New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution
Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
"The Fëanorian Zine" Available to Read and Download
We are pleased to be able to offer "The Fëanorian Zine" to read and download on the SWG for free.
Call for Artists for the 2026 Challenge Stamps
We are soliciting help from artists who want to help create the stamps we award to challenge participants.
[Writing] In Early Spring by Serinquanion
In what Maedhros was re-embodied early and was sent back to Middle Earth on his volition with Glorfindel.
This isn't about what happened right then but years after Fall of Sauron when he still refused to return to Valinor.
He found a strange sapling at the shore of what remains of…
[Writing] Umnenyalië by Serinquanion
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
[Writing] Winter Warmth by Serinquanion
A winter night in Himring. But inside the quarters where fire blazed in hearth was warmer, and not only from the fire or quilt.
[Writing] A Hundred Miles Through the Desert by StarSpray
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
[Writing] Who Will Hear Me? by XirinOfArvada
A lonely elf finds a flute half buried beneath the sand and wonders if its owner will hear him when he calls.
[Writing] Loyal, Faithful by Himring
Late in the Second Age, one of the Faithful reflects critically on past developments. (Free verse.)
[Writing] East Away! by Flora-lass
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
To Be Free
Use a fanwork to show a character working to achieve freedom. Read more ...
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Twilight, Child Of: Comparisons Between Tinúviel, Lómion, and Undómiel by JazTheBard
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
The Aromantic in Tolkien by daughterofshadows
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
[Writing] here you will dwell, bound to your grief by Elrond's Library
Arwen grieves, and loves.
[Writing] Faramir's Verse by losselen
“Come, Faramir. Let us not stand in ceremony. I think words are due between you and I, and not only those between a King and his Steward.”
Faramir has speech with Gandalf and his King.
[Writing] In a Hole in the Ground... by StarSpray
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
This story is subtly and craftily written where it gives me the feeling afterwards that I must read it again to discover another detail, layer. So where to begin... To me this has this sublime mix of horror/fantasy like Gaiman writes, but with this touch of sensuality. It is not used to spice up the story, oh no, the purpose of the act is much sinister and I cannot help to wonder why Melian used him in such a manner. It nearly feels as if her fate becomes full circle by entrapping another elf in her enchantment – because well Melian created the same magic with Elwë when both met. Mablung is so painfully aware of all and I think Binks that you presented such an intriguing march warden to us: a veteran in battle, yet so insecure about matters of love. With this you weave in a horror element, which explored Mablung’s choice, the human nature of his decision balanced against his morale and what he should do. His struggle with his inner demon is greatly explored: insanity vs reason, love vs death… such great themes. This is not like a warrior in battle: these are emotions, hidden desires and dealing with an enchantment where as the moment it will be broken.... Mablung is so conflicted in this piece, struggling and yet at the end he knows that just as a soldier knows that he has to go on, no matter what happened: it is his duty for well Queen and country. But the ending, it brings tears to my eyes and yet it leaves it all in the open how he will deal with this and the Nauglamír: what can he possibly tell to Dior? This is a fabulous piece Robinka, I marvel at how you balanced this all with such great storytelling.
Well, what can I say? :) Thank you again for your help and for such a wonderful review. I couldn't have done it without you. :)
I think that what works best for me in this story is the lingering melancholy feel from Melian's slow and painful demise into the fate of a Secondborn. I am not too familiar with stories set in Doriath, but this is the first I've seen of this idea as it pertains to Melian, and I found it an intriguing interpretation that (for once) didn't make her out to be a villain for her desertion of Doriath. This is one of those questions that--as a Silmarillion fan--has always bothered me, and I appreciate how you have addressed it here.
It might have been pure, I cannot deny, but once the blackness poisoned it the purity will never arise again. The hand of its creator [snip] planted his madness in it and the hand of its thief affected it with reckless greed.
This is really interesting to me! I am in the midst of a ne'er-ending research project/essay about the Silmarils and light in Tolkien's world, and this is a new interpretation to me. (My personal hypothesis is that the "evil" of the Silmarils derives from attempting to hoard something--light--that should have been freely available to all; as it was, it could be coveted and kept. There are other examples of this idea in Tolkien's earliest works ... but I digress! :^P)
Anyway, in all, a lovely story with interesting ideas, and I thank you for sharing it!
Dawn,
I wasn't sure how the idea of Melian's aging would work, and I'm so glad it did. I wanted to give her a touch of awkwardness, something appropriate for a Maia. Besides, I've always considered her choice of leaving the lesser of two evils, sort of. She wouldn't have probably withstood the fall of Doriath anyway. And when I think about the possibility of Melian being slain by one of the Feanorians... Sheeesh, maybe she had just prevented them from committing a more disastrous crime?
Thank you for your kind words :) You made my day.
This was a stunning story and a delight (in a lump-in-throat way) to read. I frequently found myself holding my breath at the portrayal of your characters. Melian is very - as far as that is possible in a universe so different from our own - otherworldly, as befitting a Maia, and an unusual one at that. I also liked the twist on Mablung's absolute loyalty and quite contrary to that the insecurity he displays, as it gives the reader something to emphasize with and strengthens the impact of the story. The conclusion - wow. This is again a place that almost had me in tears... possibly the only fitting ending to this wonderful piece. It is, for lack of a better word, spooky, and the feeling of Doriath after its fall was conveyed very very convincingly by your choice of words and descriptions. Fall, fading, the setting sun (though this detail had me pause a moment, because the sun is generally associated with men, not with elves, but it works in the context), and the other motives - convincingly done, and the adult scene just added further depth and tragedy to it. To think that a means to create life is twisted to bring on Melian's end in this story... thank you for writing this.
Oh wow! Thank you a million for your wonderful review. I'm very happy that you like the story and honored to have received such a comment :)
As for the sun, I didn't think about it as associated with the Silm mythology, but more about a general metaphor of a setting sun as an end. :) I'm glad it worked. Thanks! And sorry for a long delay with replying.
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Comments on House of the Setting Sun
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