Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
On the night before the battle, Caranthir and his ally share thoughts about their peoples' traditions:
Burning bones ward off evil.
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In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
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Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
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This Tumblr event focuses on ALL creative works focusing on disability in Tolkien's universe.
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The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Amazing concept! I love the movement from description to a question to Fëanor directly addressing the question. I'm not sure of the intention, but it makes me think of the artist justifying their work to themselves rather than to any real critic.
And, of course, the theme of the world beyond Valinor.... Very fitting to start this series (?) with Fëanor.
'the artist justifying their work to themselves' - Oh I like that interpretation! I was thinking it was criticism he'd received sort of swirling in his mind but I like the idea of imagined criticism, too.
Not sure how much of a series this will end up being, depends on how many of the prompts I end up doing I suppose, but thank you :)
Thank you, I think this will likely be a bit of cumulative inspiration, not necessarily building on the last installment but influenced by what came before :)
While obviously not looking to inflict mental damage on my friends I'm glad it came across so viscerally, I always worry that it might come across too 'flat'. Thank you so much for reading along and commenting <3
Oh, powerful! Remarkable you got a poem into a drabble. Someone once described the transition from prose to poetry or music in drama as a moment where a scene's emotions become too big to be contained in prose. This definitely fits Fëanor at the time of canon.
Feanor being very Feanor, poetically, poor Celebrimbor (and sympathetic Curufin!); nice and unusual Finrod and Daeron encounter (book lovers, unite!)....
Thank you very much (book lovers unite, indeed! Now the ultimate question, will Daeron actually use the blank journals or will they be "too precious"?? LOL)
Delighted that you enjoyed this one! Toooootally didn't have you in mind at all. lol The urge to add "and then they made out" was so strong (but I resisted. ...well, almost)
What a real treat to read these glimpses: Fëanor's delight in his invention and indeed, others content to remain ensconced in the Light would not see their point.
That necklace! I'd like one please, I rarely wear jewellery but it sounds like one I would.
A sleepy Ent tickled by a squirrel is just so cute; a content Avar almost pitying those who left; Gwindor's first moment of freedom; Fëanor's rage, Finrod's precious possession (well, two of them); Celebrimbor... aww, sweetie, it's OK, we've all done it!
Ooooooh! Ok, I so very very much relate to the sentimentality in this! And your description is as fine as this worn, comfortable and comforting fabric. And, I just love seeing Andreth and Bregor share a moment of sibling intimacy. ♡
Hah! I am with Celebrimbor on this, if the bridge looks anything like it did in the films. These are all so clever, becoming a favourite little word snack in my day.
Andreth as sister, Celebrimbor sharing a fear with Narvi, Telchar making something that isn't a weapon, and protective Nuin: what a wonderful selection of characters and ideas!
Excellent! When you said you were writing about Gil-estel I had a feeling we'd be getting a POV we don't get in canon and I'm glad you picked these two. I love how it's a very real moment interrupted by a miracle.
Oh, I'm so with Celebrimbor here!! It's really not the sheer precipitous drops that are the problem, but what lies at the end of them. (Says she who, despite a lifelong fear of sheer precipitous drops, somehow found herself climbing sheer precipitous cliffs for fun for a lot of her life, admittedly initially motivated by a very hot guy, so maybe Narvi will do the same for Celebrimbor.)
Aha! So it's the ang in the northern reaches that draws the needle? Clever.
I love Nuin here — probably utterly confused himself by the odd light, but still being so reassuring to the now-awake sleepers. (I've never really thought about how surprising and terrifying the sunset may have been.)
I have a weird relationship with heights myself - sometimes I can manage, sometimes I am nearly frozen in terror. Bridges just absolutely churn my stomach in knots (moreso if I'm walking than driving), but I can stand on a cliff and be like "yep, this is cool".
Comments on Tengwar: To The Letter
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.