Around the World and Web includes announcements and items of interest from beyond the SWG.
Ainur Week 2026
Ainur Week will be returning from November 16 to 22, 2026.
Glorthelion Week 2026
𝐖𝐞𝐥𝐜𝐨𝐦𝐞 𝐭𝐨 𝐆𝐥𝐨𝐫𝐭𝐡𝐞𝐥𝐢𝐨𝐧 𝐖𝐞𝐞𝐤 𝟐𝟎𝟐𝟔
Hello everyone and welcome to another year of Glorthelion week! An entire week dedicated to Glorfindel and Ecthelion relationship.
The event will run on Tumblr from November 16th to November 22nd. All creations are welcome, as long as it is created by you. Don't forget to tag #glorthelionweek and mention the blog (to make sure I can see your creation in case tags don't work).
Prompts are not mandatory! You can follow them, be inspired by them or let your imagination go wild and create whatever you want! Event rules can be found here.
Prompts 2026:
↳ Day one: A Glance across the Square | The Bells of Festivals | Gifts of the Heart
↳ Day two: Words in the Dark | Following the Star | The Weight of the Sword
↳ Day three: Silver and Gold | Sun and Moon | The Roar of the Waterfall
↳ Day four: Silver Flutes | The Language of Flowers | Water Mirrors
↳ Day five: A Final Glance | Entrusted Secrets | "I will find you again"
↳ Day six: Ashes and Sorrow | Waiting in Mandos | Forever Changed
↳ Day seven: Beyond the Circles of the World | Constellations | The Promise Kept
Happy creating!
Nolofinwëan Week 2026
Nolofinwëan week welcomes fan creations centering any members of the House of Fingolfin and their descendants through the ages.
Nolofinwëan week welcomes fan creations centering any members of the House of Fingolfin and their descendants through the ages.
To Participate:
- Create fanfiction, fanart, headcanons, close readings and musings, moodboards, photography, rec lists or anything else that inspires you to celebrate Nolofinwëan characters.
- Mention the blog @nolofinweanweek in your post and include the hashtag #nolofinweanweek2025 in the first 10 tags.
- If you would like, add your work to the AO3 collection.
- Take inspiration from the nonmandatory daily prompts.
- Complete one or more of the community challenges.
Rules & Requirements:
- There are no minimum or maximum requirements; anything goes!
- There are no content restrictions or rules on tagging beyond what AO3 requires of you. If you post to tumblr and your fill is Mature or Explicit, and/or falls under one of AO3’s major warnings, please provide tagging on your post, though!
- That said, please refrain from using genAI.
- This fest operates firmly under the premises of ‘don’t like; don’t read,’ ‘ship and let ship’ and ‘your kink is not my kink but that’s okay’ (if you’re unfamiliar with these concepts, see this post). We will not tolerate any shaming, harassment, or attempts to police content.
The mod runs on CET, but folks can post content or interact with the blog at their convenient time.
All prompts are non-obligatory—feel free to interpret as loosely or closely, to cross-match, or to ignore altogether!
Day 1: It Was But a Dream
- Characters: Turgon, Anairë, Idril
- Silmarillion Phrase: “poured forth their joy in music and song”
- Inspirational art:
Amber Fort, Jaipur #1 Photograph by Inger Hogstrom
Day 2: Breath of Darkness
- Characters: Elenwë, Argon
- Silmarillion Phrase: “there was now no returning”
- Inspirational art:
The Night Is Stirring (Anger) by Zao Wou-Ki
Day 3: Light Splinters the Sky
- Characters: Eöl, Eärendil, Gil-galad
- Silmarillion Phrase: “as a naked flame”
- Inspirational art:
Day 4: Embraced in the Mist
- Characters: Fingon, Aredhel
- Silmarillion Phrase: “green things even among the pits and broken rocks”
- Inspirational art:
Shan-Shui style painting by Yang Tianyou
Day 5: Flames Arising in Might
- Characters: Fingolfin, Maeglin
- Silmarillion Phrase: “shadows of madness and despair”
- Inspirational art:
Burning the Slums of Nairobi by Kiure Francis Msangi
Day 6: The Sea’s Embrace
- Characters: Elros, Elwing, Tuor
- Silmarillion Phrase: “still hope may seem bright”
- Inspirational art:
Moon Trace Art Installation by Guangzhou Academy of Fine Arts
Day 7: New Beginnings; Old Longings
- Characters: Elrond, Celebrían, Peredhil Descendants
- Silmarillion Phrase: “love would lead me”
- Inspirational art:
14th International Tolkien Mailing Competition
The Hungarian Tolkien Society invites you to join the international “Quendi” category of the Tolkien Mailing Competition: five rounds of quizzes, riddles and creative tasks. This category is organised in English, open to any individual participant, and also to teams of 2–5 people. The five rounds of the competition will last from November to April. Application deadline: 5 November, 2026.
