Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
[Writing] Add Another Stone by StarSpray
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
[Writing] How Tolkien Presents Ordinary People in "The Silmarillion" by Dawn Felagund
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
[Writing] Blessed are the Leave-takers by Isilme_among_the_stars
As prince Curufinwë Fëanáro makes an historical speech from the high court of the King upon Túna, those at the back of the crowd strain to hear.
A silly little scene inspired by Monty Python's "Blessed are the Cheesemakers" scene from The Life of Brian, written for …
[Writing] After the Kinslaying by Deborah Judge
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
[Writing] I Sit and Think of Times There Were Before by Erdariel
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
[Writing] Until the Stars are All Alight by Dagstjarna
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
[Writing] a riot of shadow and shine by Elrond's Library
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
But…
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Great Beleriand Bake-Off
Ready? Set? Bake! Our two-month daily prompt calendar includes sweet- and savory-themed prompts as well as weekly comment challenges. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Week of Kiliel
A Tumblr event dedicated to the relationship between Kili and Tauriel.
Aspec Arda Week 2026
This week-long event celebrates asexual and aromantic spectrum interpretations and headcanons of Tolkien’s Legendarium.
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
Tolkien Reverse Summer Bang 2026
The Tolkien Reverse Summer Bang is back for another summer of collaboration between artists and writers!
Very interesting interpretation. I liked the way it's written: the first part is frustrating (I imagine that's how Tour must have felt, with that voice urging him on who knows where and for what) then it's surreal and at the end I couldn't help thinking Tuor's fate was unfair (weird considering I think he was one of the few with a relatively happy ending).
Hope you decide to fill in more story gaps ;)
Dear Alasse,
Thank you for your kind words! And I'm sorry I didn't respond earlier - I didn't realize I had to turn on a notification switch, and real life has been demanding attention.
I'm glad the style worked well for the story, and that it threw into question whether his fate was fair or happy. His story is so enigmatic to me, it seems it could go either way, and I have always been partial to the notion that NOBODY in his or her right mind actually wants to be a prophet. It's always hard, and usually comes with costs to go with the honor and glory and all that.
Silm nuzguls usually are less forthcoming for me, but we'll see if any new ones attach themselves to my ankles!
Thanks for your encouragement,
Dwim
This story shows impressively the irruption of the sacred and numinous into a human life. It also greatly helps to make sense of Tuor's behaviour and actions towards the end of the story, after the fall of Gondolin, in Nan-tathren and in Sirion.
I wonder how Tuor's relationship with Idril would be affected by his transformation into Ulmo's prophet. Of course, he hasn't even met her yet, although she has been briefly shown to him, but I had always imagined that it would be his human nature that would have been the main barrier between them that they had to overcome - now I see that it might not have been.
Dear Himring,
I'm glad the sudden overturning of daily life on the run worked - getting personally hauled across the continent by the power of Ulmo to do his bidding to a doomed city just seems like it ought to be unsettling and thoroughly life-changing in many ways.
Your question about the Idril-Tuor relationship is terrific. In all honesty, I don't have the faintest clue how that would work - I tend to get Silm nuzgul rarely, and they tend to be fairly focused creatures: one scene, one idea, and Idril is rather a closed book to me. But being married to a prophet... that seems like it could be a very difficult and unique three-way relationship. While I don't know that I've got anything to contribute to that discussion/fanfic possibility, I do hope someone else will take it up. That'd be fun to read.
Finally, many thanks for tipping me off to that review-alert setting. I'd not realized there was one, and real life has been productive lately, so I've not been back to explore the account settings since I first registered. Oops!
Take care,
Dwim
This is gorgeous, Dwim, one of the best pieces I have read of yours. Utterly SILMish, but more, bigger and wider and making the reader feel a personal connection to Tuor and really feel his connection to the sea and to Ulmo. This is sea-longing like few of Tolkien's characters will ever know. Ulmo is one of the Valar most friendly to the Children, but he does mark Tuor, whether out of necessity or unconcern, it is hard to know, for all of the Man's life.
Hi Raksha - Thanks! I'm glad the story worked for you, and seemed to fit well with the Silm. Tuor's a strange guy, and Tolkien's story, allegedly about him, manages somehow to keep him very quiet, imo. It was a challenge to try to find a way to access his POV, but I had a lot of fun once he opened up a bit and the connection to Ulmo became the central point of the story.
Dwim
Here via Himring’s rec/review repost. I am having some difficulty articulating my affection for this story. Firstly, it’s somewhat in the same vein as "Strange Fire," which was the first work of yours I read and which I loved. Though the particulars are different, it’s got that same sense of vastly powerful entities using for their own ends the really quite painful reverence they inspire/instill in mortals. Secondly, it’s terribly evocative. I could easily imagine what the experiences under the water / on the beach / in the cave must have been like for Tuor and place myself in his (waterlogged) shoes. Third, yes, it’s a reasonable interpretation of the text and an engaging gapfiller.
Hi Huinare!
Why thank you, I'm so glad you liked this fic! I do like playing around with theology and religious life in M-e, and there are definitely some common themes, so I'm not surprised you're finding similarities between this and "Strange Fire." God is never safe in my book - God may be many, many things, but safe is not one of them, so getting caught up in divine plotting is not some kind of light-hearted venture for most of the characters I'll write. There should always be a challenge to the individual, even if that person really likes the relationship and is generally happy with it. As a gapfiller, it needed to make Tuor actually a character with a perspective in his own story, which was sort of weird, but then again, so was Tolkien's story! :-D
I'm also really glad the description worked: I found this story to be very visual and tactile, and to really begin with the sensory elements so I threw everything I had into trying to position the reader to experience the ocean with Tuor.
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Comments on Into the Realms of Ulmo
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