New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Epic 80s
This month's challenge features hundreds of fresh prompts from the bodacious decade of the 1980s.
Cultus Dispatches: Communities Do Comment
Comment data from the SWG underscores community as an essential component to a robust commenting culture.
Instadrabbling Sessions for July, August, and September
Instadrabbling continues on the first Saturday of each month on our Discord server.
New Challenge: Scavenger Hunt
In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
[Writing] Is it raining with you? by AdmirableMonster
In the last days of Númenor, two very different men meet in Umbar and fall in love.
(Please note that while this work is heavily inspired by Disco Elysium, no knowledge of the game is necessary to read the fic!)
[Writing] Nasyalossë by Lovimmy3365
Erestor lay up against a tree, brown washed to black in the wet of the snow. The black disc of the new moon sailed across the dark sky. Erestor wished it were gone. He had no need to look into dark eyes any longer.
He was dying.
(AKA Erestor unwittingly travels back in time to the…
[Writing] From That Rubble by StarSpray
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.”
“It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?”
“It’s not as though I…
[Writing] Eä's Redemption by AaronAzrael
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
[Writing] Wrensong and Roses by Isilme_among_the_stars
Concerned by his responses to the paraphernalia of healing, Fingon steals Maedhros from his room for an impromptu garden excursion. Maedhros battles with dark thoughts.
[Writing] The Mirror Crack'd by AdmirableMonster
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
[Writing] Bon(e)fire by Fuin
On the night before the battle, Caranthir and his ally share thoughts about their peoples' traditions:
Burning bones ward off evil.
Epic 80s
Create a fanwork using on of our righteous prompts based on popular culture from the 1980s. Read more ...
Song of Exile
Create a fanwork about exile or exiles. About being exiled. About the people who are exiled. About the decision to exile, the leavetaking, the consequences. About metaphorical or symbolic exile. Read more ...
Communities Do Comment: Expanding the 3C's of Commenting with SWG Data by Dawn Walls-Thumma
Expanding on my 2018 article "Why People Don't Comment," comment data from the SWG underscores community as an essential component to a robust commenting culture.
Fandom Draws the Line: Fanworks, AI, and Resistance by Dawn Felagund, Grundy
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
Grief, Grieving, and Permission to Mourn in the "Quenta Silmarillion" by Dawn Walls-Thumma
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
[Writing] Down the Long Years by Isilme_among_the_stars
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
[Artwork] The Mirror of Galadriel by skywardstruck
Smoke rises from the Mirror, where the Lady of Lothlórien awaits to share its visions.
[Writing] Bar-en-Eladar by Gabriel
Out of the shadow, light is born anew.
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Tolkien Gen Week 2026
Tolkien Gen Week will run from July 6-12, 2026 to appreciate all of the incredible characters and relationships within Tolkien’s legendarium that fall under the broad category of “gen.”
Tolkien Disability Pride 2026
This Tumblr event focuses on ALL creative works focusing on disability in Tolkien's universe.
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
You do a wonderful job of capturing the pure eeriness and other-worldliness of Mandos, and the contrast of Namo's cold distance and warm caring. He is not unkind, but he is also not moved by other's pain. And even now, after the fact, they are divided by what they believe about Fëanor's 'cause' - Finrod is willing to sacrifice anything to defeat Morgoth...but Finarfin is not. It will take some time for them to reconcile - you've only given us the beginning. Very nice story!
Thank you! My original intention was to have three parts to this story about Finrod\'s return, from the PoVs of Finarfin, Earwen, and Amarie. However, at the time, I got a bit overwhelmed by this first bit (and the reader response to it) and began to fear that I\'d never be able to top it in the later chapters. This was a year-and-a-half ago ... I hope I\'m a better writer now, so maybe I\'ll give it a try yet!
*adds to growing list of WiPs* ;)
Aw. This story, above all, has left me with a heartwrenching sensation. Your Finarfin is trying desperately to fit in a role that´s too large for him -he is clearly a good man, a wise man, but above all a private man, who grew up to be a son, a husband, a father, etc, in the bliss of Valinor. Even his son, who was a king for long in a land of war and adversity, already talks a language that´s uncomprehensible for him. And the reader is at the same time made to feel for him, so deeply, with poignant details like the nail-biting, or the pacing in circles in his grand and imposing palace.
Definitely a beautiful and insightful description of Finarfin´s strengths and weaknesses, all in one.
Gadira
I don't know what it is about writing in the Tolkien universe, but just as his best writing came from bittersweet tales of grief, so can the same be said for all of you fan authors.
What was in your mind when you pieced this story together? It is fascinating. Your depiction of Mandos, both the Halls and the Vala, are intriguingly original and yet somewhat terrifying. Similarly, your description of Finrod being brought back to life is somehow gruesome, painful, and sensual all simultaneously.
The story leaves a profound, if not very happy, impression. I do not thnk, however, that this is in any way a bad thing. Would that I could be so creative.
Hi, Beorning,
Thank you for your comments--and kind words--on my story. :) This story started innocently enough as a request from a friend for a scene between Finrod and Finarfin. I honestly didn't have much in mind at all when I started it; I wanted to show the scene of Finrod's reembodiment from Finarfin's perspective, but that was all that I knew. It sounds like a cop-out to say it, perhaps, but the story wrote itself. I came to fanfic only after having written original fiction for many years, and I had developed a ... taste for the dark, shall we say. :) That reflects in much of my fanfic, including this one. The halls of Mandos fascinate me for reason that we know so little about them; Namo himself seems so intriguing and dark and other (I can think of no better word) from the Elves I usually write. Both his character and the halls, being something of blank slates, invite my imagination to play.
A belated welcome to the SWG, btw! :) I see from your profile that you haven't yet written anything Tolkien-based, but I do hope you'll share it with us if you do. In the meanwhile, please holler if you need anything! :)
All the best,
Dawn
During B2MEM 2017 I said that if I ever joined SWG, the second thing I would do would be to post a gushing comment on Return To Me. Well, it's a year later, I'm here, and this is still one of my top favorite Silmarillion stories. I cannot reread it enough times. To start with, there's the Finrod Factor- squee!- but it's more than just the appearance of the bestest elf. The creepiness of Mandos. The terrifyingly visceral reembodiment process. Arafinwe's thoughts as a father- I do not want for him the honor of having suffered; I wish for him a death humiliatingly silly and swift, where he was blissfully ignorant of it until the moment that his spirit was rent from his body- those lines are just fantastic, the events of the Silmarillion seen by a parent instead of a distant listener. The strange gardens of Mandos, how Finarfin is distubed by the butterflies, but to spirits and the reembodied they are a comfort. This story is amazing and I love it and I would recommend it to all my friends in the fandom if I had friends in the fandom.
Hey you have me! :D (I know, I know ... recommending my own story to me would be weird, but you left me this lovely comment, so there's that. ^_^)
Thank you for making one of your first acts after joining the SWG to comment on my story. That's really an honor, and I appreciate it.
I really loved writing this story; I love writing about Mandos (the place ... well, the guy too) in general. Because Tolkien tells us almost nothing--and when he was still in the mood to tell, what he told was really weird! I have a taste for the macabre, and that blank space in the story lets my imagination run wild to its darker corners.
I also like imagining what "death" would have been like for an immortal people. I mean, grief takes a different shape when the person has a chance of coming back, and reembodiment would be a time for joy but also ... frightening, I suppose. Because one like Arafinwe would have the chance to learn things that could otherwise reside in blissful ignorance.
Thank you again, so much, for commenting on my story after all these years! :)
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