The Tolkien Mailing Competition ("TLV" abbreviated from its Hungarian equivalent "Tolkien Levelező Verseny") takes place for the 21st time this year—and it is international for the 14th time. In the first years it was organised only in Hungarian, and only for groups of Hungarian students aged 10–18-years. As many people above this age group became interested in the competition, we launched a separate category for individuals in Hungarian, and at the same time we decided to go international. The outcome was definitely encouraging. In the past few years the international Quendi category had many participants (and for a while even an organiser) from various foreign countries: you can see here the final results of the previous competition.
(Click here for the Hungarian article about all categories.)
In the international Quendi category both the challenges and the communication will be entirely in English—but you don't have to be perfectly fluent in English for taking part in the competition. You only have to be able to understand the texts by Tolkien, and maybe to write a story or an essay—it does not have to be of academic level. The competition was originally devised for middle and high school students, and we did not make big changes in the style, but it is open to anybody who feels young enough for it. You can always choose to count your years by Elvish standards!
Participation in the Quendi category requires a thorough knowledge of The Hobbit, The Lord of the Rings, and The Silmarillion. Other works by Tolkien may be needed occasionally, as some questions (riddles, quizzes, etc.) can refer to those, but you will have about four weeks for each round, that is, plenty of time to look up in the books everything you might need.
Besides the quizzes, there will be creative challenges. For example, you may be asked to describe a situation, write a short poem, make a drawing or take a photograph, etc. We would like to be proud of our participants, so we ask you to share the rights of your creative productions royalty-free (and you accept this condition by your registration for the competition). Your works—with due credit to authors/artists—might be published by the Hungarian Tolkien Society, e.g. on our website, www.tolkien.hu, or in our journal, the Lassi Laurië. (You can read about Lassi Laurië in English here.) Please do not publish these works yourself without consulting us first, and especially not before the end of the competition. (Artwork submitted by teams is credited as teamwork by default, but you can add the name of the actual author/artist for each piece.)
You can participate in the Quendi category alone as an individual competitor, or you can participate as a member of a team of 2–5 people. The individual competitors and the teams will receive the same set of tasks, but the winner will be announced separately for individuals and teams.
As an individual competitor, you can make the decision to solve only the quizzes or only the creative tasks in each round: besides the absolute winners of the individual and team subcategories, the separate winners of the lexical and the creative parts will also be announced. This choice is only available for individual competitors, teams are expected to do the full version!
We will go on with the team competition only if we receive at least 5 applications from teams. If we have to cancel the team competition, team members will have the opportunity to compete on their own or to withdraw their application. There is also a maximum limit of 60 competitors (individuals and teams counted together) in the Quendi category (and we got quite close to this limit last year).
The contest starts in November and continues until April. Every month you will receive the questions of the next round (five rounds overall), and you will have to submit your solutions until the indicated deadline (you will have about four weeks for each round). Communication is done via e-mail. Our e-mail address is tlv[at]tolkien.hu: questions and comments are always welcome there. We are happy to answer all your questions about the competition—except disclosing the solutions of the actual tasks.
Not submitting your solutions for two consecutive rounds means quitting the competition.
There will be no prizes in the international category, only the public announcement of your achievement and a certificate sent by e-mail. There is no registration fee, either.
If you want to participate, please fill in this online registration form.
Registration as an individual competitor: choose the “I am competing alone.” option on the form.
Registration as a team: each team member should fill in a registration form separately, choose the “I am a member of a team of 2-5 people.” option, and provide the same team name. We also need a contact person for each team. Please agree on a unique team name and choose a contact person from the team before starting the registration.
You should see an automatic confirmation message after the successful registration, but if you are in doubt about the success of your registration, ask the organisers via e-mail whether they have received your registration or not! You should receive the first round of tasks during the week after the application deadline. If you do not receive it, write to us!
