Around the World and Web includes announcements and items of interest from beyond the SWG.
Week of Kiliel
Welcome to Week of Kiliel!
This event will be held May 17-23! The goal of this week is to celebrate and be creatively inspired by the relationship between Tauriel and Kili Durin! We want to encourage The Hobbit community to make Kiliel art, fanfiction, edits, crafts, and more!
Rules:
• There are prompts for every day to inspire your creativity! You can pick one or multiple from each day, and they can be followed as loosely or as closely as you would like!
• Please use the tag “#week of kiliel” so we can reblog your entries! You can also tag @weekofkiliel! We are so excited to see and support all of your work!
• Late entries are fine, though we ask that you do not post earlier!
• If you have an existing work that fits one of these prompts that you would like to submit, that is fine, but please repost about it with the hashtag on the day it corresponds to! While we accept already existing works, we really want to encourage new Kiliel content as that is one of the goals of Kiliel week!
• NSFW is allowed! While none of the prompts are explicitly NSFW, NSFW is permitted as long as it is properly tagged!
• While the main ship and characters should be Kiliel, background ships and characters are welcome! However, for this event we do not accept Durincest or other incest ships.
NO AI WILL BE PERMITTED FOR THIS EVENT, ANY AI ENTRIES WILL BE UNOFFICIAL AND WILL NOT BE REBLOGGED OR ENDORSED
Prompts
Day 1 - Modern AU, First Kiss, Dating, Fluff
Day 2 - Courting, Erebor Never Fell AU, Wingman, Khuzdul
Day 3 - Sickfic, Poison, Angst, Healing
Day 4 - Mirkwood, Culture Shock, Meetcute, Sindarin
Day 5 - Height Difference, Cuddling, College AU, Bed Sharing
Day 6 - Crossover AU, Fake Dating, Arranged Marriage, Confession
Day 7 - Afterlife, Everybody Lives, Scene Rewrite, Alt First Meeting
Aspec Arda Week 2026
Aspec Arda Week: May 10th-16th, 2026
This event celebrates asexual and aromantic spectrum interpretations and headcanons of Tolkien's Legendarium.
Any creations about the aromantic and asexual spectrums are welcome! You can create edits, gifs, fanart, fanfic, fanmixes, and more! All versions of canon/fanon and characters are included, be it from the books, movies, TV, OCs, etc. Please tag your posts with #aspecardaweek AND @ mention this blog @aspecardaweek so that your work can be easily found. If you are posting your submission to AO3, we will have an event collection! This is not an event for generative AI works.
The prompts below are a guideline for the week’s events, though you are not obligated to stick to them when participating. They’re completely optional, and more of a source of inspiration than a mandatory guideline. Feel free to explore them however you’d like; an explanation for each is given, but you can interpret them differently if you want to.
Day 1 / May 10th: Asexuality || Hope
Day 2 / May 11th: Aromanticism || Community
Day 3 / May 12th: Across the A-Spectrum || Loneliness
Day 4 / May 13th: Worldbuilding || Dragons
Day 5 / May 14th: Relationships || Linguistics
Day 6 / May 15th: Intersectionality || Found Family
Day 7 / May 16th: Freeform
For further clarification, check out our FAQ, code of conduct, and prompts pages! Happy creating!!
Detailed Prompts
DAY ONE: Asexuality
What characters do you see as asexual? Why? How does that impact their lives?
Alternative prompt: Hope
DAY TWO: Aromanticism
What characters do you see as aromantic? Why? How does that impact their lives?
Alternative prompt: Community
DAY THREE: Across the A-Spectrum
“Asexual” and “aromantic” are umbrella terms encapsulating a wide spectrum of identities. From grayromantic to demisexual, and aroace to lithromantic —there are many other labels on the a-spectrum. This is a day for exploring those identities and the characters you associate them with.
Alternative prompt: Loneliness
DAY FOUR: World Building
How does acceptance and prevalence of aspec identity vary over both cultures and species?
Are all elves really baseline demisexual? What’s up with one third of dwarven populations focusing on their craft instead of taking a spouse? How do soul bonds work between elven couples who don’t want to have sex? Did Númenor get aphobic when they started distancing themselves from the Elves? Do aspec hobbits feel pressure to settle down and have large families?
Alternative prompt: Dragons
DAY FIVE: Relationships
Aspec people can have many different kinds of relationships, including romantic and sexual ones— but some kinds of relationships are more unique and common to the aspec communities, such as queerplatonic ones. Today is a day for exploring all these different kinds of relationships!
There are several relationships in Tolkien's works that could easily be read as queerplatonic, including Frodo & Sam, and Legolas & Gimli. There is also an interesting footnote in The Nature of Middle Earth which describes something like a queerplatonic relationship and provides some Quenya words for it.
