Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I didn't want Elwing and Earendil to take another step past the first room because of all the history they were disturbing. I felt they were desecrating sacred ground. I love the Feanorions, and I can, in a sense, comprehend Elwings need to understand them.
Thank you! That 'wrongness' was exactly how I imagined it - Elwing and Eärendil are trespassing into a place that was specifically not meant for them. That said, however, it is understandable that Elwing does enter - even past that first room!
Trying to understand was all that they could do - the rest was indeed out of their hands.
A Fëanorian Museum is the vibe that I was going for - unintentional and personal, but so very telling.
Nerdanel is not dead, but I seem to remember her moving back to Mahtan's place after the First Kinslaying? I'm not sure; but that's what happened here at least.
This was such a melancholy walk through the abandoned house - but such a lovely read. Elwing's desire to understand the family that hurt her own family so much is understandable, and it pains me a little that she did not find what she was looking for - although I suppose she may in time come to realise that the humanity and love and life she saw in the portraits and musical instruments, the comfortable furniture and the carelessly discarded cloaks aren't contradicting their later deeds, but simply part of the same condition. Maybe she can find closure after all. I hope so.
Loved your vision of the House of Feanor, abandoned but retaining its original character. I could picture the house very clearly, and it felt very true to my mental image of the Feanorians in happier times. I also loved the composure and bravery you gave Elwing. Brava.
Elwing, and many other people, see the Fëanorians as one-dimensional monsters, and Elwing learns the hard way here that that's not true. I think Elwing is a very complicated woman that was broken in her childhood (Second Kinslaying) and didn't ever realize it, since everyone suffered from that disaster. This is her attempt at taking the first step on the path towards healing.
As for the house, I imagine Fëanor and Nerdanel kept politics etc far away from their personal life - hence them not living in the palace. So I imagine their chosen/build home to be very 'homy', perhaps the First Homely House, as Imladris is the last left in Middle-Earth?
This is really great. I love the spooky-but-kind-of-sad atmosphere of the abandoned house, and you've really captured the feeling of Elwing's cognative dissonance, knowing all of these normal things belonged to people she can only think of as monsters. I really hope she can find some kind of closure, even if this didn't help very much.
Well, we ARE talking about The Silmarillion here ;) But I agree; abandoned houses have something undeniably tragic about them, and let's not even begin about Elwing's life.
Sad and poignant, Elwing and Eärendil wander through Fëanáro and Nerdanel's home in Tirion, and discover that the Kinslayers were once a happy, busy family. Heartbreaking on all fronts.
Comments on Open Up The Door
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.