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Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
What an intriguing AU! I like this creative use of the prompt and of Dairon's character, which seems in a way to fall between and twist BoLT where he's Lúthien's brother and later canon.
Thank you! I'm so glad you enjoyed it. That was what I was going for, a sort of twist on the Luthien's brother/later canon combination, so I'm glad it worked!
Thank you so much!! Yes, very poor Dairon. I don't know if I'll ever add more to this AU, but the song is one of my favorites (I love Heather Dale's music in general, and she's a fantastic person besides being an amazing singer!!) I do kind of want to know what'll happen when Dairon tries to carry out the plan, but I have no idea right now lol.
yes exactly, he has no idea! thank you so much my dear star fish fren <3 Dairon needs all the hugs
(the thing about being raised by a parent like Carphadril is there really is no rhyme or reason to what will keep them happy that day, either, so Dairon really can't win *is sad for him*)
Oh this is truly chilling! Poor Daeron, what a horrid stepmother! And I feel for the people of Gorthebar, it almost sounds as if the place was better when it became known as Mirkwood! I think Daeron is fortunate to escape her and enjoy the comparative freedom of Doriath...
Thanks Anerea! Yes, Carphadril is a terrible stepmother (but being a dark sorceress, it kind of comes with the territory, I think).
I don't know if Carphadril was worse than Sauron, because at least the majority of her power was localized to above the Enchanted River (she enchanted it, I haven't yet figured out how or why) but occasionally she'd send out a specific messenger or two to complete a specific mission elsewhere, if her power felt threatened by some outside source. She wouldn't go herself and do the thing.
It's more likely that Carphadril is an unwitting tool of Morgoth (or Sauron, I suppose) than being a threat to their power. I imagine she was corrupted by them or one of the other Maiar in Morgoth's following, whether directly or indirectly.
Comments on Guileless Son
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.