Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Scavenger Hunt In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
She is one and many, the heroine and the victim, the courageous and the victim, the dead and the living, her feelings and sufferings are felt and shared together, and no justice, divine or earthly could mend her pain in the aftermath.
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
Middle-earth Museum
Stroll the halls of an imaginary Middle-earth Museum and choose one (or more!) objects from our prompt list to inspire the creation of a fanwork. Read more ...
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Oh, that was just my utter lack of knowledge about these plants; I assumed cow parsley and cow parsnip were types of hemlock. I had a book as a child with a drawing of Queen Anne's Lace (which I thought so pretty!) and your photo had reminded me of it, and Ijust thought it must have been another type of hemlock. After reading through your link (thank you!) I see it's actually another name for cow parsley. (Which is such a sweet name, although kind of the opposite end from Quuen Anne's!) Thanks to your post I now also know what an umbel is.
So, not having either plant here, when I read Tolkien’s description of Luthien dancing among the hemlock, I imagined the plants to be small flowering things on the forest floor. Years later another book described how the characters took shelter from the rain under the boughs of a hemlock, which naturally puzzled me. So I looked them up, only, I searched for "hemlock forest", which returned only photos of the conifer. So my imagining of Luthien (and Edith) dancing changed to an odd flowering form of conifer! After seeing your post, and the link, I thought I'd got muddled about the trees. I did search for "hemlock" again, this time without the "forest", and only the flowering plant came up. Très confusticating!😆 I am so glad to have this all sorted out now, and my image of Luthien's grove restored!
You know, I always quite liked the term umbel and imagined large flowers, but I never knew much about them until your images piqued my curiosity. So, now I know that the term is from the Latin umbella, meaning parasol, which is what they look like. I also didn't know the flowers are characteristic of the parsley and carrot family or about hemlock umbels. Thank you!
Comments on Umbels Tall and Fair
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.