Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Title Track Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.
Our Annual Amnesty Challenge: New Year's Resolution Start 2026 off with creativity! If you missed a challenge or didn't get to finish or post a challenge fanwork, complete any 2025 challenge before 15 February to receive the stamp.
He was going to die. The molten rocks would burn him just like the cursed gem in his palm did. Maybe less painfully but still being burnt hurt and Maedhros knew it. He intimately knew it from his time in Angband where Þauron burnt him often in frustration and to toy with him and his master…
“Come on.” Maedhros grabbed his hand and pulled him along down the path, both of them quickening their pace now, until the trees opened up into a wide meadow filled with flowers, bright yellow celandine and dandelions and sweet-scented pale chamomile mingling with cornflowers and irises. On…
Aldarion storms off towards Middle-earth. For the Title Track challenge.
Current Challenge
Title Track
Create a fanwork using our collection of 125 titles from Tolkien's books, chapters, essays, poems, and fragments as inspiration. Read more ...
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
This presentation for Mereth Aderthad 2025 discusses the many similarities between Tolkien's three "twilight children," Tinúviel, Lómion, and Undómiel (Luthien, Maeglin, and Arwen) in terms of appearance, plot, and cultural background. Yet these three characters play very different roles in the text.
Presented at Mereth Aderthad 2025, this paper makes the case thata, although the term "aromantic" had not yet been coined in Tolkien's day, many of his characters can be read as aromantic. The paper takes a closer look at Aredhel, Bilbo, and Boromir as three examples of characters who can be read as aromantic.
“There’s a goblin hiding in the taters, Dad!” Pippin hefted the pan, which was much too big for him to carry, let alone wield.
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March Challenge - Tolkien Short Fanworks
Tolkien Short Fanworks is running a challenge for the month of March to create a Back to Middle-earth Month themed challenge.
Tolkien Fashion Week 2026
This two-week-long Tumblr event is dedicated to honoring the world of fashion and textiles Tolkien wrote about in his books.
Celegorm and Curufin Week 2026
Celegorm and Curufin Week is a Tumblr week celebrating the relationship between Celegorm and Curufin Feanorion
Back to Middle-earth Month 2026
Back to Middle-earth Month is returning for it's 20th year with many prompts and archival efforts.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I'm glad you enjoyed it. I'd had the mental image of Gil-galad, Finrod and the toy for a long time, but it wasn't until Curufin intervened that I had a story. Thank you for the feedback. The accidental review of my own work was me trying to reply to your review. Sorry, my brain is obviously numb.
Nice! You've managed to give Celegroma nd Curufin very believable reasons to be resentful of their cousin Finrod, which certainly makes their later behavior more understandable. It would indeed be ablow to their pride to be refugees instead of rulers.
That chapter was basically a character study to spell out the relationships between the characters. I find the ways people think and interact very interesting. And just because I admire Finrod doesn't mean everyone else likes him or that he is easy to live with if you have a guilty conscience. Thank you for the feedback.
I'm glad you liked it. I find JRR Tolkien has a tendency to leave women nameless unless they are directly involved in the story, with the result you abruptly get female characters appearing from nowhere in the later HoME books as required. To be fair, Argon does that too so it isn't exclusively female characters.Thank you for the feedback.
The pun on the names (if pun is the proper word for this kind of word play) is very well done. But what makes it even better is how it fits into your characterization of Celebrimbor here--and, of course, the idea of the encounter itself, which seems a very logical thing to happen, but which I don't remember having read a description of before.
The only thing that is perhaps slightly confusing is the name of the apprentice. Did you want it to resemble that of Celebrimbor's uncle? If so, I can't quite see why?
Carantir is an OC from Rings of Pride and Ruin who was of the Gwaith-i-Mirdain and involved in the Rings of Power fiasco. The name isn't intended to be confused with Caranthir and I don't think thir and tir are from the same root. I'm not sure about that. I was using tir, as in tower (tirith), so the name is supposed to mean red tower. In this story you see Carantir's earlier history as one of Celebrimbor's apprentices and one of Curufin's people who stayed in Nargothrond. Iwanted to get some continuity between these shorts and my longer stories.
I'm glad you like it. You did mention your fondness for Annatar-the-owl before, but I really like having the feedback. You'll probably enjoy the next installment, which stars Annatar in owl form, Celebrimbor, and a dead mouse.
An excellent glimpse of T&C's first meeting, Aiwen! Completely believable, and very well-executed. And your take on Agarwaen/Umarth is very interesting! This part of the canon is far more gap than story -- all Tolkien actually says about C is "In that time Celebrimbor the son of Curufin repudiated the deeds of his father, and remained in Nargothrond." Most people (for whatever reason) take that to mean C --renounced-- his father. Personally I take JRRT's sentence literally as written: "repudiated the deeds of" falls way short of renouncing his father (let alone his whole family, as some seem to write him). You seem to take a very believable middle path :)
I'm glad you like it. I think Celebrimbor hates what the House of Feanor is becoming and refuses to follow their current path, but he can't change the fact that he is Feanor's grandson and a craftsman is what he IS. He lives and breathes creating things and learning. To stop inventing and creating would be to stop being alive.
Comments on In the House of Feanor
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.