Alternative prompt: Linguistics - Many of the terms for aspec identity come from root words of Latin, can you postulate translations for aspec terminology in any of Tolkien's languages?
DAY SIX: Intersectionality
There is more to a person’s life than just their orientation. Outside of fantasy species, how does being aspec interact with a character’s other identities and experiences, such as race or disability or religion? What’s the impact of a character’s aspec identity on their gender or other orientation labels? Today is a day for exploring the intersections of the aspec experience with other aspects of identity.
Alternative Prompt: Found Family
DAY SEVEN: Freeform
Post about something aspec related not yet covered in the topics this week, or return to a prompt you have more thoughts about! Alternatively, we have some additional prompts for inspiration that did not quite fit into the other days.
- Recommend a fic, meta post, etc. that includes aspec identity.
- How would a particular character respond to allonormativity / amatanormativity? What kind of amatanormativity / allonormativity have they faced?
- What is a particular character’s relationship with their aspec identity Is it a big part of their life?
- Post about an aspec character’s family, either found family, or blood relations. Does their family support them? Does their family (or society) have expectations of marriage and children of them?
- Post about aspec community (symbols, cultural practices, mentorship and friendship with other aspec characters) within the context a culture within Tolkien's Legendarium, or take a character and post about what parts an aspec community they would resonate with in a modern Earth AU.
Angbang Week 2026
This is the official blog of Angbang (or Melron) week.
We follow the tags "#AngbangWeek" and "#Angbang Week" as well as the current year variations of those tags. We have our ask box and DMs open if you have any questions!
List of prompts for Angbang Week 2026:
- Day 1: First meeting/Reunion
- Day 2: Dating/Intimacy
- Day 3: Competitions/Rivalry
- Day 4: Eyes/Gaze
- Day 5: Letters/Long distance communication
- Day 6: Last day together/Separation
- Day 7: Canon divergence
As always, there are two prompts a day to choose between. You may create any original work you feel relates to the prompt, and if you did not connect with a prompt, feel free to skip it. All previously unposted creations made by you are accepted (fic, art, moodboards, playlists, etc). For any adult content, please keep it below a read more and tag it accordingly.
When posting your works, please post them on the day the prompt appears on or on a later day and tag this blog directly by using @, or add one of the following tags (#angbangweek2026, #angbang week 2026) to your post's tag list so we know the post is for the event. Please note that the event rules have been updated to clarify that we do NOT accept any creations made using Generative AI of any sort, and as such we will not be featuring any such content on this blog. For any questions or further clarifications, feel free to reach out in the asks or DMs. Happy creating and we'll see you in May!
April/May Teitho Challenge
Our prompt for April/May is Heartbreak. There are so many possibilities with this one!
Will you go back to the very beginning with the heartbreak of Melkor’s discord during the creation?
Or will you take us to the time of Miriel and Finwë? Fëanor’s heartbreak at the loss of his mother?And later his father’s death? Or the loss of the Silmarils themselves, that led to so much heartbreak for so many?
The kinslaying. The ship burning. The Helcaraxë. Battle after battle. Betrayal. The heartbreak of The Oath itself.
The death of Fingolfin. Fingon. Finrod. The sons of Fëanor, one after another. The heartbreak of those left behind: Maglor, Galadriel, Elrond.
The tragedy of the House of Hurin.
Or will you come to the time of Celebrimbor—the glory of Eregion and Khazad-Dûm and the devastation that followed? The Last Alliance?
The travails of Frodo. The lonely travels of Aragorn. The heavy weight of duty straining the hearts of both Boromir and Faramir. Eowyn’s heartbreak in Edoras.
The doomed love stories that are woven into Tolkien’s books—Turin, Finduilas, Gwindor, to name a few.
Heartbreak can be so many things—with love, with loss, with changes that shift our entire world. But heartbreak can also be in the small moments—for a child, a parent, a friend, a comrade. It can be momentary or span years. Or even lifetimes.
Will you break our hearts with your stories and art this time? Or will you find a way to heal the heartbreak and find the hope that can endure and persist?
We can’t wait to see what you do with this prompt!
Submissions are due May 31, 2026. Please send them to teitho.contest@gmail.com
Your teitho mods
Sian22, Lotrfan, and Cassie.
Tolkien Reverse Summer Bang 2026
Schedule
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March
1: 2025 Gallery Opens
The Gallery for 2025 is live! Enjoy the beautiful pieces created for last year’s TRSB!
22: Suggestion Form Opens
This form gives potential authors (or anyone else who wants to play!) the opportunity to suggest characters, places and scenarios they would like to see in the submitted art. We will post a link to the form on our Tumblr and here on the website. The answers will feed into a publicly available spreadsheet listing the ideas submitted; artists can peruse this to get inspired!
