I was like smoke without the fire by Agelast

Fanwork Information

Summary:

Maedhros stands aside at Losgar. As such actions go, it's remarkably inadequate.

Major Characters: Amras, Amrod, Caranthir, Celegorm, Curufin, Fëanor, Maedhros, Maglor

Major Relationships:

Artwork Type: No artwork type listed

Genre: Drama

Challenges:

Rating: General

Warnings: Character Death

Chapters: 1 Word Count: 762
Posted on 23 August 2011 Updated on 23 August 2011

This fanwork is complete.

Chapter 1

Read Chapter 1

I was like smoke without the fire.

I watch the ships burn on the beach at Losgar. Through the night — for it is always night now — the light from the fire must be visible for miles around. It must be visible across the water. The one I fought for — has he seen it by now? I lost so badly, I would beg forgiveness, if only...

Does he know himself to be betrayed?

Oh, but these are useless thoughts — I must not think them, not now, not here. I feel ridiculously exposed, and trod mostly into the dirt. I have been humiliated in more ways than one.

Ah but now, Macalaurë is singing. He has started a song that is terrible in its beauty. Like the fire itself, it crackles and roars into violent life. One by one, they join him in song. They are very proud, my brothers, and they sing this hymn to destruction with all possible energy.

I suppose Macalaurë, ever the artist, could not help but recognize this as a moment rife with artistic possibilities.

None of us here can help our natures.

I close my eyes so I would not see what we had wrought here, my brothers and I.

What we have wrought here, my father and I, for the responsibility, the blame rests with us and between us. He has retreated back to his quarters, declaring that now our true work can begin. I am still here, still thinking of my part in this.

In truth, I am brooding.

Am I not the eldest of my brothers? Nelyafinwë is my father-name indeed, though it is rarely used. I am the Third Finwë, and second- in- command — now that first has fallen. Though in later years, it was often difficult to say who gave the commands and who obeyed — though between my father and my grandfather, it was always difficult to say.

Always, my grandfather acceded to my father’s wishes, right to the day that he died...

No.

These thoughts are disloyal thoughts, and so I must crush them. It is a force of habit, really. And a finely-honed one at that, to banish disloyalty — to banish doubt — in this this way. After all, my one moment of rebellion has passed me by.

And yet, and yet, I did have it, that moment of rebellion. I did stand aside when madness took my father, when he ordered us to torch the ships.

I stood aside, and I protested.

My thoughts went out to Findekáno — first to him, ever to him. And then to the rest - they have shed blood for us, they had come to our aid, they are as cursed as we....

I stood aside, though I knew it would do no good. There is a shrill part of my mind that screams out that I am differentI am not like them! I stood aside!

Valar help me, I stood aside.

No. They will not help me, never again.

I do not want their help.

I find that I must still rebel against something, anything.

+

The turmoil in my head is interrupted by shouts, the sound of fighting, and of someone pushing to the front. Without thinking, I reach out and grab a red and white streak spinning past me. I hold him fast, for it is Ambarussa. He screams at my touch, and yet still claws at me desperately. Is he trying to get away or pull me closer? It is a parody of my old role, of comforting older brother, that I trap my little brother in my arms. I do not know why this is happening, but I hold tight. I have a sudden fear that he will run to the fire, and throw himself in...

He struggles in my arm and turns to me. His eyes are wild and his mouth open, shouting. Flecks of spit hit me. He is mad. Perhaps madness is catching now...

“We have killed him!” he shouts at me. His desperate fingers digging into my skin, drawing blood. He rips at my willful incomprehension.

Ambarussa. Where two should be, there is only one.

Where is Ambarussa?

Where is...

All of my (still-living) brothers are shouting now, and join me in restraining the survivor. Tyelkormo is yelling into my ear, but I cannot hear him. Carnistir’s face is flushed as ever, dark red in the murky light, like he is doused in blood. (But then again, we all are.) Atarinkë is weeping, something I have not seen him do since he was a little child. 

But soon we all fall silent, and watch the burned wreckage, gently bobbing in the surf.

It is also my brother’s pyre. Ambarussa burned while I stood aside.

There is no singing now.


Comments

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Wow. This chapter of the Sil has always confused and fascinated me, especially the way it's portrayed in fandom. I guess I just have a hard time figuring out how no one noticed Ambarussa was missing...

But, anyway, what I find so powerful about this piece is Nelyo's acknowledgement that merely standing aside did not do much good. Also chilling is the middle part, where Nelyo is wondering who really ruled between Feanor and Finwe in the later days.

But the most heartwrenching lines for me were "Ambarussa burned while I stood aside. / There is no singing now." Amazing.

Thanks for sharing!

You are really getting the maximum ouch effect out of the "standing aside" theme here, aren't you? Strictly speaking, I suppose, merely "standing aside" is just as inadequate a response whether it only allows Elenwe and a great number of Fingolfinians to die in the ice or whether it also allows Ambarussa to be burnt practically in front of Maedhros's eyes, but it does sort of bring it home to you.

I've read stories about Maglor going all artistic at Losgar before (Look at the pretty flames!), but that bit about the singing is really something.

A wide range of conflicting thoughts and emotions very well laid out...

(they have shed blood for us, they had come to our aid, they are as cursed as we....)

This line worked well, evoking for me not just the abandoned Noldor but the Teleri also; in which these ships to them were as their life-blood, like the jewels to the oath makers.  Of course the pay off comes with your rendition with the actual death of Feanor's youngest son so brutally punctuating the very impotency bemoaned by Maedhros throughout the piece...

A possible follow-on piece could be the breaking of the news to Feanor in his quarters - madness tempered by guilt, perhaps?

I thought I reviewed already, but apparently it became a comment on my adding this to my favourites! For what it's worth:
This was amazing. I love how you made his standing aside not...well..heroic, but rather some sort of defeated. I've come across many fanfictions who paint him as this One Good Feanorian, which is just less interesting. I've always wondered how no one noticed Umbarto...And Macalaurë's song was a terrifying idea. Somehow  "a song that is terrible in its beauty. Like the fire itself, it crackles and roars into violent life" reminded me of the "le sacrifice" part in Stravinsky's Rite Of Spring...which is odd I suppose as it doesn't contain singing. But your describtion of the music reminds me of it I guess. 

Why, thank you!

Oh, I definitely think it's a defeat for him -- if he had suceeded, the ships wouldn't have burned. Standing aside is just the very least he could do to save face, and I think, even then, it doesn't really succeed. Really, Maedhros is the "One Good Feanorian"?  Huh.  I like him a lot, but I think putting such label on him sort of takes the enjoyment you get from a character who is -- or ought be, any way, at the very least, morally gray. 

Interesting that you thought of sacrifices when it came to the song/Umbarto's death. I was thinking a lot of Iphigenia and the parallels between her fate and poor Ambarussa's -- both are unwitting sacrifices to their father's martial ambitions, if you will...

Sorry to clutter your reviews but - I just wanted to say that funnily enough Maedhros has always, somehow, reminded me in certain aspects of Achillis, who incidentally also did not agree with the sacrifice at hand but was unable to stop it. So the Iphigenia/Ambarussa connection makes sense alot of to me I suppose. Though my reason for connecting Achillis to Amedhros was more about the "enemies fled from his face"thing Maedhros and Achillis seem to share.