The application deadline is:
5 November, 2026
Tolkien Food Week 2026
Tolkien food week 2026 themes
2nd of November- Dùnedain travel food
3rd Nov- plant-based
4th Nov- hobbit hole recipes
5th Nov - Elven feasts
6th Nov - at the Prancing pony
7th Nov- Dwarven banquets
8th Nov - at the Valar's table 🦅
Fics, recipes, ficlets, art, photos, polls, crack... have fun
These are mere suggestions ofc, you absolutely can post when you want on theme or not 😉
(Headers/banners here if you want)
The White Oliphaunt 2026
Sign ups will open on November 1st, 2026. See the blog linked in this announcement for more details.
Around the World and Web Archive
Events listed here are no longer active but are listed on the site for historical purposes.
Gore Swap 2024
Goreswap is an exchange for stories and art that feature gore as a prominent element. Goreswap will run in 2024 with the following schedule:
Nominations: January 12-19
Sign ups: January 20-27
Assignments out by: January 30 (ideally earlier)
Works Due: Sunday March 10
Reveals: Friday March 22
All deadlines are 11:59 PM EST/EDT. Please note that daylight savings in this timezone begins the day of the deadline and check the counter!
WIP International Fanworks Day Mini Bang 2024
The WIP International Fanworks Day Mini Bang is an informal Mini Bang meant to finish stories between 500 and 7,499 words in time for International Fanworks Day.
Writing Starts- January 1st
Writing Ends- February 14th
Posting Begins- February 15th
Posting Ends- February 22nd
All times are by 8:59pm PST. Convert time zones.
British Library: Twenty-First Century Tolkien with Nick Groom and Dimitra Fimi
J.R.R. Tolkien is a colossal figure in fantasy fiction: his visionary creation Middle-Earth and its inhabitants have captured the imagination of millions of people around the world. Its origins were closely interwoven with his own life experience and deep study of language and literature, but went on to be a cultural phenomenon, with adaptations including Peter Jackson’s blockbuster films of The Lord of the Rings and The Hobbit and more recently the TV series The Rings of Power.
Nick Groom's book Twenty-First-Century; Tolkien What Middle-Earth Means To Us Today is an engaging and radical reinterpretation of the beloved author’s work. He is joined in conversation by Dimitra Fimi, author of Tolkien, Race and Cultural History. They are chaired by Adam Roberts, an award winning novelist, and historian of literature.
The lecture will run on 9 January 2024 at 7:30 PM GMT. You can view the lecture here.
Fellowship of the Fics: January Trope Roulette
We hope everyone had a wonderful holiday! Now that we're in the new year, get ready to see some new changes to the FOTFICs blog that we're so excited to share. One thing that isn't changing, is our love for monthly events to help promote creativity!
Do you recognize this one from last year?
Welcome to January Trope Roulette!
The goal is very simple - spin the roulette wheel (link below) twice and whatever AU/Trope(s) you get, write something (drabble, one shot, 100k+ novel, etc) featuring the two mashed together (If you get the same one twice, spin again.)
This is to encourage exploration into other tropes/situations that maybe we as writers never considered before, and can work as a great writing exercise to get you going for the day!
Be sure to tag #fotfics so we can see what amazing works you guys come up with!
→ January Trope Roulette Wheel
Bonus: let your followers spin the wheel and send in the fun combinations they get!
Purim Gifts 2024
Purim Gifts is an annual all-fandoms-welcome exchange for fanfic and/or podfic (participant's choice) with a side helping of art, focused on characters who are at least one of: women, Jewish, or persecuted by evil viziers.
Purim Gifts celebrates the Jewish holiday of Purim, which commemorates one smart orphan-girl saving her people from genocide (plotted by the king's vizier) and becoming a queen while she's at it. You totes don't have to be Jewish to participate!
2024 Schedule:
SIGNUPS & NOMINATIONS - Fri-Fri 5-12 Jan (anywhere in the world) DEADLINE - Fri 15 March (anywhere in the world) REVEALS - Sat-Mon 23-25 March
Got more questions? You can:
- Send us an ask
- Join our Discord server (fresh link posted weekly until signups end)
- Email us at purim_gifts@yahoo.com
January 2024 Call for Papers
Centre for Fantasy Literature Studies: Magic System as the Key Element in Fantasy Worldbuilding
This conference is hosted online on 25th –26th January at 11am (+2 GMT) by the Centre for Fantasy Literature Studies at the Taras Shevchenko Institute of Literature, National Academy of Sciences of Ukraine.