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April
12: Sign-ups Open
We post links to our sign-up form on all the usual platforms. You can then sign up as an artist, an author, a beta, a cheerleader, a pinch hitter, or as two or more of these. Please see the ‘Sign-ups’ section of the FAQ for more details on what these terms mean.
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May
3: Artist Sign-up Deadline
9: Art Draft Due
Participating art submissions must be sent to the mods by this date to be eligible for the Claims Gallery.
For more details on how to do this, see the ‘Art Submissions’ section of the FAQ. Artists may submit up to two pieces of art, for claiming by two separate authors.10: Discord Server Opens
Come hang out with your fellow participants!
15: Art Previews Open
Our online gallery of art prompts will be visible to signed-up participants only. Signed-up authors can browse the artworks and see which pieces appeal to their muses!
16-17: Discord Art Talks
These are live chats on Discord with mod presence – start times to be announced – where we go through the beautiful gallery and admire the work of our artists. It has been great fun in past years!
20: Author Signups Deadline
23 (Saturday) 17:00 UTC: CLAIMS
Authors submit a ranked list of the artworks they would like to claim to write fic for. Claims are on a first-come, first-served basis. One artwork will be allocated to each claiming author; the mods will email you to confirm which piece you have successfully claimed and how to get in touch with your artist. See the ‘Claims’ section of the FAQ for more information.
TBA – Additional Claims
If any artworks are left unclaimed, we will hold one or more additional claiming rounds as needed. Generally, there will be 24 hours between rounds, but the timing is at the mods’ discretion. The additional round(s) will be announced to signed-up participants by email and on the TRSB Discord.
31: Post-Claims Check-in
The mods will email each artist/author pair to ensure that you have successfully established contact – even if you are not planning on a close collaboration, it is polite to check in with your partner, say hello, and make sure you’re both clear on must-haves and do-not-wants. One person from your pair must respond and confirm that you have done this!
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June
14: Free Rein Art Due
We know some artists like to give their authors as much creative freedom as possible, and we have a dedicated collaboration option for this (see ‘Art Submissions’ FAQs). However, this means we require these artists to share the final art with their authors much earlier than artists who are prepared to be more involved.
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July
12: Check-in #2
The mods will email each pair to ensure everything is on track. One person from your pair must respond – see ‘Check Ins’ in the FAQ.
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August
9: Final Art Due
Artists must share the final art with their authors – but don’t post it yet!
Don’t email it to the mods.16: Final Check-in (#3)
Deadline to abandon your fic to a pinch hitter. There will be no penalty for dropping out on or before this date. This year we ask both collaborators to contact the mods at the final check-in.
The mods will email all participants beforehand to ensure everything is still on track. We will ask you to confirm:
- Whether the art is complete (Artists: did you share it with your author? Authors: have you seen the final art?)
- Whether you have discussed posting logistics (ie, have you talked about how the art will be posted (embedded and/or posted separately to the collection), who will handle promo posting, any specific posting needs)
26: Art Can Be Posted
Artworks can be posted to your preferred platform on or after this date (but before they are due in the collection). Hype your collab wherever you like and get the excitement going! Artists should ensure that their author has received a link to the art for embedding or linking in the finished fic as agreed upon before August 30th (deadline for posting the fic to the collection).
30: Fic Due In Collection
Authors should post their stories in our AO3 collection with the artwork embedded or linked. See the “Posting fic” section of our FAQ.
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September
5: COLLECTION REVEALS
Around the World and Web Archive
Events listed here are no longer active but are listed on the site for historical purposes.
February 2025 Calls for Papers and Proposals
Call for Proposals: Anthology on Women and Gender
We invite submissions for an anthology focused on women and gender in Tolkien’s writings, ‘Great Heart and Strength:’ New Essays on Women and Gender in the Works of J.R.R. Tolkien. In 2015, Janet Brennan Croft and Leslie A. Donovan published Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien, the first volume dedicated to the subject of women in Tolkien’s works and life, which collected the major milestones of feminist scholarship in Tolkien studies alongside new essays. Since then, feminist scholarship and gender theory has flourished in and outside of Tolkien studies. This volume will honor Croft and Donovan’s work and build on the past decade of feminist scholarship in Tolkien studies by presenting a new collection of essays on women and gender in the works of J.R.R. Tolkien.
Please send your proposal (no more than 300 words) and a short bio (100 words) to cami.agan@oc.edu by March 15, 2025.Working bibliographies encouraged.
Proposals should focus on women and gender in the legendarium or in non-legendarium texts by J.R.R. Tolkien, reflecting contemporary feminist and intersectional theory. Proposals may also focus on non-binary, trans, and gender fluid interpretations, as well as non-anthropomorphic topics such as landscapes and environments. All proposals should convey a thorough knowledge of previous feminist scholarship in Tolkien studies as well as current theory outside of Tolkien studies. We highly encourage intersectional work, which analyzes how gender intersects with other aspects of identity (such as race, sexuality, class, etc.).
