Around the World and Web

Around the World and Web includes announcements and items of interest from beyond the SWG.

Ainur Week 2026

Ainur Week will be returning from November 16 to 22, 2026.

Glorthelion Week 2026

𝐖𝐞𝐥𝐜𝐨𝐦𝐞 𝐭𝐨 𝐆𝐥𝐨𝐫𝐭𝐡𝐞𝐥𝐢𝐨𝐧 𝐖𝐞𝐞𝐤 𝟐𝟎𝟐𝟔

Hello everyone and welcome to another year of Glorthelion week! An entire week dedicated to Glorfindel and Ecthelion relationship.

The event will run on Tumblr from November 16th to November 22nd. All creations are welcome, as long as it is created by you. Don't forget to tag #glorthelionweek and mention the blog (to make sure I can see your creation in case tags don't work).

Prompts are not mandatory! You can follow them, be inspired by them or let your imagination go wild and create whatever you want! Event rules can be found here.

Prompts 2026:

↳ Day one: A Glance across the Square | The Bells of Festivals | Gifts of the Heart

↳ Day two: Words in the Dark | Following the Star | The Weight of the Sword

↳ Day three: Silver and Gold | Sun and Moon | The Roar of the Waterfall

↳ Day four: Silver Flutes | The Language of Flowers | Water Mirrors

↳ Day five: A Final Glance | Entrusted Secrets | "I will find you again"

↳ Day six: Ashes and Sorrow | Waiting in Mandos | Forever Changed

↳ Day seven: Beyond the Circles of the World | Constellations | The Promise Kept

Happy creating!

Nolofinwëan Week 2026

Nolofinwëan week welcomes fan creations centering any members of the House of Fingolfin and their descendants through the ages. 

Nolofinwëan week welcomes fan creations centering any members of the House of Fingolfin and their descendants through the ages. 

To Participate:

  • Create fanfiction, fanart, headcanons, close readings and musings, moodboards, photography, rec lists or anything else that inspires you to celebrate Nolofinwëan characters. 
  • Mention the blog @nolofinweanweek in your post and include the hashtag #nolofinweanweek2025 in the first 10 tags. 
  • If you would like, add your work to the AO3 collection.
  • Take inspiration from the nonmandatory daily prompts.
  • Complete one or more of the community challenges.

Rules & Requirements:

  • There are no minimum or maximum requirements; anything goes!
  • There are no content restrictions or rules on tagging beyond what AO3 requires of you. If you post to tumblr and your fill is Mature or Explicit, and/or falls under one of AO3’s major warnings, please provide tagging on your post, though!
  • That said, please refrain from using genAI.
  • This fest operates firmly under the premises of ‘don’t like; don’t read,’ ‘ship and let ship’ and ‘your kink is not my kink but that’s okay’ (if you’re unfamiliar with these concepts, see this post). We will not tolerate any shaming, harassment, or attempts to police content.

The mod runs on CET, but folks can post content or interact with the blog at their convenient time.

All prompts are non-obligatory—feel free to interpret as loosely or closely, to cross-match, or to ignore altogether!

Day 1: It Was But a Dream

  • Characters: Turgon, Anairë, Idril
  • Silmarillion Phrase: “poured forth their joy in music and song”
  • Inspirational art:

Amber Fort, Jaipur #1 Photograph by Inger Hogstrom 

Day 2: Breath of Darkness

  • Characters: Elenwë, Argon
  • Silmarillion Phrase: “there was now no returning”
  • Inspirational art:

The Night Is Stirring (Anger) by Zao Wou-Ki

Day 3: Light Splinters the Sky

  • Characters: Eöl, Eärendil, Gil-galad
  • Silmarillion Phrase: “as a naked flame”
  • Inspirational art:

First sunrise by Kimura Buzan 

Day 4: Embraced in the Mist

  • Characters: Fingon, Aredhel
  • Silmarillion Phrase: “green things even among the pits and broken rocks”
  • Inspirational art:

