Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more. Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
Around the World and Web
Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Very interesting interpretation. I liked the way it's written: the first part is frustrating (I imagine that's how Tour must have felt, with that voice urging him on who knows where and for what) then it's surreal and at the end I couldn't help thinking Tuor's fate was unfair (weird considering I think he was one of the few with a relatively happy ending).
Thank you for your kind words! And I'm sorry I didn't respond earlier - I didn't realize I had to turn on a notification switch, and real life has been demanding attention.
I'm glad the style worked well for the story, and that it threw into question whether his fate was fair or happy. His story is so enigmatic to me, it seems it could go either way, and I have always been partial to the notion that NOBODY in his or her right mind actually wants to be a prophet. It's always hard, and usually comes with costs to go with the honor and glory and all that.
Silm nuzguls usually are less forthcoming for me, but we'll see if any new ones attach themselves to my ankles!
This story shows impressively the irruption of the sacred and numinous into a human life. It also greatly helps to make sense of Tuor's behaviour and actions towards the end of the story, after the fall of Gondolin, in Nan-tathren and in Sirion.
I wonder how Tuor's relationship with Idril would be affected by his transformation into Ulmo's prophet. Of course, he hasn't even met her yet, although she has been briefly shown to him, but I had always imagined that it would be his human nature that would have been the main barrier between them that they had to overcome - now I see that it might not have been.
I'm glad the sudden overturning of daily life on the run worked - getting personally hauled across the continent by the power of Ulmo to do his bidding to a doomed city just seems like it ought to be unsettling and thoroughly life-changing in many ways.
Your question about the Idril-Tuor relationship is terrific. In all honesty, I don't have the faintest clue how that would work - I tend to get Silm nuzgul rarely, and they tend to be fairly focused creatures: one scene, one idea, and Idril is rather a closed book to me. But being married to a prophet... that seems like it could be a very difficult and unique three-way relationship. While I don't know that I've got anything to contribute to that discussion/fanfic possibility, I do hope someone else will take it up. That'd be fun to read.
Finally, many thanks for tipping me off to that review-alert setting. I'd not realized there was one, and real life has been productive lately, so I've not been back to explore the account settings since I first registered. Oops!
This is gorgeous, Dwim, one of the best pieces I have read of yours. Utterly SILMish, but more, bigger and wider and making the reader feel a personal connection to Tuor and really feel his connection to the sea and to Ulmo. This is sea-longing like few of Tolkien's characters will ever know. Ulmo is one of the Valar most friendly to the Children, but he does mark Tuor, whether out of necessity or unconcern, it is hard to know, for all of the Man's life.
Hi Raksha - Thanks! I'm glad the story worked for you, and seemed to fit well with the Silm. Tuor's a strange guy, and Tolkien's story, allegedly about him, manages somehow to keep him very quiet, imo. It was a challenge to try to find a way to access his POV, but I had a lot of fun once he opened up a bit and the connection to Ulmo became the central point of the story.
Here via Himring’s rec/review repost. I am having some difficulty articulating my affection for this story. Firstly, it’s somewhat in the same vein as "Strange Fire," which was the first work of yours I read and which I loved. Though the particulars are different, it’s got that same sense of vastly powerful entities using for their own ends the really quite painful reverence they inspire/instill in mortals. Secondly, it’s terribly evocative. I could easily imagine what the experiences under the water / on the beach / in the cave must have been like for Tuor and place myself in his (waterlogged) shoes. Third, yes, it’s a reasonable interpretation of the text and an engaging gapfiller.
Why thank you, I'm so glad you liked this fic! I do like playing around with theology and religious life in M-e, and there are definitely some common themes, so I'm not surprised you're finding similarities between this and "Strange Fire." God is never safe in my book - God may be many, many things, but safe is not one of them, so getting caught up in divine plotting is not some kind of light-hearted venture for most of the characters I'll write. There should always be a challenge to the individual, even if that person really likes the relationship and is generally happy with it. As a gapfiller, it needed to make Tuor actually a character with a perspective in his own story, which was sort of weird, but then again, so was Tolkien's story! :-D
I'm also really glad the description worked: I found this story to be very visual and tactile, and to really begin with the sensory elements so I threw everything I had into trying to position the reader to experience the ocean with Tuor.
Comments on Into the Realms of Ulmo
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.