Topics may include but are not limited to:
- Female characters in the legendarium
- Female characters in Tolkien’s non-legendarium works (such as The Fall of Arthur, The Lay of Aotrou and Itroun, etc.)
- Non-binary, trans, and gender fluid interpretations of characters
- Landscapes, environments, and material culture
- Historical conceptions of gender
- Intersections with race, sexuality, socio-economic class, etc.
- Postcolonial analyses
- Women and gender in adaptations of Tolkien’s work
- Women scholars of the legendarium and/or women-centered treatments of Tolkien’s legendarium
Mythcon, the conference of the Mythopoeic Society, is scheduled for August 2025, and its theme is Women and Gender in Sci-Fi Fantasy, and we hope to organize several panels from the accepted submissions.
Tolkien Society Seminar: Arda's Entangled Bodies and Environments
The relationship between the body and the environment is at the heart of Tolkien’s writing. He even called his secondary world “Arda Marred” after Melkor’s discord led to all matter, vegetal and organic, having a “Melkor ingredient”. Yet even as early as ‘The Book of Lost Tales’ and in his writings not related to the legendarium, Tolkien shows a keen interest in the connection and ongoing relationship between the body and the earth, often linking the land’s health to the beings that inhabit it. Frequently the environs within his writing indicate they might be sentient, suggesting possible greater agency in Arda and his other worlds beyond his humanoid characters. Likewise, over the course of his writing career, Tolkien developed his ideas concerning the body, which play out in complex and even contradictory ways in his metaphysics and within his narratives.
This seminar invites analyses that explore the complexities of bodily experiences and environments. Building on a strong tradition of scholarship on embodiment and ecology in Tolkien’s writings and their adaptations, this seminar invites new and innovative readings of the entangled body and earth across Tolkien’s oeuvre and its adaptions.
Papers may address but are in no way limited to the following topics as they pertain to Tolkien’s writings and their adaptations:
- Bodies (physical, mental, emotional) and the environment;
- The built environment;
- (Non) Anthropocene and the biosphere;
- Medical studies (e.g. disability, ageing, motherhood/reproduction, trauma) and Environmental Bioethics (e.g. environmental law, ethics of the body and earth, climate change, pollution, agricultural practices, biodiversity);
- Temporality and spatiality;
- Intersectional studies (e.g. gender, race, sexuality, religion, disability, age, ethnicity, nationality) of the body and the earth;
- Liminality, borders, and boundaries;
- Travel and ecological symbiosis;
- The body, food, agriculture;
- Technology and industry;
- Enlightenment (e.g. rationality, categorisation, progress, science) and Romanticism (e.g. sensibility, sensation, subjectivity, earth as mental symbol, sublime, beautiful, picturesque, vast and minute);
- Historical perspectives;
- Linguistics and philology;
- Ecology, Dark Ecology, ecoGothic.
The CfP deadline is Friday 28th March.
We invite proposals of no more than 300 words for 20-minute papers with 5 minutes of questions and 500 words for 45-minute panel discussions with 15 minutes of questions. Bionotes for all authors should be no more than 100 words each.
Please submit your paper proposal here.
Please submit your panel proposal here.
Mythopoeic Society Online Midsummer Seminar: Women and Gender in Mythopoeic Fantasy
The Mythopoeic Society invites paper submissions for an online conference that focuses on intersectional feminist approaches to women and gender in fantasy, science fiction, speculative fiction or other mythopoeic work. While the focus of this seminar is women and gender in mythopoeic works, we encourage proposals that acknowledge and analyze the intersectionality of gender with other aspects of identity, experience, and embodiment, including the non-human. Proposals should engage with developments in women and gender studies that both acknowledge and seek to move beyond the work of Perilous and Fair, drawing on theories and methodologies from recent years.
Papers, panels, and roundtables from a variety of critical perspectives and disciplines are welcome. We are interested in ANY form of media — text, graphic novels, comics, television, movies, music and music videos, games — as long as it can be described as fantasy or otherwise mythopoeic. We also welcome papers on the work of either of our Guests of Honor.
Each presentation will receive a 50-minute slot to allow time for questions, but individual presentations should be timed for oral presentation in 40 minutes maximum. Two or three presenters who wish to present short, related papers may also share one 50-minute slot.
Individual proposals (~200 words) with bios (150 words, maximum) should be sent to: oms-chair @ mythcon.org by March 31, 2025.
Group (two or three presenters) proposals should group the individual proposals together to send to: oms-chair @ mythcon.org by March 31, 2025.
Working bibliographies are welcome, but not required.
The seminar will be held August 2-5, 2025 on Zoom and Discord.
The full call for papers and more on the midsummer online seminar can be found here.
