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Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
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In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
I'm glad you enjoyed it. I'd had the mental image of Gil-galad, Finrod and the toy for a long time, but it wasn't until Curufin intervened that I had a story. Thank you for the feedback. The accidental review of my own work was me trying to reply to your review. Sorry, my brain is obviously numb.
Nice! You've managed to give Celegroma nd Curufin very believable reasons to be resentful of their cousin Finrod, which certainly makes their later behavior more understandable. It would indeed be ablow to their pride to be refugees instead of rulers.
That chapter was basically a character study to spell out the relationships between the characters. I find the ways people think and interact very interesting. And just because I admire Finrod doesn't mean everyone else likes him or that he is easy to live with if you have a guilty conscience. Thank you for the feedback.
I'm glad you liked it. I find JRR Tolkien has a tendency to leave women nameless unless they are directly involved in the story, with the result you abruptly get female characters appearing from nowhere in the later HoME books as required. To be fair, Argon does that too so it isn't exclusively female characters.Thank you for the feedback.
The pun on the names (if pun is the proper word for this kind of word play) is very well done. But what makes it even better is how it fits into your characterization of Celebrimbor here--and, of course, the idea of the encounter itself, which seems a very logical thing to happen, but which I don't remember having read a description of before.
The only thing that is perhaps slightly confusing is the name of the apprentice. Did you want it to resemble that of Celebrimbor's uncle? If so, I can't quite see why?
Carantir is an OC from Rings of Pride and Ruin who was of the Gwaith-i-Mirdain and involved in the Rings of Power fiasco. The name isn't intended to be confused with Caranthir and I don't think thir and tir are from the same root. I'm not sure about that. I was using tir, as in tower (tirith), so the name is supposed to mean red tower. In this story you see Carantir's earlier history as one of Celebrimbor's apprentices and one of Curufin's people who stayed in Nargothrond. Iwanted to get some continuity between these shorts and my longer stories.
I'm glad you like it. You did mention your fondness for Annatar-the-owl before, but I really like having the feedback. You'll probably enjoy the next installment, which stars Annatar in owl form, Celebrimbor, and a dead mouse.
An excellent glimpse of T&C's first meeting, Aiwen! Completely believable, and very well-executed. And your take on Agarwaen/Umarth is very interesting! This part of the canon is far more gap than story -- all Tolkien actually says about C is "In that time Celebrimbor the son of Curufin repudiated the deeds of his father, and remained in Nargothrond." Most people (for whatever reason) take that to mean C --renounced-- his father. Personally I take JRRT's sentence literally as written: "repudiated the deeds of" falls way short of renouncing his father (let alone his whole family, as some seem to write him). You seem to take a very believable middle path :)
I'm glad you like it. I think Celebrimbor hates what the House of Feanor is becoming and refuses to follow their current path, but he can't change the fact that he is Feanor's grandson and a craftsman is what he IS. He lives and breathes creating things and learning. To stop inventing and creating would be to stop being alive.
Comments on In the House of Feanor
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.