Shan-Shui style painting by Yang Tianyou 

Day 5: Flames Arising in Might

  • Characters: Fingolfin, Maeglin
  • Silmarillion Phrase: “shadows of madness and despair”
  • Inspirational art:

Burning the Slums of Nairobi by Kiure Francis Msangi

Day 6: The Sea’s Embrace

  • Characters: Elros, Elwing, Tuor
  • Silmarillion Phrase: “still hope may seem bright”
  • Inspirational art:

Moon Trace Art Installation by Guangzhou Academy of Fine Arts 

Day 7: New Beginnings; Old Longings

  • Characters: Elrond, Celebrían, Peredhil Descendants
  • Silmarillion Phrase: “love would lead me”
  • Inspirational art:

Yesterdays Gone by Thomas Hjelm

14th International Tolkien Mailing Competition

The Hungarian Tolkien Society invites you to join the international “Quendi” category of the Tolkien Mailing Competition: five rounds of quizzes, riddles and creative tasks. This category is organised in English, open to any individual participant, and also to teams of 2–5 people. The five rounds of the competition will last from November to April. Application deadline: 5 November, 2026.

 

The Tolkien Mailing Competition ("TLV" abbreviated from its Hungarian equivalent "Tolkien Levelező Verseny") takes place for the 21st time this year—and it is international for the 14th time. In the first years it was organised only in Hungarian, and only for groups of Hungarian students aged 10–18-years. As many people above this age group became interested in the competition, we launched a separate category for individuals in Hungarian, and at the same time we decided to go international. The outcome was definitely encouraging. In the past few years the international Quendi category had many participants (and for a while even an organiser) from various foreign countries: you can see here the final results of the previous competition.

(Click here for the Hungarian article about all categories.)

In the international Quendi category both the challenges and the communication will be entirely in English—but you don't have to be perfectly fluent in English for taking part in the competition. You only have to be able to understand the texts by Tolkien, and maybe to write a story or an essay—it does not have to be of academic level. The competition was originally devised for middle and high school students, and we did not make big changes in the style, but it is open to anybody who feels young enough for it. You can always choose to count your years by Elvish standards!

Participation in the Quendi category requires a thorough knowledge of The Hobbit, The Lord of the Rings, and The Silmarillion. Other works by Tolkien may be needed occasionally, as some questions (riddles, quizzes, etc.) can refer to those, but you will have about four weeks for each round, that is, plenty of time to look up in the books everything you might need.

Besides the quizzes, there will be creative challenges. For example, you may be asked to describe a situation, write a short poem, make a drawing or take a photograph, etc. We would like to be proud of our participants, so we ask you to share the rights of your creative productions royalty-free (and you accept this condition by your registration for the competition). Your works—with due credit to authors/artists—might be published by the Hungarian Tolkien Society, e.g. on our website, www.tolkien.hu, or in our journal, the Lassi Laurië. (You can read about Lassi Laurië in English here.) Please do not publish these works yourself without consulting us first, and especially not before the end of the competition. (Artwork submitted by teams is credited as teamwork by default, but you can add the name of the actual author/artist for each piece.)

You can participate in the Quendi category alone as an individual competitor, or you can participate as a member of a team of 2–5 people. The individual competitors and the teams will receive the same set of tasks, but the winner will be announced separately for individuals and teams.

As an individual competitor, you can make the decision to solve only the quizzes or only the creative tasks in each round: besides the absolute winners of the individual and team subcategories, the separate winners of the lexical and the creative parts will also be announced. This choice is only available for individual competitors, teams are expected to do the full version!

We will go on with the team competition only if we receive at least 5 applications from teams. If we have to cancel the team competition, team members will have the opportunity to compete on their own or to withdraw their application. There is also a maximum limit of 60 competitors (individuals and teams counted together) in the Quendi category (and we got quite close to this limit last year).

The contest starts in November and continues until April. Every month you will receive the questions of the next round (five rounds overall), and you will have to submit your solutions until the indicated deadline (you will have about four weeks for each round). Communication is done via e-mail. Our e-mail address is tlv[at]tolkien.hu: questions and comments are always welcome there. We are happy to answer all your questions about the competition—except disclosing the solutions of the actual tasks.

