Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Fëany is such a micro-manager sometimes, but I would like to think that despite the snarky exterior, he didn't want any harm to come to his followers and that maybe he wants to have some private time alone to grieve Nerdanel (I'm a hopeless romantic, I know.) ;-)
I have to agree with Surgical Steel that you have the tone of the seafaring adventure down perfectly! I'm really surprised that there are fewer stories about the crossing; it seems like a time ripe for conflict (and, therefore, fanfic! :) This one is great--so much is fit into 125 words! Well done! :)
Thanks, Dawn! You're terrific. The tension between Feanor and Maedhros was inspired in part by something you wrote about Losgar. Now I cannot remember which fic. I have to ask you. I tried to find it and I coudn't.
And I'm wondering whether I read a piece of fanfiction just before, or maybe I was again a small girl stunned by the story of captain Ahab and the white whale. Thanks for evoking that feeling with a drabble! Very well done :D
I had fun with this one too! It was like I was a little girl again, curled up under a blanket on my bed with a book of sea adventures. (Of course, it has an underlying serious thread that tells something about how I view the relationship between Feanor and Maedhros at the time (Feanor = mistrustful and sarcastic and Maedhros = protective and mistrustful); but I don't necessarily expect most readers to pick up on the subtleties of that.)
The piece was small but nicely written. However, I did not see Uinen's direct interaction with the characters here... Why did you put her name in the character list? I understand if that was the title, though.
LOL I have to refrain myself from going nitpicky... Hmm.
I love the first paragraph. I live in an archipelago country and love stories about the sea, however horrifying it is (okay, not so, but anyway). The word choice there was beautiful, and the personification of the ship made the picture look more vivid and the readers more immersed in the part - the predicament of the passangers aboard the stormy sea. Good job!
Thanks for commenting. I am glad you enjoyed it! Great name--wind rider.
I don't know why I checked Unien in the character list! I added and took the name away several times--couldn't make up by mind. I guess because Unien was the actor in the sense of causing the storm finally made me leave it. Sorry if it misled you!
Comments on Uinen’s Revenge
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.