Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
Tolkien Disability Pride 2026
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
*grins* Thank you! I was really trying to get across that neither character was a pure victim or pure abuser; so glad that got across. Thanks for the review. -Marta
So exicted to see that you are posting here and taking on some Silmarillion themes as well. You argue your case well, for the level of grief and horror that Maglor would experience when viewing such a scene and remembering what he had already done and realizing what he could be called upon to do in the future. Vividly written. One part was a bit different from the way that I imagine it (to think that anyone could consider the Simarili pretty baubles, much less a son of Feanor--I guess I am of the school who thinks of them as combining a level of technology and magic that strains the imagination to even comprehend or describe). When Tolkien speaks of the Noldor surpassing even the Valar in their skill and creative capacity in some instances; it is always the Simarili that pop first into my head.
Thank you very much for your kind review. I finally find myself writing some stories that are more Silm-focused, and I love this group so I am eager to participate here as a writer.
On the silmarils being baubles: If it was any Feanorian other than Maglor, I would probably agree with you; and I think that in most of his history he would not view them this way. However, after so much violence and loss, I think that Maglor is thinking that even the Silmarils, as glorious as they are, pale in comparison to what they have caused to happen. Maglor is most likely being a little bit deprecating to his people; "look what we've done, and it was for these things that really weren't much compared to the horrors they've caused!" Whether he'd say that out loud I don't know; but it was interesting to make him think it.
That said, I probably haven't thought about the silmarils that much, and maybe with a few more Silmarillion stories under my belt I would have viewed things differently. I know that how I viewed themes and characters/objects in other fandoms has changed as I've written more stories in that fandom and really wrapped my head around the ideas involved.
In any event, thank you for your review, and also for challenging me on my description of the silmarils. You've definitely made me think. :-) -Marta
An interesting glimpse inside Maglor, the gentlest Feanorion and how the Oath must have pursued them through all those years like a curse. The line "...he'd been cursed to live," perfectly sums it up I think.
The scene at Alqualonde with the the Telerin youth was the most "human" moment, perfectly summed up by the line: "Had it really been worth dying for?" Kind of reminds me how our human obsessions seem to "bind our hands".
Thank you, whitewave! I so appreciate the review. My parents work for an international aid organization, and I've heard their stories about people who have survived tsunamis, earthquakes, and the like - I was thinking of them with that "cursed to live" bit, because when everyone around you dies, I think it really can seem like a curse to have to live on, especially if you feel like you're bound by an oath that makes everything you do turn out badly. I'm not talking suicidal or anything... just general grief and despair.
Anyway, thank you for your opinion of my story. :-)
Comments on Past Deeds
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.