Not submitting your solutions for two consecutive rounds means quitting the competition.

There will be no prizes in the international category, only the public announcement of your achievement and a certificate sent by e-mail. There is no registration fee, either.

If you want to participate, please fill in this online registration form.

Registration as an individual competitor: choose the “I am competing alone.” option on the form.

Registration as a team: each team member should fill in a registration form separately, choose the “I am a member of a team of 2-5 people.” option, and provide the same team name. We also need a contact person for each team. Please agree on a unique team name and choose a contact person from the team before starting the registration.

You should see an automatic confirmation message after the successful registration, but if you are in doubt about the success of your registration, ask the organisers via e-mail whether they have received your registration or not! You should receive the first round of tasks during the week after the application deadline. If you do not receive it, write to us!

The application deadline is:

5 November, 2026

Tolkien Food Week 2026

Tolkien food week 2026 themes

2nd of November- Dùnedain travel food

3rd Nov- plant-based

4th Nov- hobbit hole recipes

5th Nov - Elven feasts

6th Nov - at the Prancing pony

7th Nov- Dwarven banquets

8th Nov - at the Valar's table 🦅

Fics, recipes, ficlets, art, photos, polls, crack... have fun

These are mere suggestions ofc, you absolutely can post when you want on theme or not 😉

(Headers/banners here if you want)

The White Oliphaunt 2026

Sign ups will open on November 1st, 2026. See the blog linked in this announcement for more details.


Around the World and Web Archive

Events listed here are no longer active but are listed on the site for historical purposes.

Lúthien Week 2024

Lúthien Week will take place October 14 – 20, 2024 on Tumblr! This event is dedicated to the characters of the Beren and Lúthien story, from the star-crossed protagonists to faithful allies to villains ... and everyone in between!

Why October? It captures the mood of the story. In all its spookiness, October is the perfect month for Lúthien Week, as the tale features vampires, werewolves, talking dogs, and even talking cats (yes, I mean Tevildo). At the same time, October is cozy, and Beren and Lúthien is ultimately a comforting story to read while curled up in a blanket with a warm cup of tea.

Follow this blog to stay tuned for more info about Lúthien Week! Prompts to come soon. If you have questions, send an ask!

Prompts

Day 1: Lúthien | Beren

Love at first sight | Dancing | Eldritch

Day 2: Thingol | Melian | Barahir

Family | Promises | Inheritance

Day 3: Huan | Finrod | Orodreth

Friendship | Loyalty | Sacrifice

Day 4: Celegorm | Curufin | Daeron

Deception | Determination | Betrayal

Day 5: Sauron/ Thû | Tevildo | Draugluin

Imprisonment | Shapeshifting | Rescue

Day 6: Thuringwethil | Melkor | Carcharoth

Disguise | Enchantment | Battle

Day 7: Mandos | Dior | Descendants

Song | Life and Death | Legacy

Tolkien Society: Christopher Tolkien Centenary Conference

The Tolkien Society is pleased to announce it will be hosting the online Christopher Tolkien Centenary Conference on Saturday 23rd and Sunday 24th November 2024. Registration is free and can be done on the conference webpage.

