Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
Feanor and Fingolfin, from their youth to their fall.
"I will do this gladly," Fingolfin said, whispering into Feanor's mouth, grasping for reasons and sense. "Gladly, if it will bring peace between us. If it will end the madness."
A Teleri fishing boat captain turns to farming on abandoned Noldor lands after her ship is stolen. A Noldor farmer returns with Finarfin to find that his land belongs to the Teleri now.
The thing about forgiveness, he thought, was that it was so much easier when the object of it was far away—or dead. It was so much easier to let it all go when those responsible were far away and unable to do any more harm.
Inspired by collecting the prompts for the Everyman challenge, this essay considers how ordinary people are subsumed and silenced in The Silmarillion, which begins a three-book arc that ends with the rise of the humble and ordinary.
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
Oh, I really like this one. It is well-worth having my blind-lady's giant monitor and clicking on the super-size to see the amazing textures and the details. I like the darkness and the exploding volcano effect. The standard big-blue-wave ones really do not have the same impact at all. Secondarily, I love the black and white border!
Aww, thank you so much! It's such an iconic scene that I wasn't certain I had anything to add to it, but I'm glad that exploding Meneltarma has the desired effect! It's easy to forget (I rambled about this when I drew Tar-Míriel for B2MeM already) that not only was the wave coming in from the sea, but also was the Holy Mountain erupting, so it was quite literally a question of hell or high water for those who even had a chance to consider running. The border is stolen from Tolkien's own Númenorean carpet designs, and I love it very much, too! Again, thank you!
Wow! That is amazing! What I love in particular is that where chaos is everything is red and black, when the various shades of blue and grey seem still, and yet there is this disastrous energy bubbling just under the surface.
Thank you very much! I was a bit hesitant about the colours at first because they clash so hard, but eventually decided that it fitted the theme. Glad the contrast works for you!
Ooh! I love the Meneltarma erupting in the background and how the ships are clearly not in control of their fate. And it truly is a neat counterpoint to your earlier painting.
Eeee! The details on the ships drove me batty because they're so tiny, and not having the brushstrokes for the sea look unnaturally interrupted by tiny stuff like the ropes or oars or broken masts was a massive pain! So I'm glad that that it was worth the effort and the idea that the ships are helpless and just propelled along by the elements gets across. Thank you! :)
Comments on Endorenna
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.