Coming Soon: Call for Proposals for McFarland's Critical Explorations in Tolkien Studies Series
We are sharing this information on behalf of Robin Anne Reid:
I recently signed a Letter of Agreement with McFarland Publishers to become the series editor for a new series, Critical Explorations in Tolkien Studies. The series will open for proposals in 2025 after I assemble an advisory board.
Scholars can submit proposals in either of two tracks. The first track is for single-author or collaborative monographs and edited collections written for academic experts that should be between 70-100K words long. The second track is for shorter Critical Companions, between 40-50K words long, written for a general audience including but not limited to students and fans. Submissions for both tracks will go through a double-blind peer review process.
Proposals on topics relating to Tolkien's published works as well as to the edited posthumous publications; the adaptations for film, television, and games; the translations; and fan transformative works (textual and visual) or other reception studies may be submitted to either track.
While peer-reviewed scholarship is a professional necessity for tenure-track and tenured academics, there is also value in shorter works, informed by critical theories, that focus on an aspect of single work or a thematic group of works, especially ones that have received less critical attention than The Lord of the Rings. The Critical Companions are designed to introduce a more general audience to analytical approaches and the scholarship in Tolkien studies by situating works in their socio-historical contexts; explaining how the text or texts fit into the field of Tolkien studies; and modelling how to apply critical theories to analyze primary texts.
The primary goals of the series are to add significant original contributions to Tolkien scholarship by developing and to create and support greater diversity in the field by embracing a wide definition of what Tolkien studies includes in relation to authors, texts, topics, theories, and methods.
Both single author and collaborative works, especially those foregrounding intersectionality, are explicitly welcome from authors without regard to ability status, age, caste, class, ethnicity, gender, nationality, religion, or sexuality. Approaches can include but are not limited to theories and methods from class studies, cultural studies, critical race studies; digital and new media studies; fan and reception studies; feminist, gender, and queer studies; film studies, languages and linguistics, literary studies (any period); medieval and medievalist studies; pedagogical studies, modernist and postmodernist studies, media and marketing studies; religious and theological studies; source studies; stylistics, and tourism studies.
Contingent faculty, early-career faculty, graduate students, independent scholars, tenure-track and tenured faculty in the Americas and worldwide who are trained in any discipline and period specialization are invited to submit proposals in either track and to consider applying to become m become a member of the advisory board.
The call for applications to the advisory board will be circulated shortly. Please email robinareid@fastmail with any questions you may have.
Tolkien at UVM 2025: Tolkien and War
We are excited to have John Garth as our keynote speaker, and we are encouraging all abstracts but will give priority to those on the theme. Possible topics include but are not limited to:
- War in Europe
- War in Middle-earth
- War and Tolkien’s poetry
- Heroic battle poetry
- War and Tolkien’s English
- War in the films/TV shows
- Gender/Sexuality and War
- Psychology and War
- Religion and War
Please submit 200 word abstracts to cvaccaro@uvm.edu by Sunday, February 2nd.
Signum University Regional Moots
These small, regional conferences are held at various dates and locations. See the Regional Moots page for more details.
Journal of Fandom Studies: Open Call for Papers
Journal of Fandom Studies seeks to offer scholars a dedicated, peer-reviewed publication that promotes current scholarship into the fields of fan and audience studies across a variety of media. We focus on the critical exploration, within a wide range of disciplines and fan cultures, of issues surrounding production and consumption of popular media (including film, music, television, sports and gaming).
The editors welcome general papers (between 6000 and 9000 words), interviews and book reviews (between 800 and 1200 words) as well as suggestions for thematic issues.
All articles submitted should be original work and must not be under consideration by other publications.
See the Journal of Fandom Studies open call for papers for more information.
February challenge at tolkienshortfanworks
The February Challenge at tolkienshortfanworks has been posted to the community on Dreamwidth.
The thematic challenge for this month is: recovery.
This could be the recovery of a person from illness (as Frodo's recovery in Rivendell) or the recovery of a place or a community from any kind of crisis or the recovery of a thing by somebody, whether abstract or concrete: the recovery from plague, the recovery of a crown or a treasure, the recovery of hope, the recovery of vegetation...
The formal challenge is: story-telling.
Your piece should show one or more than one person passing on a story or tale by word of mouth (not excluding sign language). Maybe an opportunity to think about how that can work differently from purely written communication?
As usual, these can be filled separately and freely combined with other prompts, such as the SWG's monthly challenge prompts.
More details on these challenges in the linked post.
New participants welcome.
Finish Your Fucking Fics February 2025
Ultimately, the goal is to have fun, and finish whatever WIPs you can (without burning yourself out or having a bad time). If you needed a sign to pick up that project you've been putting off, the time is now!
Find the bingo card image here!
