Cultus Dispatches: "The Rings of Power" Is a Ripple (So Far)
Tolkien Fanfiction Survey data for 2025 shows that "The Rings of Power" TV series has not had the same impact on the fandom as the film trilogies did ... so far.

After discovering an interest in female characters and femslash, Elleth used her enthusiasm for these fanworks to run multiple events that helped the Tolkien fandom undergo its transformation from dismissal of women characters to accepting and even celebrating fanworks about them.

The fandom has become a friendlier place for writing women, but its hostile history toward women-centric fanworks continues to exert a chilling effect for some, while other creators see potential in the legendarium and fandom's traditional lack of women characters.

Data from the Tolkien Fanfiction Surveys shows how time, demographics, and platform choice influence how fanfiction authors regard writing about women.

When you picture a Tolkien fanfiction writer, who comes to mind? The Tolkien Fanfiction Surveys of 2015 and 2020 provide insight on who is present in the fandom and which fans are missing.

As the Library of Moria prepares to close its doors, we look back at twenty years of the archive's history and consider the ways that the Library contributed to making slash and femslash a part of mainstream Tolkien fanworks fandom.

Peter Jackson's film trilogies become one of several text that writers of Tolkien-based fanfiction use in constructing their stories. This article considers how they select and use details from the films as inspiration, the reconcile the films and books, and to critique the films.

As the debut of Amazon's Rings of Power series approaches, fans wonder how their Tolkien fandom communities will be changed by the new show. Using Tolkien Fanfiction Survey data, this article makes the case that, while Tolkien-based media franchises bring new fans to the fanfiction fandom, the stories those fans write become almost wholly book-based.

In March 2022, the Tolkien Estate opened a newly designed website, including an FAQ that left fans asking: Did the Tolkien Estate just ban fanworks? We use the Estate's history, along with copyright law, to make the case that fans have nothing to fear.

Originally presented at the 2021 Tolkien Society Seminar "Tolkien and Diversity," this paper considers the historical and current use of fanfiction to address issues of representation in Tolkien’s canon.

Using the 2015 and 2020 Tolkien Fanfiction Survey data, this presentation reviews fandom demographics, use of sources, influence of the films, and use of sites and archives to post fanfiction, reviewing changes across the two data sets.

Data from the 2020 Tolkien Fanfiction Survey shows that, while authors and readers of Tolkien-based fanfiction are growing more comfortable with perceiving their work as having a critical purpose, they are still more likely to describe fanfiction as literary criticism when the process is not depicted as a challenge to Tolkien's authority as the author.

As a genre belonging almost exclusively to women, fanfiction creates a "room of their own," apart from mainstream publishing that is often hostile to women, for women authors to critically and creatively explore ideas in popular texts and, in the style of Tolkien, create new mythologies that appeal to them.

This paper, presented at the Mythmoot III conference in Baltimore, Maryland, on 10 January 2015, considers the history of Tolkien fan fiction, the development of online Tolkien fan fiction communities, and how writers of Tolkien fan fiction use their stories to learn more about the texts and develop analytical and critical approaches toward those texts.

Deciding what constitutes canon for the purpose of making fanworks relies partly on the words of the texts but also on the geographical and temporal vastness and diversity of Tolkien's world.

A review of the canon facts available on Nerdanel and discussion of why she remains so popular with fans despite her scarce appearances in the texts.