Confirmed Speakers

  • Douglas A. Anderson — editor of The Annotated Hobbit
  • Nicholas Birns — author of The Literary Role of History in the Fiction of J.R.R. Tolkien
  • Sara Brown — lecturer on Tolkien, and Language and Literature Department Chair at Signum University
  • Sonali Chunodkar — researcher on secondary beliefs in Tolkien’s works
  • Michael D. C. Drout — editor of Beowulf and the Critics, and J.R.R. Tolkien Encyclopedia; co-editor of Tolkien Studies
  • Vincent Ferré — Professor in Comparative Literature (University Sorbonne Nouvelle), translator, and editor of Dictionnaire Tolkien. Literary advisor to the Estate of Christopher Tolkien
  • Dimitra Fimi — Tolkien scholar and fantasy professor at the University of Glasgow, co-editor of A Secret Vice, author of Tolkien, Race and Cultural History
  • Verlyn Flieger — editor of Smith of Wootton Major, The Story of Kullervo, and The Lay of Aotrou and Itroun; author of Splintered Light
  • William Fliss — Tolkien archivist at Marquette University’s Raynor Library
  • John Garth — author of Tolkien and the Great War, The Worlds of J.R.R. Tolkien and Tolkien at Exeter College
  • Christopher Gilson — chief editor of Parma Eldalamberon and leading member of the Elvish Linguistic Fellowship
  • Nick Groom — author of Twenty-First-Century Tolkien
  • Peter Grybauskas — editor of The Battle of Maldon: together with The Homecoming of Beorhtnoth
  • Wayne G. Hammond — co-editor of The Collected Poems of J.R.R. Tolkien, The Art of The Lord of the Rings by J.R.R. Tolkien, Roverandom, and co-author of J.R.R. Tolkien: Artist and Illustrator, The Lord of the Rings: A Reader’s Companion
  • Andrew Higgins — co-editor of A Secret Vice
  • Thomas Honegger — co-editor of Sub-creating Arda and Laughter in Middle-earth: Humour in and around the Works of J.R.R. Tolkien
  • Carl F. Hostetter — editor of The Nature of Middle-earth and Vinyar Tengwar
  • John Howe — artist who has illustrated covers for The Hobbit, The Lord of the Rings, and The History of Middle-earth
  • Yvette Kisor — researcher on medieval literature and the works of J.R.R. Tolkien, co-editor of Tolkien Studies and Tolkien and Alterity
  • Kristine Larsen — writer and researcher on science and astronomy in Tolkien’s works
  • Alan Lee — artist who has illustrated The Lord of the Rings, The Children of Húrin, Beren and Lúthien and The Fall of Númenor
  • Ted Nasmith — artist who has illustrated The Silmarillion and Unfinished Tales
  • Richard Ovenden — Bodley’s Librarian and co-editor of The Great Tales Never End
  • John D. Rateliff — author of The History of The Hobbit
  • Robin Reid — researcher on Tolkien fandom, fan fiction, and race in Tolkien’s works
  • Christina Scull — co-editor of The Collected Poems of J.R.R. Tolkien, The Art of The Lord of the Rings by J.R.R. Tolkien, Roverandom, and co-author of J.R.R. Tolkien: Artist and Illustrator, The Lord of the Rings: A Reader’s Companion
  • Brian Sibley — author of The Fall of Númenor
  • Chris Smith — the Tolkien editor of HarperCollins
  • James Tauber — researcher on corpus linguistics and digital humanities for Tolkien’s works

The full schedule will be published closer to the event.

Teitho October/November Challenge: Legacy

Welcome to the Teitho Contest, where you can participate with a variety of other writers and artists and send in stories and pictures based on our themes.

Join us in this writing and drawing contest!

A new challenge is posted every month. On the first day of the challenge, we announce a new theme on this site. You then have two months to create your entry, which has to be finished when you send it in.

After the deadline of the contest, the voting period begins. Based on the number of entries, it lasts for two or more weeks. The winners are usually announced a day or two after the end of the voting. Teitho remains one of the last prompt-based, independent, Tolkien fan-fiction/fan art monthly contests. Full contest guidelines are here.

Our prompt this month is Legacy.

What impact do past events have on the present? What traits, ideals or beliefs impact an individual’s followers or descendants? What do we leave for those who come after?

Legacies can be both positive and negative, as we see in the house of Fëanor.

It can be steadfastness, as we see in Fingolfin and his descendants.

An individual can leave a legacy, but so can a community or an entire culture—what legacy did Numenor leave to those who escaped the destruction?

It could be a written legacy like the Red Book of Westmarch, started by Bilbo Baggins to recount his quest for Erebor, then added to over the years to become much more than a simple diary.

A legacy may also be an object, an item passed down from individual to individual: a bequest, a sword, a ring, a property, an oath.

What will you choose to explore using this prompt? We look forward to your stories and art this month!

