Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
Around the World and Web
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I didn't want Elwing and Earendil to take another step past the first room because of all the history they were disturbing. I felt they were desecrating sacred ground. I love the Feanorions, and I can, in a sense, comprehend Elwings need to understand them.
Thank you! That 'wrongness' was exactly how I imagined it - Elwing and Eärendil are trespassing into a place that was specifically not meant for them. That said, however, it is understandable that Elwing does enter - even past that first room!
Trying to understand was all that they could do - the rest was indeed out of their hands.
A Fëanorian Museum is the vibe that I was going for - unintentional and personal, but so very telling.
Nerdanel is not dead, but I seem to remember her moving back to Mahtan's place after the First Kinslaying? I'm not sure; but that's what happened here at least.
This was such a melancholy walk through the abandoned house - but such a lovely read. Elwing's desire to understand the family that hurt her own family so much is understandable, and it pains me a little that she did not find what she was looking for - although I suppose she may in time come to realise that the humanity and love and life she saw in the portraits and musical instruments, the comfortable furniture and the carelessly discarded cloaks aren't contradicting their later deeds, but simply part of the same condition. Maybe she can find closure after all. I hope so.
Loved your vision of the House of Feanor, abandoned but retaining its original character. I could picture the house very clearly, and it felt very true to my mental image of the Feanorians in happier times. I also loved the composure and bravery you gave Elwing. Brava.
Elwing, and many other people, see the Fëanorians as one-dimensional monsters, and Elwing learns the hard way here that that's not true. I think Elwing is a very complicated woman that was broken in her childhood (Second Kinslaying) and didn't ever realize it, since everyone suffered from that disaster. This is her attempt at taking the first step on the path towards healing.
As for the house, I imagine Fëanor and Nerdanel kept politics etc far away from their personal life - hence them not living in the palace. So I imagine their chosen/build home to be very 'homy', perhaps the First Homely House, as Imladris is the last left in Middle-Earth?
This is really great. I love the spooky-but-kind-of-sad atmosphere of the abandoned house, and you've really captured the feeling of Elwing's cognative dissonance, knowing all of these normal things belonged to people she can only think of as monsters. I really hope she can find some kind of closure, even if this didn't help very much.
Well, we ARE talking about The Silmarillion here ;) But I agree; abandoned houses have something undeniably tragic about them, and let's not even begin about Elwing's life.
Sad and poignant, Elwing and Eärendil wander through Fëanáro and Nerdanel's home in Tirion, and discover that the Kinslayers were once a happy, busy family. Heartbreaking on all fronts.
Comments on Open Up The Door
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.