Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This fits so well with Thranduil's personality and the way he's so in tune with nature in The Hobbit, and forms a great bridge between these wild Elves and those of Doriath. I really enjoy your explanations and comparisons here, and Oropher's amusement, and the Nandor"s scheming to keep the Noldor at bay!
Thank you (again)! Yes, the long calm will be rudely interrupted for poor Thranduil, but meanwhile he's having the time of his life. I enjoyed exploring that bridge between the Sindar and their Eastern cousins. Certainly Oropher and company would not just have waltzed in and taken over, whatever Tolkien seems to imply.
This ficlet has kept popping into my mind since I read it, and I would love to make a podfic from it. Are you open to derivative works from your works?
Thank you. The loss of self that can come with displacement is an underlying current for me in Tolkien -- what does it mean to be you in a completely new environment? How do the various characters adapt? This particular intersection is one I am fascinated by...Oropher going off to be King in the Greenwood has so many possible meanings. And I imagine the Nandor looking for the opportunities that the Sindar's arrival might offer. Among them, a way to keep those annoying Westerners out of their hair. Wild they may be, but that does not mean they are not canny!
Yes, poor Thran. Enjoy it while you can, honey. And the Nandor knew a smart trick when it was offered to them. Oropher is some kind of big cheese? Let him deal with those odd, tall, bellicose folk from over the Sea.
holding mastery of steel above a closer kinship with the wild or the gentle guarded balance that the Elves of the forest maintain.
I just LOVED how you chose to describe the Noldor here - and Thranduil, of course. You managed to give him and Oropher a lot of character within a few words. Truly well done!
Thank you! The Noldor make beautiful things, but they also make plenty of war, and the Nandor have good reason to be cautious. I'm glad you enjoyed this. :)
Comments on A King Is He Who Can Hold His Own
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.