Please submit by November 30, 2024 to teitho.contest@gmail.com

October challenge at tolkienshortfanworks

The October challenge at tolkienshortfanworks has been posted to the Dreamwidth community.

The October Challenge is inspired by the Golden Shovel form.

Below you will find three stanzas of poetry by Tolkien.
Take a line or several lines from one or more of these stanzas.
Use the words of the line or lines you chose in your piece in the same order that they come in Tolkien's poem.
Use all the words of your line(s) in the same order, but fill the gaps between with new material, as you like, with no other restrictions. Your piece need not be on the same subject and can be in an entirely different tone or mode!
You can challenge yourself to use the chosen words at the beginning or end of sentences or lines of verse (if writing a poem), if you would like, but this is not required.


A)
Far over the misty mountains cold
To dungeons deep and caverns old
We must away ere break of day
To seek the pale enchanted gold.
(from: The Hobbit)

B)
Ere iron was found or tree was hewn,
When young was mountain under moon;
Ere ring was made, or wrought was woe,
It walked the forests long ago
(from: The Lord of the Rings)

C)
Tall ships and tall kings
Three times three,
What brought they from the foundered land
Over the flowing sea?
Seven stars and seven stones
And one white tree.
(from: The Lord of the Rings)

If you want to know more about the Golden Shovel, a poetic form invented by Terrance Hayes, you can find it explained here:
https://www.writersdigest.com/write-better-poetry/golden-shovel-poetic-form

More details on these monthly challenges at the entry linked above.

New participants welcome (a Dreamwidth account is required) and we welcome combination with  prompts and challenges from other communities and sites.

 

 

 

Tolkien Dwarf Week 2024

Tolkien Dwarf Week will take place on October 7 – 13, 2024 on Tumblr. All types of work you want to create are welcome: fanfiction, fanart, meta, music, moodboards, calligraphy, translations, transcriptions, rec lists… you name it!

The aim of this event is to show the underappreciated dwarves in Tolkien’s legendarium some love. (So while I probably won’t be outright excluding works about Thorin, Fíli, and Kíli, focussing on them is not the aim of this event, sorry.)

Please make sure to tag your posts with #tolkiendwarfweek and/or mention @a-grump-of-dwarves so that I can find and reblog them. If you are a bit late in posting, don’t worry: I will continue checking the tag regularly for at least a week after the event has officially ended, and probably a bit less regularly after that.

Prompts

Fanworks are welcome that do not fit the prompts. Just post them on whatever day fits for you.

  • Day 1 (October 7): 1st and 2nd Age
  • Day 2 (October 8): interactions with other cultures
  • Day 3 (October 9): dwarrowdams
  • Day 4 (October 10): travelling
  • Day 5 (October 11): culture
  • Day 6 (October 12): family
  • Day 7 (October 13): craft

Additional prompts can be found here.

Sigriel Week 2024

Sigriel Week is a week of fan creation celebrating the characters Sigrid and Tauriel from the Hobbit movies, timed to coincide with the date of the Battle of the Five Armies on 10 October 2941 of the Third Age of Middle-earth. The event will run on Tumblr from 7-13 October 2024.

Whether you see the relationship between Sigrid and Tauriel as romantic, platonic, queerplatonic or something else, your creations are welcome - and so are late submissions. Just mention this blog @sigrielweek in your posts and tag #sigrielweek2024 so we can see them and reblog!

Here are some prompts and themes to inspire you - each day has a theme and some suggested sub-themes. Feel free to interpret them however you like!

Monday 7 October - beginnings

  • did they meet for the first time when Tauriel and Legolas chased the Orcs into their home - or before?
  • the attack on Lake-town
  • how do they meet in an AU?

Tuesday 8 October - getting to know you

  • do they hit it off straight away or does it take a bit longer?
  • on the lakeshore
  • first steps towards friendship - or more?

Wednesday 9 October - we're in this together, we have separate paths

  • journey to Dale/Gundabad
  • in an AU, is there an age difference/background difference?
  • how do they reconcile the differences between them?

