New Challenge: Title Track
Tolkien's titles range from epic to lyrical to metaphorical. This month's challenge selected 125 of them as prompts for fanworks.

After the Fall of Numenor, the Elves of Lindon try to find out what happened to the ships of Isildur and Anarion. A pair of drabbles featuring Galdor and Anarion's wife.

Maglor finds himself alone with only sorrow and song for companions. But lamentation can neither undo the sorrows of which it tells, nor turn new hardships aside.

As a host of survivors makes the journey from Sirion to Amon Ereb under Maglor's leadership, old bonds unravel and loyalties crumble. But from the scraps and ruins, new and unlikely bonds take shape. A story of perseverance through suffering.

Drabbles created (and now polished) from February 15, 2025 Maedhros & Maglor week-themed Instadrabbling session)

Alphangil lives in Eglarest following the Dagor Bragollach, while Fingon remains in Hithlum. During a visit by Maedhros they find a way to bridge the distance.

Alphangil surprises her wife Fingwen and their lover Maedhris in the gardens of Barad Eithel. Fluff and smut ensue.

After an attempt on the High King's life, Celebrimbor realizes his priorities.

Netyalindë was walking home slowly, after the Valar announced the horror that had taken place in Alqualondë, promising it would be the last time such a deed is seen in their lands.
Her eyes had gotten used to the darkness around her she thought. Or perhaps it was that she knew those streets like the back of her hand-stitched pocket that currently held in secret the brooch that Fëanáro had made for her for her wedding to his second-born son.

Seven names a princess of Rohan and daughter of Helm Hammerhand might have borne, and the fates that accompany them.

After the attack on the Havens of Sirion, a figure from Maedhros' past comes face-to-face with him one last time.

Fingon returns to Barad Eithel after a late-autumn hunt, finding someone unexpected with his wife. The night takes an even more unexpected turn for all three of them.

Idril and Meleth (my OC) welcome Finduilas, Niënor, and other refugees into Havens after the Fall of Doriath, hoping they can start anew there. Finduilas's daughter is distraught about the situation. Also, how did Finduilas and Niënor make it to the Havens after the Fall of Doriath?

Curufin visits his wife in the forge with another creation in mind.

Written for Understory-challenge, inspired by StarSpray's story 'Rising as if Weightless'.
While his court is still enjoying the feast he gave in honour of the Princes of Doriath That Was, Olwë stands alone before the mosaic depicting him and his brothers.

Maglor receives treatment for his shortcomings.

The story of Ernis, wife of Fingon, and Erien, their daughter.

Set after the First Age, probably during the Second Age: Finrod is invited to a small private concert in Alqualonde by members of the Falmarin music academy. Introduced to a piece of music he had no idea existed, he is taken aback.
Now with a related poem: "No more laments for me" posted as second chapter.

Fingon and Maedhros go camping, taking Fingon's young daughter along with them. Once she falls asleep, they discuss their complicated feelings.

Celebrimbor's mother comes to visit him, bringing important news.

Gil-galad is released from the Halls of Mandos in the Fourth Age, but settling into Tirion is not as easy as she would hope.
Written for Tolkien Gen Week on Tumblr.

In the aftermath of the Dagor Bragollach, newly-crowned High King Fingon sends his wife and child to Eglarest for safety. The parting is bitter, as his wife has discovered a betrayal that Fingon has long concealed from her.

An early encounter between Gleowine the minstrel and the battle harp--and also between Gleowine and his future king, Theoden, son of Thengel.
Written for the Art's Desire challenge at the LOTR community (February 2017).
Inspired by Rohan icons created by Oshun for the July 2012 Art Challenge: Miniature.
Oshun commented on the icons: "It is part of my own personal, perhaps AU, canon to imagine that the Rohan as an oral culture made use of harps, including battle harps."
The icons depicted riders and a harp.

Riddles about two female characters from Rohan, and three drabbles each about these two female characters .