Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
But…
Current Challenge
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Turning Point
The Silmarillion has many moments when a character stands upon a crossroad: He or she will have to make a decision. At such a turning point in your story, create a fanwork about that moment that will define or alter the life of your character. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Thank you, Fanari. You are too kind to me. I am so very pleased it moved you. (As I'm sure you know, they always give me a sniffle when I think of their love and loss.)
Woohoo! Thank you. I always think a poem is a bit like a joke: if you have to explain it, it's not any good. I was hoping someone would notice there was some form and content there. (OK. Now if I just could have worked in a little imagery, I would have been better pleased. But, hey, it's been 20 years since I tried to write a poem.)
These are elegant and have a direct almost Spartan quality as fitting a pair of warrior-scholar-princes. They are exactly the kind of vows I would expect Findekáno and Maitimo to speak to one another. Both sets of verses are great, but I really, really liked Findekáno's words!
Nope, no cause for personal embarrassment here.
What do you mean - "almost canon?" In my book, your M & F embody canon. ;^)
Thanks you so much. I am utterly delighted with your characterization of "a pair of warrior-scholar-princes." (Oh, you know me and these characters so well!) I've been wondering for a while about Findekáno and why he is always so much clearer since I started writing this series because I was so in love with the idea of Fëanor’s eldest son. And it finally just hit me writing my epilogue (I am slow) and it is because Maitimo is wounded and Findekáno is whole.
I am looking forward to seeing you post your own recent effort at poetry. It is so much more ambitious than mine and has a larger theme.
Thank you so much for commenting on this! I am thrilled you read it and like it. (Sorry for the delay in responding, I somehow missed your comment until now.)
Comments on Love Poem
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.