Thursday 10 October - crisis and aftermath

  • Battle of the Five Armies
  • loss and grief
  • supporting each other

Friday 11 October - someone really special

  • realisations of feelings
  • getting together
  • a special place in each other's lives

Saturday 12 October - getting away from it all

  • what does a day with no responsibilities look like?
  • what do they do for fun?
  • what part do their families and friends play in their lives?

Sunday 13 October - afterwards

  • does Tauriel stay in Dale?
  • happily ever after - or not?
  • does Sigrid inherit the crown instead of Bain?
  • what does Tauriel do after Sigrid dies?

October 2024 Call for Papers and Proposals

Popular Culture Association: Tolkien Studies Area

The Tolkien Studies Area (TSA) welcomes proposals in any area of Tolkien studies. We welcome scholars in all period specializations, from all disciplines, using any critical theory. We encourage interdisciplinary and multidisciplinary as well as collaborative work. The TSA defines "Tolkien studies" as including, but not limited to, Tolkien's Legendarium; adaptations, transformative works, and translations; cultural studies; critical race studies; digital and new media studies; fan and reception studies; feminist, gender, and queer studies; literary studies; medieval and medievalist studies; media and marketing; religious studies; source studies; tourism studies; and translation studies.

Academics, independent scholars, graduate students, and undergraduate students are invited to submit individual paper proposals, paper session proposals, and/or roundtable proposals. Presenters may present one paper and participate in one roundtable session.

All presenters must join the Popular Culture Association as members as well as pay a registration fee to attend the conference. These are separate fees that have been restructured to a tiered system taking into account that PCA members range from undergraduates to retirees, with salaries ranging from part-time, minimum wage to retiree pensions and social security.

All PCA sessions are scheduled in 1.5-hour slots. Paper sessions consist of four presenters, each speaking for fifteen minutes, followed by a group Q&A.

Roundtables are informal interactive discussions between five to seven participants and the audience. A roundtable focuses on a timely topic and is designed to raise questions and brainstorm for future scholarship. If you have an idea for a special topic for an academic journal issue or for an anthology, email Robin to find out how to organize a paper session and/or roundtable on the topic!

For individual paper proposals, please submit contact information (name, institutional affiliation [or "independent scholar"], e-mail address, and telephone number), your presentation's title, and a 500-word proposal describing your topic, chosen theory, methodology, argument, and its relevance to current scholarship.

For a paper session proposal, please submit your contact information, all the presenters' contact information, and a 100–300-word proposal for the session. All participants for your proposed paper session or roundtable must register for the conference and submit their individual proposals through the PCA database so they can be added to the paper session.

If you wish to organize a roundtable, please contact me directly at robinareid@fastmail.com. Only Area Chairs or PCA Admins can enter roundtables into the PCA database. Please note that the TSA can schedule only two roundtables; however, there are no limits on the number of paper sessions we can present!

The 2025 PCA Conference will be held in-person at the Marriott in New Orleans, from April 16-19, 2025.

See the 2025 PCA Conference website to submit paper proposals. Proposals are due by November 30, 2024.

Call for Proposals: Anthology on Women and Gender

We invite submissions for an anthology focused on women and gender in Tolkien’s writings, ‘Great Heart and Strength:’ New Essays on Women and Gender in the Works of J.R.R. Tolkien. In 2015, Janet Brennan Croft and Leslie A. Donovan published Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien, the first volume dedicated to the subject of women in Tolkien’s works and life, which collected the major milestones of feminist scholarship in Tolkien studies alongside new essays. Since then, feminist scholarship and gender theory has flourished in and outside of Tolkien studies. This volume will honor Croft and Donovan’s work and build on the past decade of feminist scholarship in Tolkien studies by presenting a new collection of essays on women and gender in the works of J.R.R. Tolkien.

Please send your proposal (no more than 300 words) and a short bio (100 words) to cami.agan@oc.edu by March 15, 2025.Working bibliographies encouraged.

