Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Nice start, and I really like your Mairon's distinctive "voice." I hear bitterness, poignancy, and humor there. Plus the hints of of his history intrigue me. And that Sárandilli line: OK, I confess. I laughed.
Well, you had to tell me about the pun, which I find both amusing and fascinating!
As I said on Faerie, I like your language and am looking forward to more. I don't come on SWG as often as I should, but I will try to commet here as well as Faerie.
(Van is giving you a 'look' at 'somewhat dubious'. But seriously, I am extremely flattered you would mention him and link to me. Thank-you).
I'm grateful to you for not spoiling the pun, I want to see if anyone guesses it :)
Thank you for reviewing on here as well as Faerie, and I won't mind if you don't comment on here often, as I don't want to force you into anything :)
Van, stop looking at me like that! *points at Mairon* He said that, not me! I did say I call it absolutely horrifying... Sorry, Van. T.T I do love you, you know. *offers hug* Equally seriously, you're very welcome!
Hi, thanks for reviewing and for the positive feedback! *basks in the lovely, warm glow* :)
I am actually still writing the story, but my Dark Muse will not let me work on it in an orderly fashion, and so I have snippets from all over the place... OK, I do have most of chapter two done, but have no idea when I'll be able to complete it. Sorry. :(
I'm so glad that you finally updated! Sauron describing the events of Ainulindalë in such a condescending, cold tone is pure gold, and perfectly in-character. But damn, it was short! Please don't take so long to upload the next one. :)
The next one won't take anywhere near as long, there shouldn't be a repeat of the personal issues I had.
Thanks for reviewing, and for letting me know he's IC... As I've mentioned to someone else, it probably says something about me that I write a good first-person Sauron, and I'm not sure I like it.
Comments on Flawed, yet Precious
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.