Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
OMG! Dawn! You made me cry. It is very good! What a sad, sad story. Love is never easy. Not even for one's family members. The costs sometimes are almost overwhelming. But still I should be happy that this one does have a redemptive quality of a sort. I know you are capable of writing much sadder ones. There is so much love in that family the way you create them, because whatever they are to one another good and bad, there is never indifference in the equation.
Thank you! Wow, I am glad you liked it so much. :) I had kinda forgotten about this one. It was in that huge glut of holiday stories that went mostly unread (because I posted them right before Christmas--bad timing on my part!), and I thought when I saw the title on my list, "It is probably trite." I have trouble with holiday stories because there always seems the need to put in a cheesy "true meaning of Christmas" moment like all the bad (and even not-so-bad) holiday movies and shows out there. I was pleasantly surprised when I reread this one, and there's a ton of Felakverse stuff in it that I had totally forgotten about. (I need to do some serious rereading before working in my own verse again! How sad is that!?)
Thank you so much for this comment; you are making this process of archiving my ancient history far more pleasant than I thought it would be! :D
Oh Dawn, I am getting all side tracked here (you know, the newsletter), but I had to re-read this again. First... oh my gosh, has it been 8 years?
And again I am just wondering what could have been if he had not given her up, how his mood could have been tempered, how many children they might have had... And he never gave that ring to Fëanor. Yeah... it says so much doesn't it?
I had kind of forgotten about this one, but I reread it and discovered that it wasn't as bad as I'd worried it would be! Actually, I rather like it, in retrospect. (When I can't remember a story very well, I worry that it was because it was not worth remembering; in this instance, I think it was more about writing about 20 stories in one month! :D)
Thank you for rereading and for your kind comment. And, of course, as this story signifies, for the many years of friendship and inspiration!
Celegorm was the first character from the Silm that I wrote in any serious way, and it was because I struggled to like/sympathize with him. In my own mind, I've run with the idea that he shared this talent with Feanor (languages), but he was always pulled in so opposite a direction, toward nature and Orome rather than the constructions of human hands and Aule, that there was always this rift that he could not repair. He wants Feanor's affection so badly--and indeed his skill with languages should make him the favored son!--but his own nature seems to repel it. With that, I was able to explain (and therefore sympathize somewhat) with his character.
Thank you for dusting off this old piece to read and especially for commenting! :D
Since you put your name on the 'don't need to ask' list, I would like to explore Terentaulë's side of this story. There's something about growing up in Washington that immediately makes apple symbolism so very appealing. ;)
That would be awesome! She's a regular OC in my stories, though I've never gotten around to writing from her PoV. Please let me know when you've posted it; I'd love to read it!
....and haunting story. Curufinwë and Tyelkormo love the same elf, and Tyelkormo gives her up for the ring that his brother forged as a gift for their father. His feelings when he gifts it to Curufinwë and Terentaulë's son (and she has left his brother to stay in Aman) are of love for his nephew and only now he is happy.
Comments on The Gift
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.