Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
These were simply flashes, a hint of a wider, greater world. A tantalizing glimpse of more, always at the edge of awareness, never within reach. Míriel would grasp it, if something as intangible as the concept of color could overflow in bounteous wonder over her hands.
Everyman
Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration. Read more ...
Random Challenge
Soundtrack
While usually the scenes are filmed first and the soundtrack is composed later, this month we want to challenge you to create (or continue) a story after listening to one of our musical prompts. The prompts will be pieces of classical and instrumental music. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Artano has requested the following types of constructive criticism on this fanwork: Characterization, Conflict, Description/Imagery, Fulfilled Intent, Mood/Tone, Organization/Structure, Pacing, Plot, Point of View, Research, Sensitivity Read, Setting, Spelling, Grammar, and Mechanics, Style, Worldbuilding. All constructive criticism must follow our diplomacy guidelines.
Thank you for reading, and I'm happy you like the concept! it seemed interesting to follow the journey of an orc in his escape, but looking at the prompts, I might have to follow two or more different characters. But it still might be possible to weave it all together into one story, so we'll see how things turns out.
I love this idea! The character is extremely sympathetic, and the writing is very evocative--I really feel like I'm there, with him!
Couple minor notes: the tense changes from present to past and back in a few places, in a way that doesn't really feel natural, and you have a typo "fake" instead of "fate" in "fate worse than death."
Thank you for reading; I'm glad you enjoyed the story and that the writing makes you feel like you're there with him. That's one of the things I try to include in my writings, so I'm delighted it worked in this one! And thanks for pointing those errors; I'll go through the story again and fix them.
But it appears that orcs have passed by since then, they have added small trinkets to the cairn in memory of the People who had died in the fiery onslaught.
I love their quiet ritual, leaving things behind. Very beautiful!
Thank you for reading; I'm happy to hear you enjoyed this bit of culture added to the story! It's always fun for me to brainstorm cultural details and traditions to include with a people group.
Comments on Dugbúrz's Story
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Artano has requested the following types of constructive criticism on this fanwork: Characterization, Conflict, Description/Imagery, Fulfilled Intent, Mood/Tone, Organization/Structure, Pacing, Plot, Point of View, Research, Sensitivity Read, Setting, Spelling, Grammar, and Mechanics, Style, Worldbuilding. All constructive criticism must follow our diplomacy guidelines.