New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.

A character of few words may yet have great significance. An essay on Finarfin, the third son of Finwë and later King of the Noldor, and what he means to the story of the Silmarillion.

I took the opportunity of the August 2012 Non-fiction challenge at the LotR Community Live Journal to write up some very personal thoughts of my own. I spend a part of every month, trying to write a character biography for the Silmarillion Writers Guild. Those are certainly not free of opinion, but are hopefully written in a more objective and overall more scholarly tone than this one. Anyway, for your kind perusal is this piece, halfway between a rant and a whine, but filled with not only with heart, but references to the texts.

The in-universe authorship of LACE makes the document inherently unreliable.

A collection of answers and essays originally written as guest contributions to Ask Middle-earth's Scribe Sunday project on tumblr. Will be updated bi-weekly. Discontinued.

The Silmarillion sometimes reads like something from the Bible. That was deliberate on Tolkien's part. This essay explores three biblical motifs — Creation, the Fall, and what can be called the Saving of the Remnant — and how Tolkien uses them to weave his own unique story of Middle-earth.

Color is a basic category of language. Every culture has terminology denoting color, but they do not all 'see' the same colors. This is a look at the color terms that Tolkien translated into Quenya and Sindarin and what might be the sociolinguistic implications for these.

In July 2007, the Seven in '07 event honored the House of Fëanor and the inspiration it has given to the Tolkien fandom. Each character's page included a brief biography, archived here for ease of reference. Please see the Table of Contents for a listing of all available characters.