Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Finrod and Bëor stop for a while on the road to Nargothrond to rest. The bodies of the Secondborn often grow weary, and Finrod laments, massaging Bëor's back and renewing his beloved's vigor with the work of his hands. But Finrod has other burdens of his own, Bëor soon discovers, returning…
Maglor without Maedhros, Daeron without Lúthien. Alone, they are nothing, but together, they can be something more. Where do you turn, when you have no one else left?
Written for Tolkien Reverse Summer Bang 2023, featuring artwork by athlai.
It was only the second time Finwë had come out foraging with them, and of course this would happen—of course the Hunter would come, the Dark Rider on his steed with its terrible, heavy footfalls, and the deep-throated laughter that held no mirth, only malice.
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
For most of my life, when reading Lord of the Rings, I read it through the perspective of Gandalf's words about Éowyn, that she'd spent years trapped as a caregiver, watching the realm she love fall from honor into disgrace.
But what if Éowyn was also a student of history?
…
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Angbang Week 2026
Angbang Week is a tumblr event focusing on the relationship between Morgoth and Sauron, running from May 5-11, 2026
Gondor Week 2026
A Tumblr week event focusing on the history of the realm of Gondor.
Crablor Day
A day dedicated to everyone's favourite warcriminal crustacean - April 26, 2026
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Love the title. Love it every time I see it used. It always takes me back to Homer. It is absolutely perfect for this story with its imagery of the grapes and bloodshed and its relationship to the sea.
Also love your interpretation of how Feanor would have convinced his sons that this was the only thing, the right thing, to be done. Very happy to see you writing a story featured Maedhros again. I think the first one I ever read was one of yours.
I love the title, too. And the title is what gave me the imagery I needed to finally write the story. (I\'ve been struggling with this scene for six years now. I owe Homer a big debt!)\r\n\r\nAnd I\'m hoping Maedhros and his brothers decide to stick around for a while. I\'ve missed writing them; they have such wonderful, messy family dynamics.
Powerful. Just as the 'dance' seemed fun in the beginning, the decision to take the ships seemed so reasonable at first - they *needed* them, there wasn't a choice, etc. But it will be difficult for Maedhros to wash these stains away.
You\'re quite welcome! I\'m glad you enjoyed the story. I\'ve been struggling with trying to portray the Kinslaying for six years now; it took that long to get the imagery right.
I like the parallels between the wine and blood a lot--the images you conjure are so vivid for me. You wrote a very convincing Fëanor as well. Looking forward to reading more of your Maedhros/Fëanorians.
I\'m glad you enjoyed the story. I\'d been hopelessly stuck on this fic for years until suddenly that final image popped into my head, and then I knew how to write it.\r\n\r\nI\'m hoping over time to get all my older stories posted up here, as well as some new ones. Maglor\'s whispering in my ear at the moment...
Oh I love this, love the imagery you use. I like that you have Maitimo remembering the battle as a series of almost disconnected scenes as I think thats often how it seems in life when you are involved in a situation with stress, adrenaline and a lot of action and you try to remember the events afterwards. It makes the battle seem very real.
Anyway, I'm babbling, hope to read more of your work soon!
I\'m glad you liked the story. Once I had that imagery in my head, I just knew I had to write it.\r\n\r\nI\'ve written a lot of Silmarllion fanfics (many featuring Maedhros), which are posted elsewhere, and which I hope to move over here in time. I\'ve also got a few more plotbunnies hanging about, so with luck you\'ll be seeing mor new stuff from me in the future as well!
What a wonderful short story, I love the emotions you evoke here, especially with the innocence lost as a child and later on as an adult elf. There is no right or wrong here and you show so well how unpredictable life can be with its twists and u-turns.
This sentence stood out for me, especially as to where it appears in the fic:
And so began our Fall.
I think to me that is the turning point that everyone will realise one day, that when the innocence is gone, old age and death will be on our doorstep before we know it. This fic also ties in beautifully withthe professors view on Downfall, as he expressed in one of his letters (don't have the book with me, sadly enough). Great fic!
I\'m glad you liked the story so much! The parallels between the child\'s loss of innocence (and guilt over a \"crime\" which was no crime) and the adult Maedhros\'s later loss of innocence (and guilt over his participation in a genuine atrocity) was something I was hoping readers would pick up on. Tolkien seems to view the Kinslaying as the Noldor\'s Fall from Grace, and it certainly was for Maedhros. He\'s done something there\'s really no way to atone for.\r\n\r\nI do think there\'s some wrong here (before the Kinslaying happens, that is). Feanor\'s not being entirely truthful in his arguments. The real reason they can\'t just pause to build ships of their own is that at this point, the Noldor are functioning as a mob; if they\'re given time to stop and think and cool off, Feanor senses that a lot of them will turn around and go home. He\'s not about to allow that to happen, so he uses dishonest and emotionally manipulative rhetoric on his sons to convince them to ignore their misgivings and go along with his plan - with horrific results for everyone.
Comments on The Wine-Dark Sea
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.