Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Behind the Scenes
Choose a major event from The Silmarillion and create a fanwork that shows what a character who was not involved was doing at the time it was taking place. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I think this is one of the first fics on the Istari being sent to Middle-earth that I've read, and while the concept is decidedly unsettling, I very much like the way you pulled it off!
EEeeeee! Creepy, but in an elegant way, like the best old-school horror stories. And you lighten it with a bit of dry humor, too (hard to pull off well, in my opinion). A good explanation why, of all beings, the Istari don't remember much of Valinor.
Oh, poor Curumo! Olorin seems way better equipped to handle something like this.
There is a particular cross-fic irony in that bit about "voluntary subjects"--since Draugluin is in fact a voluntary subject, if ill-informed--and I don't think what the Valar are doing here quite qualifies as "fully informed consent" either...
Ha, yes, I like to play off the irony of Curumo volunteering to go and ultimately being really not suited to either the nature or stictures of the mission, whilst Olórin ends up succeeding despite his initial reluctance.
You remembered Draugluin's questionably voluntary participation! =D Apparently a lot of my characters are a little murky on the concept of informed consent, come to think of it.
My Valar wouldn't know the first thing about complicated surgeries, because one of their issues is that they are powerful but fairly stagnant in their power, i.e. new ideas do not come easily to them (which is part of the attraction of the more dynamic Children to them). I thought the Noldor would probably be a step ahead of them in this regard.
I must say that the main idea of this is well thought-out, intriguing and explains canon quite well! I always enjoy a scientific reconstruction od Tolkien's legendarium and this one is a very well written one. To read your work is always a pleasure and I am very happy that you are back!
Comments on Brain Fog
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.