Prompts on the card, from left to right:
Top Row
- Update your oldest WIP
- Finish a WIP that's been buried deep in your drafts
- Finish a WIP that you haven't posted yet
Second Row
- Finish a recent WIP
- Finish a WIP you're scared of
- Finish a WIP that's been haunting you
Third Row
- Update a partially posted WIP
- Finish any WIP/Free Space
- "Finish the next WIP in a series you've been avoiding
Last Row
- Update your newest WIP
- Finish a WIP that's been ignored for at least 6 months
- Finish the next chapter for a fic you've been meaning to for months
Fandom Trumps Hate 2025
FTH is an online auction of fanworks that generates donations to progressive nonprofits that are working to protect marginalized people. We began FTH in the immediate aftermath of the 2016 Presidential Election, and over the course of the last 8 years have raised over $300,000 for a range of amazing organizations.
Here is this year’s list of supported organizations. We’ll be posting more detailed profiles of each of them over the coming weeks. We also encourage you to look at the Auction FAQ (which has lots of useful information for people thinking about signing up as creators, as well as dedicated sections on bidding and on nonprofit orgs.) If you’re raring to go, you can look at our bidding policies.
Lastly, in a couple of weeks we’ll be kicking off our newly-revived offscreen activism tumblr blog, FTHAction. If you're on tumblr, give us a follow!
FTH2025 Auction Calendar
Monday, January 20th: creator signups open for both the auction and the crafts bazaar
Sunday, February 2nd: creator signups close
Friday, February 21st: browsing period begins, crafts bazaar announcement goes live
Tuesday, February 25th, 8am ET: bidding opens
Saturday, March 1st, 8pm ET: auction bidding closes
Monday, March 10th: craft stalls close
Wednesday, March 12: proof of donations due
Femslash Big Bang 2025
Sign ups for the 2025 Femslash Big Bang open January 12th, 2025 (7pm AEDT)
Rules
- Write 10k of fic OR create 2 pieces of art for the yearly challenge
- 1k of fic or 1 piece of art for the monthly challenges (optional, for those who want to do something shorter)
- A femslash ship must be the main pairing (others can be included, but as side or background pairings)
- Any fandom goes!
- OFCs, RPF + Crossover all allowed
- Can also be original works not just fic or fanart
If Entering
- follow our blog for updates
- Updates posted in the #ffbb2025 tag
- Don’t forget to participate in the check-ins
- Emails to a form will be sent out to complete check ins, as well as a post on this blog.
- read this how-to on posting fic for the final challenge
Schedule/Important Dates (full list version)
- Sign-ups close on the 28th of February
- Final Due Date for the Big Bang Challenge is August 30th, 2025
- Monthly challenges (separate to the big bang) run from February to November (start on the 1st of the month, and end on the last day of the month).
Other links
- AO3 Collection (for past and future entries)
- FAQ
Purimgifts 2025
Purimgifts signups & noms are now OPEN!
@purimgifts is an annual all-fandoms-welcome exchange for fanfic and/or podfic (participant’s choice) with a side helping of art, focused on characters who are at least one of: women, Jewish, or persecuted by evil viziers.
@purimgifts celebrates the Jewish holiday of Purim, which commemorates one smart orphan-girl saving her people from genocide (plotted by the king’s vizier) and becoming a queen while she’s at it. You totes don’t have to be Jewish to participate!
2025 Schedule
SIGNUPS & NOMINATIONS end 12 Jan
DEADLINE Fri 7 March (anywhere in the world)
REVEALS 13-15 March
Got more questions? You can:
- Send us an ask
- Join our Discord server here (feel free to bug us for fresh links!)
- Email us at purim_gifts@yahoo.com
Helpful Links
January Challenge at tolkienshortfanworks
The January challenge has been posted to the tolkienshortfanworks community on Dreamwidth.
The thematic challenge is: small comforts.
A hobbit-like start to the year!
But there are all sorts of small comforts to be had, in all Ages, if we put our minds to it.
The formal challenge is: include a list of ingredients, short or long.
If your small comforts happen to be culinary, that could be an actual recipe.
But it could also be the ingredients of a medical remedy or, in arts and crafts, of ink or dye, etc.
You could go for a metaphorical list of ingredients as well!
The prompts can be filled separately and freely combined with other challenges that allow this. New participants welcome. More details on the challenges at the linked post.
January 2025 Call for Papers and Proposals
Call for Proposals: Anthology on Women and Gender
We invite submissions for an anthology focused on women and gender in Tolkien’s writings, ‘Great Heart and Strength:’ New Essays on Women and Gender in the Works of J.R.R. Tolkien. In 2015, Janet Brennan Croft and Leslie A. Donovan published Perilous and Fair: Women in the Works and Life of J.R.R. Tolkien, the first volume dedicated to the subject of women in Tolkien’s works and life, which collected the major milestones of feminist scholarship in Tolkien studies alongside new essays. Since then, feminist scholarship and gender theory has flourished in and outside of Tolkien studies. This volume will honor Croft and Donovan’s work and build on the past decade of feminist scholarship in Tolkien studies by presenting a new collection of essays on women and gender in the works of J.R.R. Tolkien.
