Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more. Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
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Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
*grins* Thank you! I was really trying to get across that neither character was a pure victim or pure abuser; so glad that got across. Thanks for the review. -Marta
So exicted to see that you are posting here and taking on some Silmarillion themes as well. You argue your case well, for the level of grief and horror that Maglor would experience when viewing such a scene and remembering what he had already done and realizing what he could be called upon to do in the future. Vividly written. One part was a bit different from the way that I imagine it (to think that anyone could consider the Simarili pretty baubles, much less a son of Feanor--I guess I am of the school who thinks of them as combining a level of technology and magic that strains the imagination to even comprehend or describe). When Tolkien speaks of the Noldor surpassing even the Valar in their skill and creative capacity in some instances; it is always the Simarili that pop first into my head.
Thank you very much for your kind review. I finally find myself writing some stories that are more Silm-focused, and I love this group so I am eager to participate here as a writer.
On the silmarils being baubles: If it was any Feanorian other than Maglor, I would probably agree with you; and I think that in most of his history he would not view them this way. However, after so much violence and loss, I think that Maglor is thinking that even the Silmarils, as glorious as they are, pale in comparison to what they have caused to happen. Maglor is most likely being a little bit deprecating to his people; "look what we've done, and it was for these things that really weren't much compared to the horrors they've caused!" Whether he'd say that out loud I don't know; but it was interesting to make him think it.
That said, I probably haven't thought about the silmarils that much, and maybe with a few more Silmarillion stories under my belt I would have viewed things differently. I know that how I viewed themes and characters/objects in other fandoms has changed as I've written more stories in that fandom and really wrapped my head around the ideas involved.
In any event, thank you for your review, and also for challenging me on my description of the silmarils. You've definitely made me think. :-) -Marta
An interesting glimpse inside Maglor, the gentlest Feanorion and how the Oath must have pursued them through all those years like a curse. The line "...he'd been cursed to live," perfectly sums it up I think.
The scene at Alqualonde with the the Telerin youth was the most "human" moment, perfectly summed up by the line: "Had it really been worth dying for?" Kind of reminds me how our human obsessions seem to "bind our hands".
Thank you, whitewave! I so appreciate the review. My parents work for an international aid organization, and I've heard their stories about people who have survived tsunamis, earthquakes, and the like - I was thinking of them with that "cursed to live" bit, because when everyone around you dies, I think it really can seem like a curse to have to live on, especially if you feel like you're bound by an oath that makes everything you do turn out badly. I'm not talking suicidal or anything... just general grief and despair.
Anyway, thank you for your opinion of my story. :-)
Comments on Past Deeds
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.