershom Collingwood from "A Pilgrimage to the Saga-Steads of Iceland"

A knight in armor holds up a mirrored shield to a three-headed wingless dragon, background shows a tree with birds and fruit and the ground littered with human skulls

Illustration by Walter Crane from Princess Belle-Etoile, 1884

A knight in armor holding a sword and a woman in a pink gown and veil leaning on his shoulder stand before a golden, winged dragon lying dead before them

Illustration by Henry Justice Ford from The Red Romance Book, 1905

Engraving of a woman pulling at thick spider webs as she attempts to pass through a door

Illustration by Lancelot Speed from The Red Fairy Book, 1890

Quotes

Be bloody, bold, and resolute; laugh to scorn

The power of man, for none of woman born

Shall harm Macbeth.

~ Macbeth, Act IV, Scene 1


Be lion-mettled, proud; and take no care

Who chafes, who frets, or where conspirers are:

Macbeth shall never vanquish'd be until

Great Birnam wood to high Dunsinane hill

Shall come against him.

~ Macbeth, Act IV, Scene 1


I will not be afraid of death and bane,

Till Birnam forest come to Dunsinane

~ Macbeth, Act V, Scene 3


What's the boy Malcolm?

Was he not born of woman? The spirits that know

All mortal consequences have pronounced me thus:

'Fear not, Macbeth; no man that's born of woman

Shall e'er have power upon thee.'

~ Macbeth, Act V, Scene 3


You may believe by this branch that I am bearing here

that I pass as one in peace, no peril seeking.

For had I set forth to fight in fashion of war,

I have a hauberk at home, and a helm also,

a shield, and a sharp spear shining brightly,

and other weapons to wield too, as well I believe;

but since I crave for no combat, my clothes are softer.

~ Sir Gawain and the Green Knight (Tolkien's translation, 12)


I am the weakest, I am aware, and in wit feeblest,

and the least loss, if I live not, if one would learn the truth.

~ Sir Gawain and the Green Knight (Tolkien's translation, 16)


… all things ripen and rot that rose up at first,

and so the year runs away in yesterdays many,

and here winter wends again …

~ Sir Gawain and the Green Knight (Tolkien's translation, 23)


By a mount in the morning merrily he was riding

into a forest that was deep and fearsomely wild,

with high hills at each hand, and hoar woods beneath

of huge aged oaks by the hundred together;

the hazel and the hawthorn were huddled and tangled

with rough ragged moss around them trailing,

with many birds bleakly on the bare twigs sitting

that piteously piped there for pain of the cold.

~ Sir Gawain and the Green Knight (Tolkien's translation, 32)


"One thing more," said the master, "we'll make an agreement:

whatever I win in the wood at once shall be yours,

and whatever gain you may get you shall give in exchange."

~ Sir Gawain and the Green Knight (Tolkien's translation, 45)


Thus she tested and tried him, tempting him often,

so as to allure him to love-making, whatever lay in her heart.

~ Sir Gawain and the Green Knight (Tolkien's translation, 61)


It was torment to tell the truth:

in his face the blood did flame;

he groaned for grief and ruth

when he showed it, to his shame.

~ Sir Gawain and the Green Knight (Tolkien's translation, 100)


"He castles showed me there and towers,

water and wild, and woods, and flowers,

and pastures rich upon the plain;

and then he brought me home again,

and to our orchard he me led,

and then at parting this he said:

'See, lady, tomorrow thou must be

right here beneath this grafted tree,

and then beside us thou shalt ride,

and with us evermore abide.'"

~ Sir Orfeo (Tolkien's translation, 159-69)


… by magic was she from them caught,

and none knew whither she was brought.

~ Sir Orfeo (Tolkien's translation, 194-95)


Now all his kingdom he forsook.

Only a beggar's cloak he took;

he had no kirtle and no hood,

no shirt, nor other raiment good.

His harp yet bore he even so,

and barefoot from the gate did go;

no man might keep him on his way.

~ Sir Orfeo (Tolkien's translation, 227-33)


There often by him would he see,

when noon was hot on leaf and tree,

the king of Faërie with his rout

came hunting in th woods about

with blowering far and drying dim,

and barking hounds that were with him;

yet never a beast they took nor slew,

and where they went he never knew.

