Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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Tolkien Gen Week 2026
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Love the title. Love it every time I see it used. It always takes me back to Homer. It is absolutely perfect for this story with its imagery of the grapes and bloodshed and its relationship to the sea.
Also love your interpretation of how Feanor would have convinced his sons that this was the only thing, the right thing, to be done. Very happy to see you writing a story featured Maedhros again. I think the first one I ever read was one of yours.
I love the title, too. And the title is what gave me the imagery I needed to finally write the story. (I\'ve been struggling with this scene for six years now. I owe Homer a big debt!)\r\n\r\nAnd I\'m hoping Maedhros and his brothers decide to stick around for a while. I\'ve missed writing them; they have such wonderful, messy family dynamics.
Powerful. Just as the 'dance' seemed fun in the beginning, the decision to take the ships seemed so reasonable at first - they *needed* them, there wasn't a choice, etc. But it will be difficult for Maedhros to wash these stains away.
You\'re quite welcome! I\'m glad you enjoyed the story. I\'ve been struggling with trying to portray the Kinslaying for six years now; it took that long to get the imagery right.
I like the parallels between the wine and blood a lot--the images you conjure are so vivid for me. You wrote a very convincing Fëanor as well. Looking forward to reading more of your Maedhros/Fëanorians.
I\'m glad you enjoyed the story. I\'d been hopelessly stuck on this fic for years until suddenly that final image popped into my head, and then I knew how to write it.\r\n\r\nI\'m hoping over time to get all my older stories posted up here, as well as some new ones. Maglor\'s whispering in my ear at the moment...
Oh I love this, love the imagery you use. I like that you have Maitimo remembering the battle as a series of almost disconnected scenes as I think thats often how it seems in life when you are involved in a situation with stress, adrenaline and a lot of action and you try to remember the events afterwards. It makes the battle seem very real.
Anyway, I'm babbling, hope to read more of your work soon!
I\'m glad you liked the story. Once I had that imagery in my head, I just knew I had to write it.\r\n\r\nI\'ve written a lot of Silmarllion fanfics (many featuring Maedhros), which are posted elsewhere, and which I hope to move over here in time. I\'ve also got a few more plotbunnies hanging about, so with luck you\'ll be seeing mor new stuff from me in the future as well!
What a wonderful short story, I love the emotions you evoke here, especially with the innocence lost as a child and later on as an adult elf. There is no right or wrong here and you show so well how unpredictable life can be with its twists and u-turns.
This sentence stood out for me, especially as to where it appears in the fic:
And so began our Fall.
I think to me that is the turning point that everyone will realise one day, that when the innocence is gone, old age and death will be on our doorstep before we know it. This fic also ties in beautifully withthe professors view on Downfall, as he expressed in one of his letters (don't have the book with me, sadly enough). Great fic!
I\'m glad you liked the story so much! The parallels between the child\'s loss of innocence (and guilt over a \"crime\" which was no crime) and the adult Maedhros\'s later loss of innocence (and guilt over his participation in a genuine atrocity) was something I was hoping readers would pick up on. Tolkien seems to view the Kinslaying as the Noldor\'s Fall from Grace, and it certainly was for Maedhros. He\'s done something there\'s really no way to atone for.\r\n\r\nI do think there\'s some wrong here (before the Kinslaying happens, that is). Feanor\'s not being entirely truthful in his arguments. The real reason they can\'t just pause to build ships of their own is that at this point, the Noldor are functioning as a mob; if they\'re given time to stop and think and cool off, Feanor senses that a lot of them will turn around and go home. He\'s not about to allow that to happen, so he uses dishonest and emotionally manipulative rhetoric on his sons to convince them to ignore their misgivings and go along with his plan - with horrific results for everyone.
Comments on The Wine-Dark Sea
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.