Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Lots to like about this story. Like you, I am obsessed with Elven hair, particularly that of Maedhros and Celegorm. You mentioned other interpretations of Maedhros with his hair cropped, besides mine and your own. Here is one by artist Jenny Dolfen: http://www.epilogue.net/cgi/database/art/view.pl?id=54908&genre=2
I like the jay and I like Celegorm talking to it and I love the shiny Feanorian hair in the nest.
Jenny Dolfen, it seems, originally drew Maedhros with short hair throughout. It was only on second thoughts that she decided that Maedhros had his hair cut off by the minions of Morgoth to humiliate him and then kept it short as a sign of defiance--at least that is what she says in her notes on "Humiliation" (at Deviant Art, as *Gold-Seven).
Lyra also mentions a hair-cut by Fingon rather briefly in "The Tempered Steel" in Part II, Chapter I.
I have a feeling there might be even more references out there...
I really appreciate your taking the trouble to leave a review when you haven't been feeling well! I hope it means that, in fact, you're feeling a little better?
I love it when you write Maedhros interacting with his brothers, it's always different depending on which brother it is. An obsession with Noldorin hair is something I'm familiar with. And I loved Celegorm talking to the bird!
Thank you very much for your comment! Maedhros's brothers are all very different people (even if they are tied together by a single oath), so it seems logical that they would interact differently with him. I'm glad that you think I've managed to capture these differences in my writing.
Perhaps, it wasn't a whim, only his clinging to everything that was good, that he could still offer. Sad, but with hope. Thank you :) I liked it a lot.
Thank you very much! I was all ready to write an embarrassingly long response, but then I thought perhaps you'd prefer an epilogue instead:
Maedhros lay flat on his back, dizzy with an exhaustion that was not physical. Maglor had been right; he had not really been fit enough for this trip yet, on his own with Celegorm. But he had been wrong, too.
'It was a good move, you will see, Makalaure,' he thought. 'Already he is falling in love with this land. Already he is beginning to unbend.'
As on the preceding evenings, he lulled himself to sleep by thinking of his plans for the hill of Himring: high walls, thick walls, the strongest walls ever seen, strong enough to protect everyone under his care against Morgoth... Tonight, for the first time, he imagined birds' nests among the eaves of Himring and fell asleep smiling.
(...)strong enough to protect everyone under his care against Morgoth...
Exactly what I thought -- that he wanted to convince himself (and everybody else) that he was still good, still human, after being violated by pure evil.
For all that Celegorm can understand animals, and is probably kind enough to them, I don't see him being very understanding of his brother's weakness after his torture. I imagine it shames him to see his brother like that...and shames him to feel like that about his brother himself. And a shamed Feanorian is an angry one! Nicely done with the understatement of all of that here.
Thank you very much! That is a very perceptive comment!
In my version of things, this kind of Feanorian reaction is something that characterizes Celegorm in particular and, for him, it goes deeper than family pride and farther back than Angband. I have written a story from his POV set in Tirion, Racing Down the Mindon, which tries to show this.
I love this so much. Tyelcormo is (at this moment, in any case) my favourite Son and thereby my favourite Silm character. Your portrayal of him really speaks to me, and I loved the idea with the bird and the hairs. Just beautiful :)
Comments on Nest-Building
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.