Fanworks Tagged with Heroism

Theft is heavily stigmatized in the Old English legal literature. This stigma carries over to fictional sources, including Beowulf. As a professor of Anglo-Saxon, Tolkien was heavily influenced by these sources. Multiple characters in Middle-earth shy away from the label of 'thief', even as they take actions which many would describe as stealing (see Bilbo, Beren, Lúthien). The balance between historical stigma and the more modern hero thief is mediated by judicious word choice and framing. 

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Part fandom-commentary and part literary-critical reading, this essay considers the interpretive ease with which Elrond’s “kindness” is conflated with moral coherence, particularly when it comes to treating his affective attachments to the Fëanorians and/or Elwing and Eärendil as absolute ethical verdicts. Drawing on affect theory, trauma theory and adaptation analysis, I explore a way to read Elrond’s kindness as a cultivated practice which is not incapable of bias or harm. By reframing Elrond as a figure whose kindness arises from ambivalence rather than moral certitude, I try to offer a perspective that considers how 'virtue' is not an innate or fixed quality but one shaped by violence, grief, loss and the structural constraints of doctrine.

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Although he considered Germanic literature some of his key inspirations, Tolkien's work deviated in its tendency to prefer the perspective of the humble over the privileged. Anérea spoke with Savannah Horrell about her upcoming Mereth Aderthad presentation "By Guile Committed: Comparing Tolkien’s Thieves to Beowulf" and how Tolkien's depictions of thieves differ from the Anglo-Saxon poem "Beowulf."

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Tolkien is often criticized for his simplistic, knight-in-shining-armor heroes. This essay argues that heroism and masculinity in Tolkien's works are not premised on this, but on love and loyalty.

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As a professor of Anglo-Saxon, Tolkien's stories are undeniably influenced by the literature of this early people. This essay considers how exile, fate, the warrior ideal, and masculinity in the Quenta Silmarillion were influenced by the Anglo-Saxon poem The Wanderer.

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