Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
This is fantastic! I particularly like the way you've seamlessly blended science with the myth. And your descriptions are, as ever, so vibrant and vivid. Love it!
Oh! And I forgot to mention another fave bit, where Melkor’s mangling only aids the others. I've always wished for other examples of this than those in Ulmo's domain.
Thank you so much! I spend a lot of time looking at images from Hubble and the James Webb telescope and it was really fun to use some of that inspiration in this peace.
I'm glad you like the bit with Melkor! I wanted to include supernovas and his meddling producing the very first ones just made sense.
The descriptions and imagery of Varda creating the stars, and Ilmarë tending the star nurseries, are just beautiful. But somehow Melkor blowing up stars and creating the other building blocks needed for Arda is, I think, my favourite part of this piece.
Thank you! I wanted to include supernovas, because dying stars are where the heavier elements come from, and Melkor wrecking Varda's first stars in spectacular fashion seemed like the natural way to do it. I'm glad you liked it!
This was fantastic! I love the mixture of the Ainulindalë myth and modern cosmology in this fic. It must have been a great shock to the Valar that the world was yet empty and they needed to work to make it a reality. And of course it’s Varda who is the first to realize this. Her great moment! What a wonderful idea to put Ilmarë tending the star nurseries.
Comments on Let There Be Light
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.