Proposals should focus on women and gender in the legendarium or in non-legendarium texts by J.R.R. Tolkien, reflecting contemporary feminist and intersectional theory. Proposals may also focus on non-binary, trans, and gender fluid interpretations, as well as non-anthropomorphic topics such as landscapes and environments. All proposals should convey a thorough knowledge of previous feminist scholarship in Tolkien studies as well as current theory outside of Tolkien studies. We highly encourage intersectional work, which analyzes how gender intersects with other aspects of identity (such as race, sexuality, class, etc.).

Topics may include but are not limited to:

  • Female characters in the legendarium
  • Female characters in Tolkien’s non-legendarium works (such as The Fall of Arthur, The Lay of Aotrou and Itroun, etc.)
  • Non-binary, trans, and gender fluid interpretations of characters
  • Landscapes, environments, and material culture
  • Historical conceptions of gender
  • Intersections with race, sexuality, socio-economic class, etc.
  • Postcolonial analyses
  • Women and gender in adaptations of Tolkien’s work
  • Women scholars of the legendarium and/or women-centered treatments of Tolkien’s legendarium

Mythcon, the conference of the Mythopoeic Society, is scheduled for August 2025, and its theme is Women and Gender in Sci-Fi Fantasy, and we hope to organize several panels from the accepted submissions.

Mythopoeic Society Online Midsummer Seminar: Women and Gender in Mythopoeic Fantasy

The Mythopoeic Society invites paper submissions for an online conference that focuses on intersectional feminist approaches to women and gender in fantasy, science fiction, speculative fiction or other mythopoeic work. While the focus of this seminar is women and gender in mythopoeic works, we encourage proposals that acknowledge and analyze the intersectionality of gender with other aspects of identity, experience, and embodiment, including the non-human. Proposals should engage with developments in women and gender studies that both acknowledge and seek to move beyond the work of Perilous and Fair, drawing on theories and methodologies from recent years.

Papers, panels, and roundtables from a variety of critical perspectives and disciplines are welcome. We are interested in ANY form of media — text, graphic novels, comics, television, movies, music and music videos, games — as long as it can be described as fantasy or otherwise mythopoeic. We also welcome papers on the work of either of our Guests of Honor.

Each presentation will receive a 50-minute slot to allow time for questions, but individual presentations should be timed for oral presentation in 40 minutes maximum. Two or three presenters who wish to present short, related papers may also share one 50-minute slot.

Individual proposals (~200 words) with bios (150 words, maximum) should be sent to: oms-chair @ mythcon.org by March 31, 2025.

Group (two or three presenters) proposals should group the individual proposals together to send to: oms-chair @ mythcon.org by March 31, 2025.

Working bibliographies are welcome, but not required.

The seminar will be held August 2-5, 2025 on Zoom and Discord.

The full call for papers and more on the midsummer online seminar can be found here.

Coming Soon: Call for Proposals for McFarland's Critical Explorations in Tolkien Studies Series

We are sharing this information on behalf of Robin Anne Reid:

I recently signed a Letter of Agreement with McFarland Publishers to become the series editor for a new series, Critical Explorations in Tolkien Studies. The series will open for proposals in 2025 after I assemble an advisory board.

Scholars can submit proposals in either of two tracks. The first track is for single-author or collaborative monographs and edited collections written for academic experts that should be between 70-100K words long. The second track is for shorter Critical Companions, between 40-50K words long, written for a general audience including but not limited to students and fans. Submissions for both tracks will go through a double-blind peer review process.

Proposals on topics relating to Tolkien's published works as well as to the edited posthumous publications; the adaptations for film, television, and games; the translations; and fan transformative works (textual and visual) or other reception studies may be submitted to either track.

While peer-reviewed scholarship is a professional necessity for tenure-track and tenured academics, there is also value in shorter works, informed by critical theories, that focus on an aspect of single work or a thematic group of works, especially ones that have received less critical attention than The Lord of the Rings. The Critical Companions are designed to introduce a more general audience to analytical approaches and the scholarship in Tolkien studies by situating works in their socio-historical contexts; explaining how the text or texts fit into the field of Tolkien studies; and modelling how to apply critical theories to analyze primary texts.