Please send your proposal (no more than 300 words) and a short bio (100 words) to cami.agan@oc.edu by March 15, 2025.Working bibliographies encouraged.
Proposals should focus on women and gender in the legendarium or in non-legendarium texts by J.R.R. Tolkien, reflecting contemporary feminist and intersectional theory. Proposals may also focus on non-binary, trans, and gender fluid interpretations, as well as non-anthropomorphic topics such as landscapes and environments. All proposals should convey a thorough knowledge of previous feminist scholarship in Tolkien studies as well as current theory outside of Tolkien studies. We highly encourage intersectional work, which analyzes how gender intersects with other aspects of identity (such as race, sexuality, class, etc.).
Topics may include but are not limited to:
- Female characters in the legendarium
- Female characters in Tolkien’s non-legendarium works (such as The Fall of Arthur, The Lay of Aotrou and Itroun, etc.)
- Non-binary, trans, and gender fluid interpretations of characters
- Landscapes, environments, and material culture
- Historical conceptions of gender
- Intersections with race, sexuality, socio-economic class, etc.
- Postcolonial analyses
- Women and gender in adaptations of Tolkien’s work
- Women scholars of the legendarium and/or women-centered treatments of Tolkien’s legendarium
Mythcon, the conference of the Mythopoeic Society, is scheduled for August 2025, and its theme is Women and Gender in Sci-Fi Fantasy, and we hope to organize several panels from the accepted submissions.
Mythopoeic Society Online Midsummer Seminar: Women and Gender in Mythopoeic Fantasy
The Mythopoeic Society invites paper submissions for an online conference that focuses on intersectional feminist approaches to women and gender in fantasy, science fiction, speculative fiction or other mythopoeic work. While the focus of this seminar is women and gender in mythopoeic works, we encourage proposals that acknowledge and analyze the intersectionality of gender with other aspects of identity, experience, and embodiment, including the non-human. Proposals should engage with developments in women and gender studies that both acknowledge and seek to move beyond the work of Perilous and Fair, drawing on theories and methodologies from recent years.
Papers, panels, and roundtables from a variety of critical perspectives and disciplines are welcome. We are interested in ANY form of media — text, graphic novels, comics, television, movies, music and music videos, games — as long as it can be described as fantasy or otherwise mythopoeic. We also welcome papers on the work of either of our Guests of Honor.
Each presentation will receive a 50-minute slot to allow time for questions, but individual presentations should be timed for oral presentation in 40 minutes maximum. Two or three presenters who wish to present short, related papers may also share one 50-minute slot.
Individual proposals (~200 words) with bios (150 words, maximum) should be sent to: oms-chair @ mythcon.org by March 31, 2025.
Group (two or three presenters) proposals should group the individual proposals together to send to: oms-chair @ mythcon.org by March 31, 2025.
Working bibliographies are welcome, but not required.
The seminar will be held August 2-5, 2025 on Zoom and Discord.
The full call for papers and more on the midsummer online seminar can be found here.
Coming Soon: Call for Proposals for McFarland's Critical Explorations in Tolkien Studies Series
We are sharing this information on behalf of Robin Anne Reid:
I recently signed a Letter of Agreement with McFarland Publishers to become the series editor for a new series, Critical Explorations in Tolkien Studies. The series will open for proposals in 2025 after I assemble an advisory board.
Scholars can submit proposals in either of two tracks. The first track is for single-author or collaborative monographs and edited collections written for academic experts that should be between 70-100K words long. The second track is for shorter Critical Companions, between 40-50K words long, written for a general audience including but not limited to students and fans. Submissions for both tracks will go through a double-blind peer review process.
Proposals on topics relating to Tolkien's published works as well as to the edited posthumous publications; the adaptations for film, television, and games; the translations; and fan transformative works (textual and visual) or other reception studies may be submitted to either track.
While peer-reviewed scholarship is a professional necessity for tenure-track and tenured academics, there is also value in shorter works, informed by critical theories, that focus on an aspect of single work or a thematic group of works, especially ones that have received less critical attention than The Lord of the Rings. The Critical Companions are designed to introduce a more general audience to analytical approaches and the scholarship in Tolkien studies by situating works in their socio-historical contexts; explaining how the text or texts fit into the field of Tolkien studies; and modelling how to apply critical theories to analyze primary texts.
The primary goals of the series are to add significant original contributions to Tolkien scholarship by developing and to create and support greater diversity in the field by embracing a wide definition of what Tolkien studies includes in relation to authors, texts, topics, theories, and methods.