How does one choose a magic system for a fantasy world? How do we employ magic to build a dialogue with reality? Fantasy fiction is brimming with magic systems ranging from ritual magic to elemental, from dominating and manipulative magic to the one that is shaped by a dialogue between equals. A magic system in fantasy literature can be defined as a conglomeration of magic sources, manifestations, practices and implements that interact with one another and the environment and are employed by magic users to produce an impact on the world at various levels or to create an illusion of such an impact in accordance with the in-universe laws. You are invited to participate in a conversation about the principles of magic system modelling and functioning in fantasy fiction. Issues to be discussed include but are not limited to:
- Magic systems in fantasy short stories / novels / series / worlds;
- Magic systems typology within one world or at the metagenre level;
- Magic systems in action: sources, mechanisms, implementations, potentials and limitations;
- Magic systems as a space for creative experiments and collaboration between
- the author and the reader. Magic systems and fandoms;
- Magic system analysis through the prism of poetics, genre, narrative theory, etc;
- Correlation of fantasy magic systems with contemporary social, psychological, political concerns (gender, postcolonial, environmental studies, etc.).
Proposals are accepted till 10th January 2024.
To submit a proposal, please fill in the form.
Languages: English and Ukrainian
25-minute presentations will be followed by 5-minute discussions
Tolkien at UVM 2023: The Psychologies of Middle-earth
This hybrid conference will be held 13 April 2024 at the University of Vermont.
This is our 20th annual conference. The theme is The Psychologies of Middle-earth. We are excited to have Dr Sara Brown as our keynote!
Please submit abstracts (150 words) to Dr. Chris Vaccaro (at cvaccaro@uvm.edu) by the deadline of January 15th 2024. The registration fee is $25 and covers breakfast and lunch and helps to pay for our tech support for the virtual modality.
Abstracts can cover various applications of psychology including myth, religion, art, sexuality, world building, race and ethnicity, feminism, queer theory, class consciousness, ideology, PTSD, trauma, desire, disability, and much more.
Proposals Due: January 15, 2024
Note that SWG members often attend this conference! Message Dawn if you are thinking of attending and want to meet up.
Tolkien Society Seminar: Tolkien's Romantic Resonances
We are now calling for papers for the Tolkien Society 2024 seminar, on the theme Tolkien’s Romantic Resonances, which will be a hybrid event held online and in-person at the Hilton Hotel, Leeds on 6th July 2024.
This seminar seeks fresh and innovative readings of Tolkien’s Romantic Resonances that are in dialogue with modern scholarship on Romanticisms, Romantic aesthetics and Romantic-period histories. The seminar understands ‘Romanticism’ and the ‘Romantic’ as complex, nuanced terms that elude simplification, traditional historical markers, and solely Anglocentric readings. We welcome proposals that address the broader application of the terms.
Proposals should be no more than 300 words and biographies no more than 100 words. An additional box has been provided for proposed bibliographies if you wish to include one. The deadline for the call for papers is end of day Thursday 29th February 2024. Paper proposals should be submitted here.
Find the full call for papers here.
German Tolkien Society Seminar: Tolkien and His Editors
Tolkien, in paratextual parts of his main work The Lord of the Rings, introduced himself as the editor and translator of the Red Book of Westmarch. A similar conjecture can be found in Farmer Giles of Ham, which comes with a scholarly preface and purports to be the translation of a medieval manuscript. These rather playful examples should be set alongside the real-world editors of Tolkien’s works. In his will, Tolkien made his youngest son Christopher (1924-2020) his ‘literary executor’ with “full power to publish edit alter rewrite or complete any work of mine which may be unpublished at my death or to destroy the whole or any part or parts of any such unpublished works as he in his absolute discretion may think fit and subject thereto” (official copy of Tolkien’s will, 23 July, 1973). Until his death (16 January 2020), Christopher actively fulfilled his role as ‘literary executor’ and edited and made available to a wide audience countless texts from Tolkien’s estate – and thus strongly influenced the perception and understanding of the works already published during Tolkien’s lifetime. Above all, The Silmarillion (1977), which he edited and, as was established in retrospect (Kane 2009), was heavily modified by him, had a major influence on Tolkien research.
