Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
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In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Lots to like about this story. Like you, I am obsessed with Elven hair, particularly that of Maedhros and Celegorm. You mentioned other interpretations of Maedhros with his hair cropped, besides mine and your own. Here is one by artist Jenny Dolfen: http://www.epilogue.net/cgi/database/art/view.pl?id=54908&genre=2
I like the jay and I like Celegorm talking to it and I love the shiny Feanorian hair in the nest.
Jenny Dolfen, it seems, originally drew Maedhros with short hair throughout. It was only on second thoughts that she decided that Maedhros had his hair cut off by the minions of Morgoth to humiliate him and then kept it short as a sign of defiance--at least that is what she says in her notes on "Humiliation" (at Deviant Art, as *Gold-Seven).
Lyra also mentions a hair-cut by Fingon rather briefly in "The Tempered Steel" in Part II, Chapter I.
I have a feeling there might be even more references out there...
I really appreciate your taking the trouble to leave a review when you haven't been feeling well! I hope it means that, in fact, you're feeling a little better?
I love it when you write Maedhros interacting with his brothers, it's always different depending on which brother it is. An obsession with Noldorin hair is something I'm familiar with. And I loved Celegorm talking to the bird!
Thank you very much for your comment! Maedhros's brothers are all very different people (even if they are tied together by a single oath), so it seems logical that they would interact differently with him. I'm glad that you think I've managed to capture these differences in my writing.
Perhaps, it wasn't a whim, only his clinging to everything that was good, that he could still offer. Sad, but with hope. Thank you :) I liked it a lot.
Thank you very much! I was all ready to write an embarrassingly long response, but then I thought perhaps you'd prefer an epilogue instead:
Maedhros lay flat on his back, dizzy with an exhaustion that was not physical. Maglor had been right; he had not really been fit enough for this trip yet, on his own with Celegorm. But he had been wrong, too.
'It was a good move, you will see, Makalaure,' he thought. 'Already he is falling in love with this land. Already he is beginning to unbend.'
As on the preceding evenings, he lulled himself to sleep by thinking of his plans for the hill of Himring: high walls, thick walls, the strongest walls ever seen, strong enough to protect everyone under his care against Morgoth... Tonight, for the first time, he imagined birds' nests among the eaves of Himring and fell asleep smiling.
(...)strong enough to protect everyone under his care against Morgoth...
Exactly what I thought -- that he wanted to convince himself (and everybody else) that he was still good, still human, after being violated by pure evil.
For all that Celegorm can understand animals, and is probably kind enough to them, I don't see him being very understanding of his brother's weakness after his torture. I imagine it shames him to see his brother like that...and shames him to feel like that about his brother himself. And a shamed Feanorian is an angry one! Nicely done with the understatement of all of that here.
Thank you very much! That is a very perceptive comment!
In my version of things, this kind of Feanorian reaction is something that characterizes Celegorm in particular and, for him, it goes deeper than family pride and farther back than Angband. I have written a story from his POV set in Tirion, Racing Down the Mindon, which tries to show this.
I love this so much. Tyelcormo is (at this moment, in any case) my favourite Son and thereby my favourite Silm character. Your portrayal of him really speaks to me, and I loved the idea with the bird and the hairs. Just beautiful :)
Comments on Nest-Building
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.