Both single author and collaborative works, especially those foregrounding intersectionality, are explicitly welcome from authors without regard to ability status, age, caste, class, ethnicity, gender, nationality, religion, or sexuality. Approaches can include but are not limited to theories and methods from class studies, cultural studies, critical race studies; digital and new media studies; fan and reception studies; feminist, gender, and queer studies; film studies, languages and linguistics, literary studies (any period); medieval and medievalist studies; pedagogical studies, modernist and postmodernist studies, media and marketing studies; religious and theological studies; source studies; stylistics, and tourism studies.
Contingent faculty, early-career faculty, graduate students, independent scholars, tenure-track and tenured faculty in the Americas and worldwide who are trained in any discipline and period specialization are invited to submit proposals in either track and to consider applying to become m become a member of the advisory board.
The call for applications to the advisory board will be circulated shortly. Please email robinareid@fastmail with any questions you may have.
Tolkien at UVM 2025: Tolkien and War
We are excited to have John Garth as our keynote speaker, and we are encouraging all abstracts but will give priority to those on the theme. Possible topics include but are not limited to:
- War in Europe
- War in Middle-earth
- War and Tolkien’s poetry
- Heroic battle poetry
- War and Tolkien’s English
- War in the films/TV shows
- Gender/Sexuality and War
- Psychology and War
- Religion and War
Please submit 200 word abstracts to cvaccaro@uvm.edu by Sunday February 2nd.
Signum University Regional Moots
These small, regional conferences are held at various dates and locations. See the Regional Moots page for more details.
Journal of Fandom Studies: Open Call for Papers
Journal of Fandom Studies seeks to offer scholars a dedicated, peer-reviewed publication that promotes current scholarship into the fields of fan and audience studies across a variety of media. We focus on the critical exploration, within a wide range of disciplines and fan cultures, of issues surrounding production and consumption of popular media (including film, music, television, sports and gaming).
The editors welcome general papers (between 6000 and 9000 words), interviews and book reviews (between 800 and 1200 words) as well as suggestions for thematic issues.
All articles submitted should be original work and must not be under consideration by other publications.
See the Journal of Fandom Studies open call for papers for more information.
Fandom Snowflake Challenge 2025
Fandom Snowflake is an annual challenge with prompts and tasks related to fandom. Every odd-numbered day we’ll be posting a challenge for the day where you can participate & leave a comment with a link to your post (or just "I did it!", which is also good ^_^). Remember there’s no deadline, so you if miss a challenge on the day, feel free to post it on another day. You may also skip a day if you won’t have fun on the challenge, the Snowflake Challenge is meant to be something fun to start the new year with, don’t strain yourself trying to do everything if you can’t or don’t find it fun!
As for what you can post about: anything that brings you joy & excitement! Here fandom is meant to be a coming together or people sharing a passion. Fanworks can be anything you poured a piece of yourself in, anything you worked on, anything you made that brings you joy!
Prompts
Challenge #1: – Update fandom information
Challenge #2: – Your Fannish Origin Story
Challenge #3: – Talk about a fannish opinion that's changed over time
Challenge #4: – Set Goals
Challenge #5: – Talk about what has improved in your life thanks to fandom
Challenge #6: – Share a favorite piece of original canon
Challenge #7: – Wishlist
Challenge #8: – Fandom Promo
Challenge #9: – Create Something
Challenge #10: – Fandom Firsts
Challenge #11: – Favorite Trope, cliche, kink, motif, theme
Challenge #12: – Rec Post
Challenge #13: – Comment Challenge
Challenge #14: – Create Your Own Challenge
Challenge #15: – Talk about an unexpected joyous moment you experienced last year
Arafinwëan Week 2025
Welcome to Arafinwëan Week! This is a new event following in the footsteps of @arafinweanweek, last run in 2019. This event celebrates the House of Finarfin and all of its descendants.
The event will run January 5–11 and accepts all types of fanworks. There is an AO3 collection for the event here.
Below are some suggested prompts for each day of the week. They are not mandatory; feel free to combine them or disregard them entirely.
Day 1: Finarfin | Eärwen | pre-Darkening | family, duty, and kingship
Day 2: Finrod | Darkening and Flight of the Noldor | oaths, loyalty, and sacrifice
Day 3: Angrod | Aegnor | Crossing of the Helcaraxë and the War of the Jewels | lordship, allies, and vassals
Day 4: Galadriel | Second Age | choices and regrets
Day 5: Orodreth | Finduilas | textual ghosts | Third Age | heritage, history, and heirlooms
Day 6: Gil-Galad | Celebrían | Arafinwëan OCs | Valinor and re-embodiment | future and legacy
Day 7: Later generations | free choice
Please mention @arafinwean-week (mind the dash! arafinweanweek is the old event's blog) in the body of your post and tag #arafinweanweek and #arafinweanweek2025 in the first 10 tags. You may also submit a post. Please place any NSFW content beneath a read more/link to AO3.