~ Sir Orfeo (Tolkien's translation, 281-88)


And all that land was ever light,

for when it came to dusk of night

from precious stones there issued soon

a light as bright as sun at noon.

~ Sir Orfeo (Tolkien's translation, 369-72)     


The king replied: "What man art thou

that hither darest venture now?

Not I nor any here with me

have ever sent to summon thee,

and since here first my reign began

I have never found so rash a man

that he to su would dare to wend,

Unless I first for him should send."

~ Sir Orfeo (Tolkien's translation, 421-28)


Heith they named her who sought their home,

The wide-seeing witch, in magic wise;

Minds she bewitched that were moved by her magic,

To evil women a joy she was.

~ Poetic Edda, "Völuspá," 22 (translated by Henry Adams Bellows)


Brothers shall fight and fell each other,

And sisters' sons shall kinship stain;

Hard is it on earth, with mighty whoredom;

Axe-time, sword-time, shields are sundered,

Wind-time, wolf-time, ere the world falls;

Nor ever shall men each other spare.

~ Poetic Edda, "Völuspá," 45 (translated by Henry Adams Bellows)


How fare the gods? how fare the elves?

All Jotunheim groans, the gods are at council;

Loud roar the dwarfs by the doors of stone,

The masters of the rocks: would you know yet more?

~ Poetic Edda, "Völuspá," 48 (translated by Henry Adams Bellows)


Now do I see the earth anew

Rise all green from the waves again;

The cataracts fall, and the eagle flies,

And fish he catches beneath the cliffs.

The gods in Ithavoll meet together,

Of the terrible girdler of earth they talk,

And the mighty past they call to mind,

And the ancient runes of the Ruler of Gods.

In wondrous beauty once again

Shall the golden tables stand mid the grass,

Which the gods had owned in the days of old …

~ Poetic Edda, "Voluspo," 59-61 (translated by Henry Adams Bellows)


The lame rides a horse, the handless is herdsman,

The deaf in battle is bold;

The blind man is better than one that is burned,

No good can come of a corpse.

~ Poetic Edda, "Hovamol," 71 (translated by Henry Adams Bellows)


"To me more dear than in days of old

Was ever maiden to man;

But no one of gods or elves will grant

That we both together should be."

~ Poetic Edda, "Skirnismol," 7 (translated by Henry Adams Bellows)


Words shall not be hid

nor spells buried

might shall not sink underground

though the mighty go.

~ The Kalevala (Elias Lönnrot)


For this I weep all my days

and throughout my lifetime grieve

that I swam from my own lands

and came from familiar lands

towards these strange doors

to these foreign gates.

~ The Kalevala (Elias Lönnrot)


And where'er his head was turning,

There he found a mouth for kissing,

Wheresoe'er his hand was outstretched,

There he found a hand to clasp it.

~ The Kalevala (Elias Lönnrot)


Thus the wise and worthy singer

Sings not all his garnered wisdom;

Better leave unsung some sayings

Than to sing them out of season.

~ The Kalevala (Elias Lönnrot)


Now was the heart of the coiling beast stirred to come out to fight. His sword had already the good king drawn for battle, his ancient heirloom, quick of edge. Each with fell purpose in their hearts knew dread of the other; but undaunted stood the prince of vassals with his tall shield against him, while the serpent swiftly coiled itself together.

~ Beowulf, Tolkien’s translation


The hoard-guardian [dragon] scorched the ground as he scoured and hunted for the trespasser who had troubled his sleep. Hot and savage, he kept circling and circling the outside of the mound. No man appeared in that desert waste, but he worked himself up by imagining battle; then back in he’d go in search of the cup, only to discover signs that someone had stumbled upon the golden treasures. 

~ Beowulf, Heaney translation


Then came troublesome doubts. Why had the Morlocks taken my Time Machine? For I felt sure it was they who had taken it. Why, too, if the Eloi were masters, could they not restore the machine to me? And why were they so terribly afraid of the dark? I proceeded, as I have said, to question Weena about this Underworld, but here again I was disappointed. At first she would not understand my questions, and presently she refused to answer them. She shivered as though the topic was unendurable.

