New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.

The enchantments woven into the woods of Nan Emloth are nothing compared to maternal love.
And so, Aredhel grabs Lómion and runs.
The enchantments woven into the woods of Nan Emloth are nothing compared to the grief of knowing you could had saved your loved one.
And so, Celegorm waits.

Some drabbles from the 1/19/2025 instabrabbling event

Every morning, I leave you; every evening, you bring me back. An endless game—until the day it is not.

The White Lady of the Noldor, seen by some of those who loved her best.
(Podfic of a triple drabble by Melesta)

Chroniclers will claim--above all else--that Maeglin left Nan Elmoth for desire of lordship alone. While we all know how the story ends, before that there was more: a mother and her son and a dark dark wood; three lives and three deaths, and the dazzling sunlight in between. This story is a portrait of the why behind the flight: family violence and a woman under siege, a child grown to adulthood in lonely darkness, learning to fight with only the tools provided him. It is a tale of childhood nightmares maturing into something more--manipulated by heart-darkened fathers and gently used by desperate mothers--until living becomes surviving and reality is a dream...

After the Fall of Gondolin, Maeglin's more than a little broken. Is there any hope for him?

For the marriage of the Eldar, what is "not wholly unwilling"?