Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This is a great story. I remember reading the first chapter- probably when you first posted(I htink:) but had lost track. Adding to favourites so I can always find it. I love Caranthir's voice in this - deadpan, clever, with an integrity. Loved the comment about Arafinwe's children are harder to decieve- that's a super little detail.
Great chapter- I like this almost understated tone, thoughtful and watchful. That phrase, they fly, the servants he sends, is quite unpleasnatly evocative of some THING nasty and scary. Like the winged monkeys in Wizard of Oz.
I find this a really convincing account of what may have been- that conversation strikes me as highly probable. And I love Carnistir in this fic- resonance of Dawn Felgund's wonderfully insightful character.
I love the change in perspective and that the style of the chapters resonates with the charakter of the current narrator. Also, being a huge Nolofinwe-fangirl, I really like that he too is a developed charakter in this story (not like some, where he gets reduced to filler-status).
Thank you! Fingolfin doesn't get nearly enough credit in fandom, IMO. I think he's a wonderful character and I have a lot of feelings about the relationship between him and Maedhros.
I really enjoy your take on this storyline! The emotions and motivations of your characters are really convincing. And I love your Caranthir. This last chapter in particular was painful, but painted such a vivid and beautiful picture of their relationship, as brothers and confidantes and people who lend each other strength.
Thank you so much! I have a huge soft spot for Caranthir, and I like to think that Maedhros has unique and close relationships with all his brothers, not just with Maglor.
Terrific idea! Even if it is very ghoulish- but it strikes me that actually this is very likely- Morgoth would know all about those sorts of senses one has (or hears about anyway) and would know just how to use a connection. And I do love Caranthir and his strange ability.
Great chapter- hard to read, and much as I want to know, it is far more effective that you let Carnistir keep his promise and not even tell the reader.
Comments on Maps
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.