In addition to the central figure of Christopher Tolkien, who could have celebrated his 100th birthday in 2024, the roles of the editors Stanley and Rayner Unwin, the biographer Humphrey Carpenter (Biography; Letters), the student and later colleague Alan Bliss (Hengest and Finn), the daughter-in-law Baillie Tolkien (The Father Christmas Letters) or the Elvish Linguistic Fellowship should also be examined.
The aim of this seminar is to bring together researchers from different disciplines to explore the various questions and problems posed by the publication of Tolkien’s work.
Possible starting points for presentations would be:
- Christopher Tolkien (1924-2020) as ‘co-author’ of Tolkien’s work
- Censorship and restriction: the search for the ‘true’ Tolkien biography
- Tolkien’s posthumous academic work
- The publication of the works on the Elvish (and other) languages
- Access to and handling of Tolkien’s manuscripts and notes in the Bodleian and the Marquette
The 20th Seminar of the German Tolkien Society is supported by Walking Tree Publishers and will take place in a hybrid format at the RWTH Aachen from 11-13 October 2024.
Interested applicants are requested to send a short synopsis (no longer than one page) and a short biography as well as their preference (attendance in person or online presentation) to Thomas Fornet-Ponse by 31 May 2024: hither-shore@tolkiengesellschaft.de
See the full call for papers here.
Mythmoot X: Homeward Bound
This hybrid conference will be held 22-25 June 2024 at the National Conference Center in Leesburg, Virginia.
Mythmoot annual conference brings together students, fans, staff, and friends of Signum University, the Mythgard Institute, Signum SPACE, and Signum Academy. Our online and in-person completely hybrid event combines the best of scholarship and friendship in four glorious days.
The call for papers for this conference has not been posted yet. The conference webpage is here.
Signum University Regional Moots
These small, regional conferences are held at various dates and locations. See the Regional Moots page for more details.
Many thanks to Robin Anne Reid and her Online Conference Project for handily compiling this information on a regular basis!
Teitho January/February Contest: Looking Back
Our prompt for Jan/Feb is Looking Back.
What memories exist from the road behind? Are there people or places thoughts linger on?
Or are there situations to look back on warmly or perhaps with regret?
Fond thoughts on times past or people we have met—which will you choose?
Or is Looking Back more immediate for you—a danger lurking behind or a need for vigilance on the road?
Will we be looking back at Tirion? Gondolin? The Shire? Those left behind? The road that brought us to where we are now?
We look forward to your stories for this challenge!! Please submit to teitho.contest@gmail.com by Feb 29, 2024.
Also! Don’t forget our current challenge SNOW, which runs through Jan 31, 2024!
January Challenge at tolkienshortfanworks on Dreamwidth
The tolkienshortfanworks challenge for January has been posted at the tolkienshortfanworks community on Dreamwidth.
The thematic challenge is: building.
This could be a completed building (and any of the buildings in Tolkien's works) or the process of building or any of the senses and uses of "to build", including those that do not involve stones, bricks or mortar.
The formal challenge is to write something cumulative, a form that builds up and keeps getting longer!
Examples of this are the song "Old MacDonald Had a Farm" or the nursery rhyme "This is the House that Jack built".
Your version need not be a song or poem, it can also be prose.
Some further examples (from different languages and cultures) are discussed and linked on these two Wikipedia pages: cumulative tales and songs.
As usual, these can be filled separately and freely combined with SWG and other challenges. New participants welcome.
More details on the challenge at the linked post.
AO3 Demographics Survey
This project is an independent survey (not affiliated with AO3) which seeks to research the demographics and behaviours of AO3 users. The survey will take about 10-15 minutes to complete, will be open until 1 February, and can be found at https://forms.gle/2kt5J17ipzcAbnFY9
We are hoping to survey as large a group of users as possible, so we really appreciate anyone who shares the survey, whether by reblogging this post or sharing posts on other social media.
If you have any questions for us, we have FAQs on Tumblr or on AO3 which will be updated as the project progresses. And of course, you can follow us on Tumblr or AO3 if you want to see the survey results!
Acorns and Oak Leaves: A Year of Bagginshield
Throughout 2024, the Bagginshield community Acorns and Oak Leaves offers monthly prompts to encourage new creations of all kinds (i.e. art, fics, gifs, etc) - but don't worry, there are no deadlines. Pick and choose whatever prompts you like, and be sure to tag the @acorns-and-oakleaves blog on Tumblr so we can share your Bagginshield creations!
Monthly prompts for the Year of Bagginshield can be found here.