The primary goals of the series are to add significant original contributions to Tolkien scholarship by developing and to create and support greater diversity in the field by embracing a wide definition of what Tolkien studies includes in relation to authors, texts, topics, theories, and methods.

Both single author and collaborative works, especially those foregrounding intersectionality, are explicitly welcome from authors without regard to ability status, age, caste, class, ethnicity, gender, nationality, religion, or sexuality. Approaches can include but are not limited to theories and methods from class studies, cultural studies, critical race studies; digital and new media studies; fan and reception studies; feminist, gender, and queer studies; film studies, languages and linguistics, literary studies (any period); medieval and medievalist studies; pedagogical studies, modernist and postmodernist studies, media and marketing studies; religious and theological studies; source studies; stylistics, and tourism studies.

Contingent faculty, early-career faculty, graduate students, independent scholars, tenure-track and tenured faculty in the Americas and worldwide who are trained in any discipline and period specialization are invited to submit proposals in either track and to consider applying to become m become a member of the advisory board.

The call for applications to the advisory board will be circulated shortly. Please email robinareid@fastmail with any questions you may have.

Tolkien at UVM 2025: Tolkien and War

The theme for the 2025 Tolkien at UVM conference will be Tolkien and War. The conference will be held on April 5, 2025, at the University of Vermont. Recent conferences have been hybrid and welcomed presentations and attendees online as well.

Signum University Regional Moots

These small, regional conferences are held at various dates and locations. See the Regional Moots page for more details.

Journal of Fandom Studies: Open Call for Papers

Journal of Fandom Studies seeks to offer scholars a dedicated, peer-reviewed publication that promotes current scholarship into the fields of fan and audience studies across a variety of media. We focus on the critical exploration, within a wide range of disciplines and fan cultures, of issues surrounding production and consumption of popular media (including film, music, television, sports and gaming).

The editors welcome general papers (between 6000 and 9000 words), interviews and book reviews (between 800 and 1200 words) as well as suggestions for thematic issues.

All articles submitted should be original work and must not be under consideration by other publications.

See the Journal of Fandom Studies open call for papers for more information.

Whumptober 2024

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier. Not sure what whump is? Check here!) The event is held on Tumblr and AO3. There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. They are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!

In total, there are 4 prompts for each day. These are optional suggestions and can be used in conjunction with the theme, or as options/alternatives.  We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participants as much creative freedom as possible.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

Please make sure to read the Event Info and FAQ carefully, as most of your questions will be answered there already. Whumptober has tagging guidelines, found in the Event Info. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

We’re very excited to see the community come together for another year of Whumptober! Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Silm Smut Exchange 2024

The Silm Smut Exchange is a gift exchange for mature and explicit Silm fanworks (fic and art), hosted on AO3. You'll sign up to create and receive a work of fanfic of minimum 1,000 words, or a piece of fanart consisting of, at minimum, clean linework on unlined paper featuring a character or ship from The Silmarillion. Either will have a mature or explicit rating.

Please familiarize yourself with the Silm Smut Exchange rules before participating. The goal of this exchange is to be fun and to foster enthusiasm for M- and E-rated works in Silmarillion fandom. Questions can be directed to the mod email account, silmsmutmod@gmail.com, to the exchange’s Tumblr askbox, or as a comment on Dreamwidth.

Schedule

Nominations: Sept. 30-Oct 7, 2024

Signups: Oct. 8-15, 2024

Works due: Nov. 22, 2024

Works revealed: Nov. 29, 2024

Creators revealed: Dec. 6, 2024

Tolkien Pinup Calendar Sluttiest Tolkien Character Bracket

Tolkien Pinup Calendar has decided to wade into the fray and create it's own bracket! In November, the bracket will go live but for right now we are taking submissions! Do you have a character you think is the sluttiest? Share it here!

The form allows you to submit a name, the media the character is from, propaganda (why you think they are the sluttiest), and images! And you can of course submit more than one character.

We look forward to seeing who you think is the sluttiest!