Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
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In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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<<‘Eminently unsuitable’, I hear him saying, joyously, as he transforms a denial of intent, a prissy expression of disapproval from inside out, until it becomes a paean of praise, a hymn of dedication and devotion.>>
Another lovely story! Exceptionally moving and well put together. I loved Maedhros (as I always do in your stories) and really appreciated your portrayal of Finrod as well. Thanks so much for sharing.
I'm really glad you liked that sentence, as I re-wrote it several times to try and get it right. It's also good to know that you approve of my version of Finrod, as I didn't feel all that confident, trying to write from his point of view--I wasn't sure I was wise enough!
This story finally answered one of my most pressing Silm doubts: was a harp required equipment whenever the Princes of the Noldor were out in the field (rescue missions, hunts, discovery trips)? I definitely like your answer better.
Umm.. You've laid your finger on a bit of a sore spot here. I would, of course, like Maglor's harp to be the one that Finrod later plays to Beor's people, but at least according to the published Silmarillion it can't be, because the harp that Finrod ends up playing belongs to Beor. I haven't checked whether there are any versions of the story in HoME where that isn't the case, but it seems a bit too much to hope for... Anyway, once I'd realized, I sort of discussed things with Maglor, and Maglor said: "I don't care, I'm giving him the harp anyway...", so that was that! (But I must admit I'm rather puzzled, too, why Fingon felt he needed to take a harp with him on the journey to Angband!)
I finally read this after wondering for by far too long about why exacly Noldorin princes seem to insist on hauling harps into danegrous or at least unexpected situations. Well, a portable one. That sort of explains it. Though sadly, my imagination deforms Maglor's probably beautiful Noldorin model into something like this horrible carton harp: http://2.bp.blogspot.com/_mPYUsEiAiXo/S-oHq_xW_QI/AAAAAAAAABg/I8o4JBdiHX0/s1600/harpkitcolor.jpg I liked how it was from Finrod's POV ( his confusion was rather adorable really), and how you wove his own fall into it. Also Maedhros' tendency to make soothing noises when people are upset. Great characterizations. I had to laugh at "He thanked us both politely and dreamily went on fine-tuning the strings, endlessly looking for the absolutely perfect pitch, it seemed. With an instrument such as the fiddle, this would surely have earned him a brutal assassination within the shortest period of time, but if you play the harp, you can get away with such things."because it's true. I always feel slightly guilty when tuning my instrument near innocent non-musician bystanders because they inadvertedly go wide eyed and "ooh! aaah!"when I'm actually making a horrible racket.
Comments on Eminently Unsuitable
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.