Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This made for an amusing read since they initially talked a lot and ignored the elephant in the room. It also leaves me to wonder that after so many ages, why the Edain are treated as mere children, especially since this is stated:
I do not wish for these Children to seek the Undying Lands, desiring to overpass the limits set to their own bliss which Atar has granted them, becoming enamored of the immortality that is ours and the Eldar’s by virtue of our inherent natures.
And still they dance around the issue, which is once more the Valar's folly. Well illustrated!
Yes, they do tend to dance around the issue, Rhapsody, and that is part of their blindness as created beings. I am glad you found this well illustrated in this story. Thanks for letting me know how much you enjoyed this. I really appreciate it.
It was great to see the Valar in action. I love this as an example of how deeds done with the best of intentions can go so wrong in the long run. But, I also like a new insight on the nature of the Valar themselves and how they are also able to err, yet Eru lets them be mistaken and--hopefully--correct their mistakes, much as things happen in real life. Thanks for a great story!
It was great to see the Valar in action. I love this as an example of how deeds done with the best of intentions can go so wrong in the long run. But, I also like a new insight on the nature of the Valar themselves and how they are also able to err, yet Eru lets them be mistaken and--hopefully--correct their mistakes, much as things happen in real life. Thanks for a great story!
Hi, Fireworks. I noticed you posted your review twice so I will only respond once. *grin* Thanks for your review. I am glad you liked the new insights on the nature of the Valar. As created beings themselves they are not perfect and are capable of making mistakes. Unfortunately, they tend to be very big mistakes. *grin*
Well, on one hand the Valar see the Atani as mere children, stubborn even more than the Eldar, but on the other, they think that the Ban -- a simple word, no more, no less -- would keep the Atani from sailing westward. Hmmm, the Valar prove that they aren't perfect. If only their mistakes weren't so gigantic...
Excellent contrubution to the Akallabeth in August. Thank you!
Thanks, Robinka. You pretty much sum up the problem the Valar have with the Atani, who are viewed as the Younger Race, even more so than the Eldar, and that is the mistake that they make. As you say, if only... I am glad you consider this an excellent contribution to the AinA. I really had fun writing these stories. Thanks for taking the time to leave a comment. I really appreciate it.
Comments on The Ban of the Valar
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.