Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts
Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy
The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Instadrabbling Sessions for April, May, and June
Instadrabbling continues on the first Saturday of each month on our Discord server.
[Writing] A Very Fire by Deborah Judge
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
"The madness will not end," Feanor…
[Writing] After the Kinslaying by Deborah Judge
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
[Writing] Add Another Stone by StarSpray
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
[Writing] How Tolkien Presents Ordinary People in "The Silmarillion" by Dawn Felagund
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
[Writing] Blessed are the Leave-takers by Isilme_among_the_stars
As prince Curufinwë Fëanáro makes an historical speech from the high court of the King upon Túna, those at the back of the crowd strain to hear.
A silly little scene inspired by Monty Python's "Blessed are the Cheesemakers" scene from The Life of Brian, written for …
[Writing] I Sit and Think of Times There Were Before by Erdariel
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
[Writing] Until the Stars are All Alight by Dagstjarna
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Caprice and Chance
Prompts for this Matryoshka challenge are loosely based on the plot arcs and tropes of romance novels. Read more ...
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Tolkien, Lunatic Physicists, and Abnegation by Cynthia (Cindy) Gates
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Week of Kiliel
A Tumblr event dedicated to the relationship between Kili and Tauriel.
Aspec Arda Week 2026
This week-long event celebrates asexual and aromantic spectrum interpretations and headcanons of Tolkien’s Legendarium.
April/May Teitho Challenge
Teithio is running a prompt challenge around the theme of "heartbreak."
Tolkien Reverse Summer Bang 2026
The Tolkien Reverse Summer Bang is back for another summer of collaboration between artists and writers!
This story is subtly and craftily written where it gives me the feeling afterwards that I must read it again to discover another detail, layer. So where to begin... To me this has this sublime mix of horror/fantasy like Gaiman writes, but with this touch of sensuality. It is not used to spice up the story, oh no, the purpose of the act is much sinister and I cannot help to wonder why Melian used him in such a manner. It nearly feels as if her fate becomes full circle by entrapping another elf in her enchantment – because well Melian created the same magic with Elwë when both met. Mablung is so painfully aware of all and I think Binks that you presented such an intriguing march warden to us: a veteran in battle, yet so insecure about matters of love. With this you weave in a horror element, which explored Mablung’s choice, the human nature of his decision balanced against his morale and what he should do. His struggle with his inner demon is greatly explored: insanity vs reason, love vs death… such great themes. This is not like a warrior in battle: these are emotions, hidden desires and dealing with an enchantment where as the moment it will be broken.... Mablung is so conflicted in this piece, struggling and yet at the end he knows that just as a soldier knows that he has to go on, no matter what happened: it is his duty for well Queen and country. But the ending, it brings tears to my eyes and yet it leaves it all in the open how he will deal with this and the Nauglamír: what can he possibly tell to Dior? This is a fabulous piece Robinka, I marvel at how you balanced this all with such great storytelling.
Well, what can I say? :) Thank you again for your help and for such a wonderful review. I couldn't have done it without you. :)
I think that what works best for me in this story is the lingering melancholy feel from Melian's slow and painful demise into the fate of a Secondborn. I am not too familiar with stories set in Doriath, but this is the first I've seen of this idea as it pertains to Melian, and I found it an intriguing interpretation that (for once) didn't make her out to be a villain for her desertion of Doriath. This is one of those questions that--as a Silmarillion fan--has always bothered me, and I appreciate how you have addressed it here.
It might have been pure, I cannot deny, but once the blackness poisoned it the purity will never arise again. The hand of its creator [snip] planted his madness in it and the hand of its thief affected it with reckless greed.
This is really interesting to me! I am in the midst of a ne'er-ending research project/essay about the Silmarils and light in Tolkien's world, and this is a new interpretation to me. (My personal hypothesis is that the "evil" of the Silmarils derives from attempting to hoard something--light--that should have been freely available to all; as it was, it could be coveted and kept. There are other examples of this idea in Tolkien's earliest works ... but I digress! :^P)
Anyway, in all, a lovely story with interesting ideas, and I thank you for sharing it!
Dawn,
I wasn't sure how the idea of Melian's aging would work, and I'm so glad it did. I wanted to give her a touch of awkwardness, something appropriate for a Maia. Besides, I've always considered her choice of leaving the lesser of two evils, sort of. She wouldn't have probably withstood the fall of Doriath anyway. And when I think about the possibility of Melian being slain by one of the Feanorians... Sheeesh, maybe she had just prevented them from committing a more disastrous crime?
Thank you for your kind words :) You made my day.
This was a stunning story and a delight (in a lump-in-throat way) to read. I frequently found myself holding my breath at the portrayal of your characters. Melian is very - as far as that is possible in a universe so different from our own - otherworldly, as befitting a Maia, and an unusual one at that. I also liked the twist on Mablung's absolute loyalty and quite contrary to that the insecurity he displays, as it gives the reader something to emphasize with and strengthens the impact of the story. The conclusion - wow. This is again a place that almost had me in tears... possibly the only fitting ending to this wonderful piece. It is, for lack of a better word, spooky, and the feeling of Doriath after its fall was conveyed very very convincingly by your choice of words and descriptions. Fall, fading, the setting sun (though this detail had me pause a moment, because the sun is generally associated with men, not with elves, but it works in the context), and the other motives - convincingly done, and the adult scene just added further depth and tragedy to it. To think that a means to create life is twisted to bring on Melian's end in this story... thank you for writing this.
Oh wow! Thank you a million for your wonderful review. I'm very happy that you like the story and honored to have received such a comment :)
As for the sun, I didn't think about it as associated with the Silm mythology, but more about a general metaphor of a setting sun as an end. :) I'm glad it worked. Thanks! And sorry for a long delay with replying.
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Comments on House of the Setting Sun
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