Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
Reembodied in Aman, Celebrimbor decides to return to Middle earth to help heal the darkness and hurt wrought by the ring.
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Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
Russingon Week 2026
A Tumblr week event focusing on the relationship between Maedhros and Fingon.
Boromir Week 2026
If you are Boromir girlies/gents/stans/simps, then this event is for you! So, come join us, and bring your fanfiction, art, gifs, moodboards, and headcanons that highlight everything you love about our Captain of Gondor!
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Ecthelion has requested the following types of constructive criticism on this fanwork: Characterization, Description/Imagery, Fulfilled Intent, Mood/Tone, Spelling, Grammar, and Mechanics. All constructive criticism must follow our diplomacy guidelines.
Well done; this is a very enjoyable read, and I enjoy the depiction of the playful banter mixed with the determined combat between the two. In addition, the foreshadowing to the time Aredhel truly wishes to leave without being caught is wonderful!
Thanks! Yeah, I feel their early days were a wild ride, full of pushing each other’s limits and playful teasing. Aredhel, always up for something new, probably found Eöl pretty intriguing—until his game grew stale.
....I am struck by her certainty of being caught. But that "not wholly unwilling" line of Tolkien's is still a problem. In the end, Aredhel did escape from Eöl, but not for long enough. And with such tragic consequences.
Wow—I honestly didn’t expect you to read this again. Thanks so much for giving it more thought and time! I wanted the whole 'run-and-get-caught' dynamic to feel like an intimate game between them at this point. He was new to her—different, unfamiliar, and beyond her control. She was drawn to him, even tempted, but she wasn’t fully committed, and he knew it. The fact that ‘he loved her first and loved her deeper’ brought another layer to their connection, even though his love had a possessive edge. But eventually, the game stopped being a game when she made the choice he had feared all along—she decided to leave.
Comments on An Urgent Matter
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Ecthelion has requested the following types of constructive criticism on this fanwork: Characterization, Description/Imagery, Fulfilled Intent, Mood/Tone, Spelling, Grammar, and Mechanics. All constructive criticism must follow our diplomacy guidelines.