~ H.G. Wells, The Time Machine


Necessarily my memory is vague. Great shapes like big machines rose out of the dimness, and cast grotesque black shadows, in which dim spectral Morlocks sheltered from the glare. The place, by the bye, was very stuffy and oppressive, and the faint halitus of freshly-shed blood was in the air. Some way down the central vista was a little table of white metal, laid with what seemed a meal. The Morlocks at any rate were carnivorous! Even at the time, I remember wondering what large animal could have survived to furnish the red joint I saw. It was all very indistinct: the heavy smell, the big unmeaning shapes, the obscene figures lurking in the shadows, and only waiting for the darkness to come at me again! Then the match burnt down, and stung my fingers, and fell, a wriggling red spot in the blackness.

~ H.G. Wells, The Time Machine


When I had started with the Time Machine, I had started with the absurd assumption that the men of the Future would certainly be infinitely ahead of ourselves in all their appliances.

~ H.G. Wells, The Time Machine


At the end of forty days, when all their provisions were spent, there appeared towards the north, an island very rocky and steep. When they drew near it, they saw its cliffs upright like a wall, and many streams of water rushing down into the sea from the summit of the island; but they could not discover a landing-place for the boat. Being sorely distressed with hunger and thirst, the brethren got some vessels in which to catch the water as it fell; but St Brendan cautioned them: "Brothers! do not a foolish thing …"

~ St. Brendan's Navigatio


When they had disembarked, they saw a land, extensive and thickly set with trees, laden with fruits, as in the autumn season. All the time they were traversing that land, during their stay in it, no night was there, but a light always shone, like the light of the sun in the meridian, and for the forty days they viewed the land in various directions, they could not find the limits thereof.

~ St. Brendan's Navigatio


In my own case, I employed this experiment mainly in order to seek for the barrier, if any, which divides our knowledge of the past from our knowledge of the future. And the odd thing was that there did not seem to be any such barrier at all.

~ J.W. Dunne, An Experiment with Time


We must live before we can attain to either intelligence or control at all. We must sleep if we are not to find ourselves, at death, helplessly strange to the new conditions. And we must die before we can hope to advance to a broader understanding.

~ J.W. Dunne, An Experiment with Time


Anyhow, I felt more frightened than ever at this ghost-like apparition, and my hair began to rise upon my head as the feeling crept over me that I was in the presence of something that was not canny. I could, however, clearly distinguish that the swathed mummy-like form before me was that of a tall and lovely woman, instinct with beauty in every part, and also with a certain snake-like grace which I had never seen anything to equal before. When she moved a hand or foot her entire frame seemed to undulate, and the neck did not bend, it curved.

“Why art thou so frightened, stranger?” asked the sweet voice again—a voice which seemed to draw the heart out of me, like the strains of softest music. “Is there that about me that should affright a man?"

~ H.R. Haggard, She


I rose and gazed, and instantly the water darkened. Then it cleared, and I saw as distinctly as I ever saw anything in my life—I saw, I say, our boat upon that horrible canal. There was Leo lying at the bottom asleep in it, with a coat thrown over him to keep off the mosquitoes, in such a fashion as to hide his face, and myself, Job, and Mahomed towing on the bank.


I started back, aghast, and cried out that it was magic, for I recognised the whole scene—it was one which had actually occurred.


“Nay, nay; oh Holly,” she answered, “it is no magic, that is a fiction of ignorance. There is no such thing as magic, though there is such a thing as a knowledge of the secrets of Nature."

~ H.R. Haggard, She


So I,

often wretched and sorrowful,

bereft of my homeland,

far from noble kinsmen,

have had to bind in fetters

my inmost thoughts,

since long years ago

I hid my lord

in the darkness of the earth,

and I, wretched, from there

travelled most sorrowfully

over the frozen waves,

sought, sad at the lack of a hall,

a giver of treasure,

where I, far or near,

might find

one in the meadhall who

knew my people,

or wished to console

the friendless one, me,

entertain me with delights.

