Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Scavenger Hunt In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
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daughterofshadows has requested the following types of constructive criticism on this fanwork: Organization/Structure. All constructive criticism must follow our diplomacy guidelines.
Lovely little piece! I think these all make a lot of sense, Bilbo included. There aren't many protagonists I can think of in the fantasy I've read who don't really have any hint of romantic chemistry with other characters, unless they're explicitly noted to be aro, but Bilbo has definitely always been top of that list for me, bless him.
Yes! It's so so rare, especially in media geared towards adult audiences (not in the NSFW sense, but in the "This is not written for children/teens" sense) to see main characters that lack romantic chemistry and do not end up in a relationship as part of the resolution of the story in some way shape or form (or alternatively have a previous/established romantic relationship).
Thanks so much for writing and sharing this! As someone who's romantic yet sex-repulsed, and who intrinsically values platonic aspects of relationships far more than other aspects (and will probably never understand why kissing or having even casual sex outside of a relationship is conventionally a no-no but a deep lasting platonic friendship is nothing to get jealous about), I read almost the entire Silm as aromantic, including the love of Turin and Beleg. Until I discovered fanfic, which promptly turned my personal Silm-world on its head! It's been absolutely fascinating rediscovering it from other perspectives with all the ship-permutations and there are some fabulous fics, yet I always find it really refreshing to read fic which celebrates platonic aspects. (I only picked up the terms aro and ace in the Tolkien fandom so don't know if I've interpreted them correctly.) This is all to say, I so appreciate you sharing your view, in part because it's helped me give terms to mine.
I'm so glad that my ramblings helped you! Really, like many queer labels, aro and ace may have the central concepts of lack of romantic or sexual attraction, but beyond that there is a multitude of sub-categories and labels that all fall somewhere under the wider umbrella, so as long as you don't lose those central points, there isn't really a way to misinterpret those terms 💚
The Silmarillion is definitely very easy to read as completely aromantic, especially because there is so little focus on any romantic plotlines (with the exception of maybe Beren & Lúthien). I can totally see why you did that! I'm much the same (and to be quite honest, I was too focused on the tragedy of Beleg's and Túrin's story to even think about whether there might be a potential romantic undercurrent involved there.
We'll have to continue to be jointly mystified by the rules and stipulations placed on romantic relationships compared to platonic ones, I think. I reckon society at large won't give us any answers any time soon.
I've read fanworks featuring aromantic characters, but I don't often delve too deeply into the reasons behind relationships and love interests in canon. That's why I really appreciated this reading and perspective! It highlights Aredhel's aromanticism quite blatantly, and I don't know why I hadn't noticed it before. And how fascinating! You've opened up a whole new world for me! Now I'm thinking about all the very old elves who "canonically" never married, and while their situations might not be as clear-cut as Aredhel's, you've definitely given me something to think about. And Bilbo makes a lot of sense, too! I'm sorry to hear you've had bad experiences. For my part, I want to thank you for sharing this :D
I'm so happy that I was able to open up new perspectives! There really are so many more characters out there that can be seen as aromantic, and if you decide to explore some of them, I hope you have a lot of fun thinking about it!
Thank you so much for your kind words, as always this community is super welcoming and open about all of my headcanons, and the feedback I've gotten on this has really made my day
....an aromantic interpretation. It gives her story more depth. Bilbo as well being aromantic is food for thought. And how did I not notice this also applies to those dwarves who are "craft-wed"? Thank you for writing this interesting piece!
It makes the "marriage" to Eol especially painful, although I am sure aromatic women throughout (real world) history have married and borne children... :( Still, this is yet another tragic wrinkle to her tale. Bilbo, though -- I love the thought of him living his best life in his independent way, just like the author Louisa May Alcott, who never married and wrote books instead.
Yeahhhhh, this certainly adds to the layers of tragedy in Aredhel's life. And I will be talking more about the marriage thing in my presentation!
Also YESSSS Bilbo is out there living his best life, disregarding the social norms of the Shire and just becoming the local cryptid. Honestly, life goals XD
Comments on Tolkien through an Aromantic Lens
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
daughterofshadows has requested the following types of constructive criticism on this fanwork: Organization/Structure. All constructive criticism must follow our diplomacy guidelines.