Founded in 2005, the Silmarillion Writers' Guild exists for discussions of and creative fanworks based on J.R.R. Tolkien's The Silmarillion and related texts. We are a positive-focused and open-minded space that welcomes fans from all over the world and with all levels of experience with Tolkien's works. Whether you are picking up Tolkien's books for the first time or have been a fan for decades, we welcome you to join us!
New Challenge: Scavenger Hunt In this Matryoshka-with-a-twist, you will solve clues that point you to the challenge prompts.
Sign-Up to Hand Out Scavenger Hunt Prompts Our May challenge will be a Matryoshka built around a scavenger hunt. If you'd like to hand out prompts (and receive comments on your work for doing so!), you can sign up to do so.
New Challenge: Everyman Create a fanwork about an ordinary character in the legendarium using a quote about an unnamed character as inspiration.
Cultus Dispatches: Fanworks, AI, and Resistance by Dawn and Grundy The fan studies column Cultus Dispatches returns with a history of how Tolkien fanworks fandom has reacted and resisted generative AI by drawing strong boundaries in a way that is not typical for the fandom.
This is my new poetical attempt to add my own interpretation to Tolkien's Cosmology as to Eru's Creation and the Valar's minds and behind-the-scene providence reasons and mechanisms.. I often review Eä as part of our own world, just in another dimension, this is why I have always seriously…
In his old age, Isildur's former esquire Ruinamacil, known to later histories only as Ohtar, writes his own account of his escape from the ambush at Gladden Fields and journey to Imladris, and the history of his friend whom Isildur ordered to flee with him.
Fëanor shrugged, studying the contents of his wine glass. “Something must be done about that house. It will fall down eventually.” “It does not follow that it must be you that tears it down single-handedly. Are you sure you do not want help?” “It’s not as though I…
Rescued from a brutal Angband hunt, an ex-thrall with a strange and powerful artifact embedded in his spine is brought to Himring, for it is one of the only places in Beleriand which welcomes such folk. Though he has no memories of his life before, Anniavas slowly becomes accustomed to his new…
By definition, fanworks fandom does not draw a lot of boundaries, but community archives and events have taken a strong stance against AI-generated fanworks due to ethical considerations and member input.
In a book as full of death as the Quenta Silmarillion, grief and mourning are surprisingly absent. The characters who receive grief and mourning—and those who don't—appear to do so due to narrative bias. Grief and mourning (or a lack of them) serve to draw attention toward and away from objectionable actions committed by characters.
This presentation for Mereth Aderthad 2025 discusses the parallels between the concept of abnegation in the scientific work surrounding the atomic bomb and in The Silmarillion. The relinquishment of self-interest in favor of the interests of others, abnegation was identified by Tolkien as a powerful act of spirit and reason. The legendarium has many examples of the complexities of abnegation, which parallel similar discussions held by physicists during and after World War II.
Bilbo, the strange old hobbit with the wandering feet, senses something special in young Frodo the first time he sees the lad; as they become close, they find in each other a cameraderie not well understood by other hobbits. Five poignant moments between Bilbo and Frodo Baggins over the course…
A Chieftain is dead. And whilst the events surrounding his death are unclear, a son tries to come to terms with his loss.
Around the World and Web
Scribbles and Drabbles 2026
Scribbles & Drabbles is a fic and art exchange with a minimum word count of 100 words.
Russingon Week 2026
A Tumblr week event focusing on the relationship between Maedhros and Fingon.
Boromir Week 2026
If you are Boromir girlies/gents/stans/simps, then this event is for you! So, come join us, and bring your fanfiction, art, gifs, moodboards, and headcanons that highlight everything you love about our Captain of Gondor!
Silmarillion Epistolary Week 2026
Silmarillion Epistolary Week is a Tumblr challenge dedicated to creating fanworks to tell the story of the Silmarillion in the style of an epistolary novel.
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.
That is very interesting concept. A writer can more or less imagine what they want to in regard to her tapestries, since The Silmarillion only mentions that she depicts "all things that have ever been in Time" into her storied webs. However,if they can only see events which relate to them or their peoples, they are not going to learn very much. In any case, it is your tale to tell and it is lovely in its construction. One must imagine with your version that the tapestries are designed to be comforting and soothing, instead of informative and didactic. But here I am thinking of the Halls of Mandos as rather like a school or reformatory than a place of rest or healing. Yours might be a nicer place. It is a thought-provoking story line.
Thank you, Oshun! I should probably have been more clear in the story - anyone can see the tales of all that has been, it's merely that even if say the story is about the First Kinslaying, if a Sinda is viewing it, it would look like one of their own tapestries (unless, I suppose, they willfully tried to imagine it looking a different way). It's not that they can't see all things, it's that I didn't want to imagine tapestries where all the tales of the world are told in only style - and while it's problematic for people to only view it from their own style of tapestry, I judge it slightly less problematic than housing dead Sindar, Silvan, and Avari in Halls where they can only see work in the styles of people who have, from a certain point of view, doomed them to either live in those Halls forever or be reborn in a land that isn't theirs.
It's kind of like those art museums that only house European art - I like European art! It's just that I'd rather there be more than one style of art, and I'd rather people not have to look at only that art when they're people who have been oppressed/colonized by some European power.
My Halls are sort of healing, sort of reformatory. They're really a place with mostly flawed people who don't quite know what they're doing, learning how to understand each other.
Thanks for the clarification. I can totally see that perspective there now. You wrote and I read over it. Well, is clearer to me now. No apology needed--I should have re-read it before dashing off a comment. Anyway, it made me think a lot.
I suppose sometimes one thinks of Vaire's tapestries more unmediated like photos than of being art in a certain style, but of course even photos have their styles and these tapestries are supposed to be made with thread, even if it's supernatural thread...
Everyone would find the style they are used to easiest to read.
Ideally. I think they would be able to learn to see and read a different style, if they wished to, although many might not wish to?
Thank you! And yes, even photos do have their own style - I mean, not everything can be in the photo, the focus differs depending on who is taking it, etc.
I definitely think everyone would be able to see a different style, if they wanted to, the question is how many would actually want to (I like to think this ability is discovered by somebody whose ancestors were from two very different groups and who sees the tapestries change before them as they think of different family members).
Comments on Tapestries of Shimmering Thread
The Silmarillion Writers' Guild is more than just an archive--we are a community! If you enjoy a fanwork or enjoy a creator's work, please consider letting them know in a comment.