~ The Wanderer


A wise hero must realize

how terrible it will be,

when all the wealth of this world

lies waste,

as now in various places

throughout this middle-earth

walls stand,

blown by the wind,

covered with frost,

storm-swept the buildings.

The halls decay,

their lords lie

deprived of joy,

the whole troop has fallen,

the proud ones, by the wall.

~ The Wanderer


Where is the horse gone? Where the rider?

Where the giver of treasure?

Where are the seats at the feast?

Where are the revels in the hall?

Alas for the bright cup!

Alas for the mailed warrior!

Alas for the splendour of the prince!

How that time has passed away,

dark under the cover of night,

as if it had never been!

~ The Wanderer


This the man does not know,

the warrior lucky in worldly things

what some endure then,

those who tread most widely

the paths of exile.

And now my spirit twists

out of my breast,

my spirit

out in the waterways,

over the whale's path

it soars widely

through all the corners of the world—

it comes back to me

eager and unsated;

the lone-flier screams,

urges onto the whale-road

the unresisting heart

across the waves of the sea.

~ The Seafarer


There is only one journey, she said, that all men make. They go forth from the Mother, and do what men are born to do, till she stretches out her hand, and calls them home.

~ Mary Renault, The King Must Die


I know I thought of many things: of death, and fate, and what the gods want of man; how far a man can move within his moira, or, if all is determined, what makes one strive; and whether one can be a king without a kingdom.

~ Mary Renault, The King Must Die


She stood laughing in the water. Her laughter made my backbone ripple. It had neither shame nor shamelessness; she laughed alone, pleased with her victory over strange monstrous things.

~ Mary Renault, The Bull from the Sea


It is better to learn war early from friends, than late from enemies.

~ Mary Renault, The Bull from the Sea


But you could not tell night from day down there, except from feeling tired and sleepy; for no light of the sun ever came into those gloomy regions. Some who had thus remained behind during the night, although certain there were none of their companions at work, would declare the next morning that they heard, every time they halted for a moment to take breath, a tap-tapping all about them, as if the mountain were then more full of miners than ever it was during the day; and some in consequence would never stay overnight, for all knew those were the sounds of the goblins. They worked only at night, for the miners' night was the goblins' day. Indeed, the greater number of the miners were afraid of the goblins; for there were strange stories well known amongst them of the treatment some had received whom the goblins had surprised at their work during the night.

~ George MacDonald, The Princess and the Goblin


Then Grettir entered into the barrow, and right dark it was, and a smell there was therein none of the sweetest. Now he groped about to see how things were below; first he found horse-bones, and then he stumbled against the arm of a high-chair, and in that chair found a man sitting; great treasures of gold and silver were heaped together there, and a small chest was set under the feet of him full of silver; all these riches Grettir carried together to the rope; but as he went out through the barrow he was griped at right strongly; thereon he let go the treasure and rushed against the barrow-dweller, and now they set on one another unsparingly enough.


Everything in their way was kicked out of place, the barrow-wight setting on with hideous eagerness; Grettir gave back before him for a long time, till at last it came to this, that he saw it would not do to hoard his strength any more; now neither spared the other …

~ Grettir's Saga


But because day at her dawning hours hath so bewitched me, must I yet love her when glutted with triumph she settles to garish noon? . . . Who dares call me turncoat, who do but follow now as I have followed this rare wisdom all my days: to love the sunrise and the sundown and the morning and the evening star.

~ E.R. Eddison, The Worm Ouroboros


Oaths be of the heart, and he that breaketh them in open fact is oft, as now, no breaker in truth, for already were they scorned and trampled on by his opposites.

~ E.R. Eddison, The Worm Ouroboros


The sun stooped to the western waves, entering his bath of blood-red fire. He sank, and all the ways were darkened.

~ E.R. Eddison, The Worm Ouroboros


"My husband is stark and bold. When that he slew the dragon on the mountain, he bathed him in its blood; wherefore no weapon can pierce him. Nevertheless, when he rideth in battle, and spears fly from the hands of heroes, I tremble lest I lose him. Alack! for Siegfried’s sake how oft have I been heavy of my cheer!"

