Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Thank you so much! This is so much fun--thinking about Maedhros leaving the halls of Mandos and pursuing the history of the ti me he missed. Of course, Fingon would have to be there looking after the entire process. Thanks again!
Catching up with the history of the Third Age is not quite as emotionally hazardous as a trip to the ruins of Formenos, but I'm sure Fingon would want to look after the process anyway!
(And I very much doubt whether anybody who reads this is not already going to be a fan of your bios--they will all know where to find them, but as you'd mentioned you'd heard from people who hadn't a clue where to look on the site, I thought I'd do my bit.)
I always like stories where First Age characters learn about the events of LotR :D
Your Fingon is so sweet! Do you tire of hearing me say that in every review? :P I love how well he knew Maedhros and how he prepared for the time he'd be released from Mandos, even if he wasn't sure when or if it'd happen.
Fingon may not know about hobbits, but Elrond sure does ;)
You can tell me that you like my Fingon as often as you like--I promise to be pleased as Punch every time!
I haven't actually made up my mind whether Fingon was re-embodied in time to meet Frodo and Bilbo (or Sam). But of course Elrond could tell Maedhros all about them, yes!
Dawn already made him pretty bookish in her Felak'verse: according to her, he did a lot of the theoretical research for Feanor's projects and has written a book classifying Valinorean flowers. But I guess it was I who turned him to a real geek! Why not--we can use an elven patron, can't we?
Lovely! And so much in character! I love how visual it is: the vines, Maedhros' concentration, the flexed toes. And of course it is a page turner he is reading!
Thank you! I'm glad you felt it was very visual. Because I wanted to show both--Fingon who is so happy to finally be able to watch Maedhros just being Maedhros again and Maedhros who is practically devouring the book!
Short and simple and very sweet :) I love how you make use of little details to bring the story and the characters to life. Nerd-geek-scholar Maitimo is wonderful, too :)
Comments on A Crash Course in History
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.