~ The Fall of the Nibelungs (translated by Margaret Armour)

Winged with feathers, tipped with jasper,

Swift flew Hiawatha’s arrow,

Just as Megissogwon, stooping,

Raised a heavy stone to throw it.

Full upon the crown it struck him,

At the roots of his long tresses,

And he reeled and staggered forward.
~ H.W. Longfellow, The Song of Hiawatha


With her moods of shade and sunshine,

Eyes that smiled and frowned alternate,

Feet as rapid as the river,

Tresses flowing like the water,

And as musical a laughter:

And he named her from the river,

From the water-fall he named her,

Minnehaha, Laughing Water.

~ H.W. Longfellow, The Song of Hiawatha


“Face to face we speak together,

But we cannot speak when absent,

Cannot send our voices from us

To the friends that dwell afar off;

Cannot send a secret message,

But the bearer learns our secret,

May pervert it, may betray it,

May reveal it unto others.”

Thus said Hiawatha, walking

In the solitary forest,

Pondering, musing in the forest,

On the welfare of his people.


From his pouch he took his colors,

Took his paints of different colors,

On the smooth bark of a birch-tree

Painted many shapes and figures,

Wonderful and mystic figures,

And each figure had a meaning,

Each some word or thought suggested.

~ H.W. Longfellow, The Song of Hiawatha


'Meanwhile the city is stirred with mingled agony; and more and more, though my father Anchises' house lay deep withdrawn and screened by trees, the noises grow clearer and the clash of armour swells. I shake myself from sleep and mount over the sloping roof, and stand there with ears attent: even as when flame catches a corn-field while south winds are furious, or the racing torrent of a mountain stream sweeps the fields, sweeps the smiling crops and labours of the oxen, and hurls the forest with it headlong; the shepherd in witless amaze hears the roar from the cliff-top. Then indeed proof is clear, and the treachery of the Grecians opens out. Already the house of Deïphobus hath crashed down in wide ruin amid the overpowering flames; already our neighbour Ucalegon is ablaze: the broad Sigean bay is lit with the fire. Cries of men and blare of trumpets rise up. Madly I seize my arms, nor is there so much purpose in arms; but my spirit is on fire to gather a band for fighting and charge for the citadel with my comrades.’
~ Virgil, Aeneid (translated by John William Mackail)


They went darkling through the dusk beneath the solitary night, through the empty dwellings and bodiless realm of Dis; even as one walks in the forest beneath the jealous light of a doubtful moon, when Jupiter shrouds the sky in shadow and black night blots out the world. 

~ Virgil, Aeneid (translated by John William Mackail)

Fanworks Tagged with Dip the Ladle

This is a Writing fanwork

After The End by cuarthol

[F]or his father was dearer to him than the light of Valinor or the peerless works of his hands; - The Silmarillion

Fanwork Information and Table of Contents

This is a Writing fanwork

Mist Haunting by polutropos

“Fëanáro, please, listen to me. She does not wish to return, not ever."

Fëanor refuses to let hatred consume him at Finwë's news. Written for the challenge 'Dip the Ladle'. 

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This is a Writing fanwork

Murmuration by Himring

In Nevrast, Idril and her aunt Aredhel explore a reported natural phenomenon at Lake Linaewen together.

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This is a Writing fanwork

Bringing News by StarSpray

Celebrimbor's mother comes to visit him, bringing important news.

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This is a Writing fanwork

the light that you keep burning there by EchoBleu

The Havens of Sirion burn, and it is not the Sons of Fëanor’s doing.

Maedhros, Maglor and Fingon, in the years between the fall of the Havens and the arrival of the Host of the Valar.

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This is a Writing fanwork

Fault Lines by Lferion

A Dwarf tries to come to terms with the cataclysm that was the end of the First Age. A four-drabble sequence.

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This is a Writing fanwork

When the Sixth Day Comes by sallysavestheday

Fëanor takes a momentary interest in a youthful Fingolfin.

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This is a Writing fanwork

Don't Lose Your Head by daughterofshadows

After his death, Fingolfin does not go to the Halls of Mandos.

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This is a Writing fanwork

longing by Harp_of_Gold

In Numenor, Mairon contemplates a sacrifice.

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